"Robson Farms. The Final Harvest"

Harvest season is winding down. It’s a camera, not a combine, I use, but I’m observing more open fields than standing corn or beans lately. I’m told it’s a good crop this year. Spring planting, fall harvesting. A cycle for all farmers, some of them for generations.

Ten years ago, Wataga resident Michael Robson approached me, asking if I’d be interested in documenting a project for him and his family. I’ve known Michael from my very first days in Galesburg as a photographer at the Register-Mail newspaper. Michael was the athletic director at Galesburg High School. He and his two brothers, David and Dan, were sons of a farmer. Their father, John, was a second generation, maybe third generation, farmer. It was not uncommon to spot John and his wife Chey at the local DQ on Thursday evenings.

Michael lives in the house his dad grew up in on the farm property, His mom and dad had built a ranch style home just across the fields. The two brothers live away from this area. All three men had found, or chosen, different career paths than their dad. At some point, everyone in the family knew the string would end with John.

The timeline moved up, not by choice, when health issues crept up on John. He was 83 years old in the fall of 2015 and had been going strong before.

Michael’s idea was for me to make trips to the farm at various times and days, and make photos of whatever was going on. They would be bringing in corn and soybeans with the help of hired hands, Dick Kelly and Larry Lytle. For four years previous to 2015, Michael was an integral player in the planting and harvest seasons, very involved in the farm operations.

I jumped at the chance to do the work. Stories are the backbone of photojournalism, a chance to expand. Greg Mellis, a friend, great photographer, editor, and now owner of a paper, said this. “I don’t care about singles (one photo), anyone can get lucky. I wanna see stories. They tell me how you think.” A typical story has a “lead” photo, a “closer", and a few in between. Detail shots are important too. In the newspaper business, a story was usually limited to four-six photos due to space. In the digital age, with galleries, space is unlimited. As a result, redundancy in content is a risk. “Every photo should tell you something different,” I’ve been told.

Michael and I communicated on when the best opportunities might be for photos. I had some ideas too, wanting to make sure I caught daylight and nighttime hours, key moments, etc. To tell the story!

The first day for photos was September 30th. I’d never met Dick or Larry before but jumped right in. All four men quickly grew comfortable with me around. The guys acted like I wasn’t around, which is exactly what a photographer hopes for, to capture real moments. There were staged portraits as well.

The further into the project, the more varied it became with situations and emotions. Larry and I were atop a grain bin when the wind blew his hat off his head. John once crouched down, mirroring and mimicking me as I had lowered myself for an angle of him near a combine. John and Micheal stood by a grain cart for me. The portrait was posed, the positioning was not. The cart brand was J&M, the initials of the father and son! In looking back, Michael has noted that in nearly all photos, Michael is walking to his dad’s left, and they are walking in near unison.

Every day, John drove his pickup truck across the fields to have lunch with Chey. I knew this could be a very important photo for the story. Realizing as well, that it was a private moment for the Robsons. A photographer is only as good as the access they are given. Access is earned by trust. I explained how much of lasting impact the photo would have. I sensed only a second of thought and hesitation before I was told I could follow John to the house. I worked quickly and quietly. I feel the story would be weaker without it. When Michael had books produced, allowing me to lay out the photos, I ran it across two pages of the book. A “double truck” it’s referred to in the publishing business.

The last day came. Dick and Larry were on hand, standing nearby, when Michael and his dad, both in the cab of the combine, took out the last of the corn. What we wound up calling “The Final Harvest” was complete.

John Robson passed away the following spring. His passing brought to mind coach Bear Bryant and Peanuts cartoon creator Charles Schultz, who died one day after the last cartoon strip published. A man has to have a sense of purpose. John Robson’s was farming. A slide show of many photos from the harvest played at his visitation, helping tell of John’s life.

Mrs. Robson and Larry Lytle have also passed since this project.

Seven trips and a combined 12 hours were spent at the farm. Just under 2,000 photos were made. Michael has told me many times, he’s so glad he had me do the project. It was an honor and privilege to work with five fine people.

Photos have SO much impact! It’s important to document and preserve memories. If you have a farmer, a butcher, baker, or candlestick maker in your life, I’d love to do more of these stories/projects.

“A picture’s worth a thousand words.” Below are 24 that tell the story better than I can.

Wataga, IL farmer John Robson in the fall of 2015. John is standing near his favorite location, able to see all points of the land.

One of the very first photos made for the project. From left, Larry Lytle, Dick Kelly, John Robson, and his son, Michael Robson.

Corn harvest.

John Robson operates a combine during the fall harvest of 2015.

Dick Kelly, Larry Lytle, and Michael Robson, from left.

Larry Lytle, left, and John Robson, during a coffee break.

Michael Robson in the kitchen of his home. A sketch of the farm hangs behind him.

John and Michael walk the property.

Soybeans in the early evening light.

Michael Robson takes his turn in the combine near sunset.

Work doesn’t stop when the sun does.

Mr. John Robson.

The hands and gloves of a farmer.

Michael walks with his father after John’s shift in the combine. It was lunchtime.

John and Chey Robson say Grace before lunch in their home.

Corn is emptied from a grain cart into an elevator grate.

John mimics the photographer, who had crouched for a lower angle as John got out of the combine.

John and Michael with a grain cart. Ironically, the brand name shares the initials of their first names.

A load of corn arrives from the fields.

Michael and John. Two generations of men and tractors.

Dick Kelly, left, and Larry Lytle stand nearby as Michael and John, run the combine through the last few rows of corn.

Michael and John harvest the last of the corn, completing the 2015 harvest at the Robson farm.

Michael Robson, left, and his father, John.

The last pair of boots and gloves of Wataga farmer John Robson


"Every Picture Tells a Story. WIU homecoming parade"

A quick one.

It’s “homecoming season.” High schools, colleges, and universities seem to use late September through mid-late October as the window for homecomings and the activities that come with the event. I photographed for Monmouth College last weekend, I believe Knox College celebrated the week before. Crisp air, fun times.

I went to Carbondale to see a Bob Dylan concert in the fall of 1978. Not only was it homecoming, it was Halloween weekend. 12,000 people, partying in the streets. I was attending Culver-Stockton College at the time. A small school, located in Canton, MO. I decided SIU was the place to be, transferred the next semester, attended, and pretty much bombed out.

This photo… After taking a year off, I wound up at Western Illinois University in Macomb, IL. Well on my way in wanting to beome a photojournalist, I was honing my photography skills. First, at the student newspaper, The Western Courier, then, The Sequel, the WIU yearbook.

My camera gear at that time was a Nikon FM body, a 24mm lens, a 35mm lens, and a 105mm lens. That’s it. No second body or long lenses. And NO motor-drive on the FM.

This is from 1982. I was covering the homecoming parade, standing on the north side of West Adams street near Lake Ruth. Right across the street from the WIU Alumni House. Floats and people were rolling by. The hill in front of the alumni house made for good viewing. Everything was routine until…

A guy broke from the crowd and jumped onto a cannon, being pulled along by the college ROTC department. He hung there, one arm draped over the barrel, his drink in the other hand, wild eyed. The move definitely livened things up!

The photo was made with the 35mm lens, the lens on the camera at the time. I’ve looked back on this moment and second guessed myself as to whether the 105mm lens would have tightend things up some. Again, I had no second body, and in the time it would have taken to change lenses the moment would have been gone. He wasn’t out there long. “Looser” might be better here. You can enjoy the reactions from those on the hill across the street. There is a lot going on, and to study. Too tight and you wouldn’t see the reactions.

The Tri-X negative of this frame is missing in action. All I have is one print, mounted to a matte board, with the caption taped to the back. Charlie Mueller is his name. Thankfully, the print is of decent quality, and, by golly, I was tack sharp on this one. With no negative, I don’t know how many frames I made. 1-3 at the most, having no motor-drive, I was cocking the shutter lever each time. It was truly “the moment”, as we say in photojournalism.

A frame from the 1982 WIU homecoming parade.

The caption, taped to the back of the matte board.

"Concert Flashback. Bachman-Turner Overdrive"

Concert Flashback. October 21st, 1975. Bachman-Turner Overdrive. Kiel Auditorium. St. Louis, MO. Ticket price $7.50

It was EXACTLY 50 years ago this evening. Tuesday, October 21st, 1975. My seventh concert, 16 years old. So young that mom wouldn’t let me drive to St. Louis on my own. I had to find an older “chaperone.” Randy Lemons, for whom I worked for at his family grocery store, offered to go.

My musical tastes at that time were all over the place for good reason, there was a lot of great material out there. The Rolling Stones were at the top of the list, but Bachman-Turner Overdrive was right up there. They were red hot with the “Not Fragile” album. I’d seen them live in April at Chicago Stadium with Thin Lizzy and The Bob Seger Band as the opening acts. Now, in the same year, they were following up with a second record, “Four Wheel Drive,” touring to promote it.

Living 90 miles from St. Louis, I used the mail order system for tickets. Contemporary Productions had not yet come to town, this show was promoted by Panther Productions. Randy was older and a shrewd businessman. He knew how “the system” worked and offered me advice. “Why don’t you throw in some extra money for the tickets. Maybe it will get us better seats.”

Randy’s idea of extra money, and my idea, were on different levels. I think I added five bucks, nearly the cost of a ticket, that was big money to me then. I also enclosed a hand written note, stating I was a big fan of the band, and that I was hopeful the extra money would help. “Perhaps even the front row,” it read. That was probably one of my first and few bribes in life.

It’s always weird to receive mail that is written in one’s own hand. When the self-addressed, stamped envelope hit our home mailbox I opened it with huge anticipation. Two tickets and a flyer were inside. I could NOT believe my eyes. Second row, center aisle!

Friends of Randy would be attending the show. Their seats were near, but not with us. Mom’s stipulation was that I would ride with Randy only, not in anyone else’s car. Randy drove a silver Corvette which went along perfectly with some lyrics in one of BTO’s songs titled “Welcome Home.” There’s a line in it… “Silver Vette with gold wheels”… We cheated a little and met the others at the grocery store. The Vette stayed in Pittsfield and we hopped into a Firebird Trans-Am with Phil and his date, off to St. Louis we went.

The opening acts were Point Blank and Brownsville Station. Point Blank was a Texas based, hard rocking band. They never went far for the simple reason is that their music was loud but bad.

Brownsville Station had a hit with “Smokin’ in the Boys Room,” but had never caught on or made it big on any national level. However, they had a reputation as a really good live act. Two classmates of mine, Brian “Peach” Ruble, and Mark Guthrie, told me flat out, “Kent. Those guys are gonna upstage BTO.” I’ve learned in more recent years that Stephen King, the author, was a big fan of Brownsville Station, naming Cub Koda as “America’s greatest houserocker.” Brownsville Station was touring in support of the album “Motor City Connection.”

We got into Kiel and I still couldn’t believe it was real as we walked the floor to our seats. “We’re sitting HERE,” I said to Randy. There was no photo pit or barrier, just 20 feet of open floor between us and the chest high stage. I carried in what resembled a large purse. In it was my fairly new Minolta SRT-101 camera, a couple of lenses, Sunpack flash, and a Panasonic tape recorder loaded with a cassette. Those were the days!

Point Blank bored us and made our ears ring. Brownsville Station hit the stage and everything came to life. Cub Koda, guitarist and front man, knew how to work a crowd. They were loud too, using the stacks of Marshall amps so popular then. They opened with “Combination Boogie,” a cover of a J.B. Hutto and His Hawks song.

“Can’t see…too good from here… They got the stage line moved back tonight. But there’s an awful lot of weird people down in front,” Koda quipped a couple of songs in. They ripped through their set, doing songs from the new album, and the back catalog. “Sleazy Louise” was a yet to be released song. It showed up two years later on the follow up album.

Koda told a story of their first time to play St. Louis. “About six years ago, we played our very first show in St. Louis at a place called the Rainy Days Club. It was a stinkaroo, man. Nobody showed.” He continued. The band stopped at a gas station for directions. “Hey buddy, how far is it to Route 35 or wherever,” Koda asked. The attendant responded with “What you got that hat on for, boy?” Koda replied, “I got the hat on because this is 1969, and when I get to this area of the country, I know cats like you are going to kick the shit out of me,” The attendant made him take his hat off, revealing long hair. “You better get your ass on away from here, hadn’t you, boy.” Koda left him with “You know. Peace love, and fuck you. Don’t you know you’ll never catch this ass, cause’ I’m a roadrunner”! The band tore into “Roadrunner,” the Bo Diddley classic.

I made photos from my seat. Sometimes using flash, sometimes not. Looking back at them, it looks like Koda was playing to me. He could easily see me, that close to the stage, with the flash also drawing attention. I was new to photography and didn’t utilize the vertical format near as much as I should have.

The band was awesome live. Koda, bassist Michael Lutz, Henry “H Bomb” Weck on drums, and Bruce “Beezer” Nazarian on second guitar. Their time on stage was limited but they made the most of it.

Koda began humming the intro to “Rockin’ Robin,” the Jackson Five song. What the hell?! Then cut into “Smokin’ in the Boys Room.” “Ahhh, you thought it was something else, didn’t ya”?! The record version tells the tale of a subject having a bad day. “You ever seem to have one of those days when it seems like everyone’s gettin’ on your case from your teacher all the way down to your best girlfriend.”

Koda improvised live. “Didya ever seem to have one of those days when it seems like everyone’s gettin’ on your case from your old lady all the way down to your local dope dealer.” I was naive’ to drugs and misheard that line. It would make for fun later. At the end of the show, confetti with “Motor City Connection” printed on it, shot out from the stage. I grabbed a handful and stuck it in my camera bag. The band finished and left. They delivered a great show.

The best was yet to come, right? Well, sorta. I knew every song in the BTO library. Four albums worth to that point. They opened with “Roll on Down the Highway,” bassist Fred Turner with that gravelly voice screaming. Next up, I think, was “Blue Moanin.’” I held that tape recorder, or sat it on my chair as I photographed. I have the full show, but never jotted down the set list. The tape is 50 years old tonight, has broken and been spliced once, and is super brittle. I’d love to have it digitized but worry the next time it’s played it will permanently “die.”

I called out songs as they began in a note or two. In no particular order here, “She’s Keepin’ Time,” “Let it Ride,” “Give it Time,” “Rock is my Life, and This is My Song,” “Welcome Home,” “Hey You,” “Four Wheel Drive.” All the major hits and a few deeper tracks. Though they didn’t touch upon the first album until the encores.

BTO took more the straight ahead approach. Not as much fun or banter as BVS. Randy Bachman used a drumstick to pick at his strings on one song (like Jimmy Page and his violin bow) Robbie Bachman tossed a drumstick in our direction at one point, it was snatched up by the guys in the front row. Turner on his Rickenbacker bass, Blair Thornton on a variety of Gibson guitars, including an SG. Bachman preferred Fenders.

Predictably, “Not Fragile,” and “You Ain’t Seen Nothin’ Yet” came near the end of the show. The first encore was “Takin’ Care of Business,” followed by “Slow Down Boogie,” (a track not any studio album I’m aware of) and a final encore of “Thank You for the Feelin.” A great night, but a school night for me. A 90 mile drive home awaited us.

We were all reliving the show in conversation. Our favorite songs, moments, etc. Besides that silver Corvette, Randy also owned a boat. He and his friends spent a lot of time on the Mississippi River, tubing and skiing. They even had shirts with “MRTT” emblazoned on them (Mississippi River Tube Team). I’d been invited to join them one time. It was a blast to hang with “the older kids.” So the boat connection was fresh on my mind. The talk turned to Cub Koda and the improvised lyrics to “Smokin in the Boys Room.” “Wasn’t that funny, I offered, when Koda talked about your local boat dealer.” The whole car burst into wild laughter! “You stupid, said Phil. He said DOPE dealer!”

I listen to BTO when I’m in the mood, semi-frequently. I believe their music has held up over time. But Peach and Mark were right. Brownsville Station totally won me over that night. One of the best live acts I’ve ever seen.

From my scrapbook. Randy Lemons’ note on how to obtain tickets

A flyer promoting upcoming shows. Note Prine & Goodman, and Kiss on Halloween night

A Panasonic tape recorder, exactly like the one I owned

Cub Koda of Brownsville Station. I hadn’t yet learned to “think vertical”

Cub Koda and his Marshall amps

Brownsville Station. From left, Michael Lutz, Bruce Nazarian, Cub Koda, and Henry Weck

Randy Bachman

Fred Turner

Blair Thornton

The BTO logo that hung behind the band

One side of the program from that night

Second side of the program from October 21st, 1975



"Every Picture Tells a Story. Bear Vs. Squirrel"

We’re headed into week four of the NFL season. The NFC North Division has some tough teams. You may be carved by a Packer, or gored by a Viking. But it’s those wild animals you really be afraid of. The Bears and Lions. How about the Squirrels?!

This photo is from the 1991 season. It took some sleuthing to make that determination.
1. I was working for The Daily Herald, having returned to that publication as a staff photographer after The National Sports Daily had folded earlier that summer.
2. The photo was made using color negative film. The Herald had switched from color transparency to color negative sometime during those 17 months I was gone, working for The National. This fact is what really helped with the time frame.
3. Jay Hilgenberg, Chicago Bears center, is the player in the photo. He was with the Bears in 1991, gone in 1992.

I knew you just had to know that!

I don’t remember who the Bears were playing this day, but it appears to have been a non-conference opponent. Squirrels are NOT in the north division!

The Daily Herald typically sent at least two, many times three, photographers to home games. Three would work the first half, then one (designated by the photo editor) would collect all film shot in the first half and return to Arlington Heights to get an early start on processing and editing. The two remaining photographers would stay until the end of the game.

Film consumption was based on the action, and how “trigger happy” the photog might be. At 36 exposures per roll, and a rough average of six rolls shot (per photographer), that’s 216 frames. Multiply by three, and you’ve got 648 frames to cull through. This is why getting a head start was important. The editing process involved throwing the uncut film on light tables, and using a magnifying loupe to examine each frame closely. Hunched over, eye to the loupe, moving the film across the table, looking for an “eye stopper.” Good enough to make the cut for publishing. As the “keepers” were found, a paper punch was used to put a small notch on the very edge of the frame of the film.This made for quick reference in relocating the shot.

We always arrived early at Soldier Field, even with parking passes, to beat the traffic, and to get onto the field and settle in. There was a lot of standing around, but there was always opportunity to make player profile feature photos, fans, etc. Such was the case this day. I was hanging out on the visitor’s sideline, near the northwest corner, when the cheering and noise level went up. For what, I wondered? Nothing was going on except for warmups.

So small in scale, it took a second to figure out. A SQUIRREL had gotten onto the turf! How, from where?! It was running around in a panic. And it was MOVING! Hard to track with the 400mm lens (manual focus, kids). It began to get more and more attention as people caught on. Fans and players alike, including Jay Hilgenberg. You can see bemused teammates behind him, on the Bears sideline.

The squirrel was darting all over the place. It was headed towards the middle of the field when it suddenly doubled back towards the north end zone. When it finally crossed the plane… TOUCHDOWN! The place went bonkers!

I was one of the two to stay for the whole game. When we got back to the office, there was no mention of a “squirrel photo.” Frankly, I’d sort of forgotten it, tired from the day. When it did register, I asked the photo editor if he’d seen it. His look was that of puzzlement. We found the frames but it was too late to include it for Monday’s paper and was never published. I sensed some embarrassment on the part of the editor, yet can understand why it was missed. In the pace of editing, it’s not an “eye stopper.” One Bear, with teammates in the background. No action to speak of, not even a player from the other team. Just that tiny squirrel.

And that’s where the story ends. I don’t know who won the game. But the squirrel scored first!

"Concert Flashback. Farm Aid 1"

Concert Flashback: September 22nd, 1985. Farm Aid 1. Memorial Stadium, Champaign, IL. Ticket price $17.50/credentialed.

Bob Dylan made an offhand comment while performing at Live Aid in July, 1985. Something along the line of, “Maybe they can take just a little bit of the money they make today, and give it to the farmers who need help.” That comment got Willie Nelson to thinking…

Nelson got his friends, Neil Young and John Mellencamp, on board with the idea of taking Dylan’s idea to heart. Farm Aid 1 took place 40 years ago today. September 22nd, 1985, in Champaign, IL at Memorial Stadium on the campus of the University of Illinois. It was a rainy Sunday. 80,000 people attended, and it raised seven million dollars for struggling farmers, many of whom were in a crisis, brought on by a combination of things.

Two years into my first job as a photographer at The Macomb Daily Journal, and a lover of music… You know where this is going... I applied for credentials and received them. A photo pass and a writer’s pass. Separate of each other.

A friend, Mark, was intended to go along, each of us using one pass. The writer’s pass to Mark. The photo pass for me. Mark bailed out on short notice. The night before the show, I found myself on a phone call, talking to Trevor. He was a friend, was learning photography, and a freshman at the University of Central Missouri in Warrensburg. I offered the writer’s pass to him. It was probably 10 p.m. at this point. Trevor got in his car and made the 6 hour drive to Macomb, arriving at my place in the middle of the night. We may have rested some, but pretty much geared up and headed for Champaign.

Media check in was at a Ramada Inn, just west of the stadium. We got in line to pick up our credentials. Interestingly, the usual benefit of being a member of the press, a “free ride,” didn’t apply today. We had to pay $17.50 each, the face value of a ticket, just like everyone else. I had no problem with that because of where the money was to go. The line moved quickly. As we stood there, Neil Young passed. One of my favorite artists at the time. The temptation was to break line and approach. “You are a professional,” I told myself, staying put.

We’d leave the car in the Ramada lot and walk the short distance to the stadium. Trevor had brought his camera but assumed he wouldn’t be able to use it because of his “writer’s pass.” He left it in the car, armed only with a reporter’s notebook. We got into the stadium around 9 a.m. and split up. He would be back in the staging and hospitality area. I’d be out front, making photos. Remember, 1985. Waaaaaay before mobile phones.

Before the show began, a steady, cool, rain hit. It lasted all day and into the evening before letting up some. That’s not what dampened our spirits. Without knowing of each other’s situation, Trevor discovered cameras were allowed backstage. I discovered my “photo pass” didn’t grant access to the photo pit. Any photos would be made from where ever I could fight my way through the crowd. It made for a huge letdown. I vowed to persevere, but the rain and “buzz kill” made it very difficult.

As I recall, Neil Young came out and did a song or two. Then, L.A. punk rockers, X, was the first band to come out and really get the day rolling. From then on…The diversity of acts and the amount of talent there that day was staggering. I’m not sure how many artists crossed the stage that day. Here is a link to who played, and their set lists.

https://www.setlist.fm/festival/1985/farm-aid-1985-43d6ab27.html

The music was SO good. But the rain…I made photos when inspired, changing locations. At other times, I stood, listened and watched. Trevor, backstage…Was literally in the middle of everything. As a wide-eyed 19 year old, he was aware this was a once in a lifetime experience, making observations and taking notes, Trevor’s contributions to this blog are IMMEASURABLE!

All day, into the evening, it went. Well organized, one act after another. John Fogerty was a huge highlight for me. I loved Creedence Clearwater Revival as a kid. Farm Aid was Fogerty’s first public appearance in 12 years. His set was solid, so was his message. “Hey. You don’t just go down to the Safeway and pick up your hamburger. Some farmer gave his whole life for that.”

People were having fun, things had been “g-rated,” and family oriented. Then, Sammy Hagar introduced his song, “I Can’t Drive 55.” “Here’s one for all you tractor pullin’ motherfuckers out there!” The Nashville Network, broadcasting live, covered with, “Well, Sammy sure is enthusiastic tonight.”

Trevor and I found each other around 10 p.m. He recalls the crowd had dwindled. As it grew late, Trevor says the show ended with Willie Nelson, jamming with a few others, then sort of waving to the crowd, “Thank you and goodnight.” Trevor and I drove back to Macomb. He immediately began the drive back to Warrensburg. I was back to work the next morning.

If every detail of the day was put this blog, you’d reading for days. It’s best now, to use “Quick hits”, in no particular order of progression or importance. My memories first. Trevor’s astounding compilations second.

KENT’S NOTES:

1. Foreigner performed “I Want To Know What Love Is” with the backing of a full choir.
2. David Allan Coe announced himself as he took the stage. “You’re looking at what’s left of David Allan Coe.”
3. It was John Fogerty’s first public performance in 12 years. No, he didn’t play any Creedence songs.
4. Two artists performed my favorite songs of theirs. John Denver did “Back Home Again,” Carole King did “Sweet Seasons.”
5. Daryl Hall covered one of my favorite songs of all time. “Oh Girl,” by The Chi-Lites.
6. Lou Reed dedicated “Walk on the Wild Side” to Tipper Gore. (Gore was railing against explicit lyrics and helped found the PRMC, Parents Resource Music Center.
7. Timothy Hutton hooked up with Debra Winger at this event.
8. B.B. King was presented with a birthday cake backstage. His birthday was days before, on the 16th.
9. It was the first time Sammy Hagar and Eddie Van Halen got together, leading to Hagar joining the Van Halen band.
10. Bob Dylan used Tom Petty and the Heartbreakers as his backing band for his set.
11. My friend Lee, a farmer from the Macomb area, was interviewed by ABC radio.
12. John Mellencamp performed in a Seymour, Indiana, FFA jacket.
13. Billy Joel and Randy Newman doing a piano duel of “Stagger Lee.”

TREVOR’S NOTES:

Trevor interacted and/or had conversations with many artists and dignitaries. At 19 years of age, he also found himself “fetching beers” for Eddie Van Halen, Illinois Governor Jim Thompson, Iowa Senator Tom Harkin, and others. Trevor helped place B.B. King’s birthday cake on a table. If there was an artist he wanted to see, he had limited access to view the stage. He shuffled between the tent and that area throughout the day.

Dottie West quotes: “I was raised on country sunshine.” (Country Sunshine was a hit for West.) “Actually, I was raised on cornbread and a fiddle.” “I remember the days we picked the cotton and sugarcane. We had to miss 4-5 weeks of school in the fall to help on the farm.”

On Willie Nelson: Smelled progressively bad as the day went on, especially after the rain.
Made several formal/informal stops in the press tent, accompanying many artists for their interviews, including David Allan Coe, Loretta Lynn, Roger Miller, and Sissy Spasek.
A quote from Willie. “So goes the family farm, so goes the grocery store down the street, then the gas station down the street. It snowballs.”

On Lou Reed: Didn’t “seem there” during the interview. Wanted to talk more about music censorship than the farm situation.
A quote from Lou. “Everyone’s a musical influence on me.”

Quotes from John Denver: “I’ve picked cotton and cut wheat all the way from Texas to Canada.”
“The small family farm is the foundation of of our society.”

A quote from Randy Newman: “Billy Joel and I have never played together, so we’ll probably sound like shit.”

A quote from John Mellencamp: “I’m a lot more radical than most of the people up here.”

On Sammy Hagar/Eddie Van Halen: Sammy did most of the talking, hardly shut-up.
Eddie never stopped smiling. Like he was in a daze.
A quote from Eddie: “We’re making it official here.” (David Lee Roth out, Sammy in)
When asked if the band’s name would change. “No. Van Halen. I’m not changing it to Roth.”
Trevor had a brief chat with Eddie, telling him his (Trevor’s) first concert was a Van Halen show in Macomb in 1980. “He was a very nice person,” Trevor reports.

Trevor spoke with Martha Quinn multiple times. Quinn, the MTV host, coordinated press tent appearances.

On Tom Petty: Glazed eyes and hardly spoke. One word answers when asked questions and to elaborate. Press conference with Petty was very awkward. He was quickly in/out of the press tent.

On Daryl Hall: Impressive hairdo.
A quote from Hall: “It’s like a picnic up there.” (on stage and back stage).

On B.B. King: Was presented a guitar shaped cake (Lucille) for his 60th birthday. I was sitting nearby and helped set the cake on the table in front of King. Willie Nelson and Charlie Daniels prompted the group to then sing “Happy Birthday.”
A lot of chit-chat about King’s performance earlier in the day. He broke a guitar string and changed it on the fly during “How Blue Can You Get.”
King talked a lot about his upbringing, born on a plantation, later working as a sharecropper.

On Charlie Daniels: Angry disposition. Wants five minutes with President Reagan to “tell him what he should be doing.”
A quote from Daniels: “Politicians should start doing what they’re supposed to be doing, serving the people.” I think they’re doing a piss poor job of it.”
'“Charlie Daniels was an angry, angry, angry, man,” Trevor’s notes state.

On Don Henley: He came into the tent with an arrogance, appeared he was looking for someone. Not very animated on stage.

On Delbert McClinton: Delbert came in, sat down, and no one recognized him. He pulled out a harp and began to softly play.

On Carole King: Trevor and King had a one on one conversation. They spoke about her ranch in Idaho, and the animals her and her husband raise, mules and poultry.
King admitted to financial issues with the ranch, to the point of having to be in court.
King was involved with environmental issues with the Idaho forests.

On Neil Young: Young walked into the tent and sat down. There were three of us. He looked directly at me and said, “Hey Hey, My My.”
Quotes from Young: “I love my family, and the American family is at stake.”
“Our American heritage is at stake, and we’re going to turn it around.”
”I’m political, but this isn’t political.”
”I haven’t had much sleep in the past three weeks. I went to Washington and researched bills. I did my homework.”
”I think President Reagan has done a good job.”
”I would like world peace. But I also want safety for my family.”
”After we took our name (band name, The International Harvesters) the company went broke. I guess they only make trucks now.”

Quotes from Tonya Tucker: “So many people from different parts of the music business here.”
”I love it when George Jones comes on right after Foreigner.”

On Brian Setzer: Farm Aid was his first solo set (away from The Stray Cats). No new name for the band yet.
Setzer is a big New York Mets fan.
Was asked to play at the last minute by John Mellencamp.

Quotes from Kenny Rogers: “It’s hard to get emotionally involved in every situation.”
”My involvement is in world hunger. But there’s a correlation between the two.”

Trevor also notes: Roy Orbison’s glasses.
Having a crush on Valerie Bertinelli.
Lots of energy from the evening performers.
He carries 40 years of lament and remorse for not having a camera. “There would have been no issues.” “It was one of the biggest photo blunders I ever did.”
"There seemed to be some artists who were less concerned about the farm situation than their own, self-serving interests.”
All of the country artists…”My grandma wouldn’t believe it.” “I shook hands with Loretta Lynn, Dottie West, and Glen Campbell.”
He got autographs from everyone in the Alabama band, as well as Daryl Hall, Glen Campbell, and Lou Gramm of Foreigner.

The day didn’t work out the way it could have for Trevor. And it didn’t for out for me in what I expected. But it was still a day.

Farm Aid 1. Early in the day.

Los Angeles punk rockers, X.

David Allan Coe.

Avoiding the rain and looking at a program.

Hoyt Axton.

Kenny Rogers.

Staying dry. It rained all day!

Lee, a Macomb area farmer, being interviewed by ABC radio.

John Fogerty. His first public appearance in 12 years.

Bob Dylan, with Tom Petty and the Heartbreakers.

The evening crowd.

Kent, Paula? and ???. Wearing my newly purchased, sleeveless shirt, over my regular shirt. My Nikon F3 and 300mm 4.5 lens.

Trevor’s reporter’s notebook.

Trevor’s notes from the day.

B.B. King, Charlie Daniels, Willie Nelson. With King’s birthday cake. PHOTOGRAPHER UNKNOWN.

Eddie Van Halen and Sammy Hagar. Trevor states he is “100% positive, this is moments after I (Trevor) handed him that Miller.” PHOTOGRAPHER UNKOWN.

"Gram Parsons"

If you’re not familiar with Gram Parsons, STOP now and START here!

https://en.wikipedia.org/wiki/Gram_Parsons

Quite a story, right?!

My knowledge was extremely limited. Until… On a whim, I purchased a two CD “Anthology” to listen to on a road trip. The music instantly took me in and I headed down “the “rabbit hole” of research.

The Parsons story is fascinating and tragic. A trust fund child who spent one semester as a student at Harvard. Handsome, and so passionate about sharing his love of country music. Some call him the “Godfather of country rock.” Without him, there may not have been The Eagles, etc. Dead at 26, leaving a mystique.

In 2007, I had an invitation to visit California. A friend had access to a cabin just outside the border of Joshua Tree National Park. The route to the property would take us right past the Joshua Tree Inn, where a big part of the Parsons story took place. It was a “must see” for me.

I’ve always had a strong sense of curiosity. How did it happen, what were the circumstances? That need to understand. Reading about it doesn’t always cut it. Too much left to the imagination. Being there is seeing it with your own eyes. Here was that chance.

Things were surely different in September of 1973. The road past the inn was two lane. But the cinder block building and the property have not changed all that much. Quaint but very basic. If you’re not ghost chasing, you’d probably drive right on past.

The attendant was super nice. The inn probably has to deal with hundreds of people a year just like me. “Lookers,” but not staying. With no hesitation, he led my friend and I down a sidewalk. There are eleven, ground level rooms that face a courtyard. We stopped at room #8, he opened the door and we went in.

The guy answered questions the best he could. I looked around and took it all in. I made a few photos with the point and shoot Canon. It doesn’t have a wide angle lens so I did so with what I had. “The bed frame is the only original piece left from then,” he volunteered. A recent visit to the inn website states “a mirror and picture that hung in the room back in 1973” are still there.

It was quiet. No joking. around. Parsons died in this room. I believe, when someone passes, that earthy energy has to dissipate somewhere. I didn’t sense any spirits, but was getting a much better feel for that itch of understanding. We were in the room maybe 10 minutes. As we exited, I made a point to look down.

Thresholds. They can be literal. They can be figurative. Thresholds are crossed. When you cross the threshold from the skybridge onto a plane, you’re no longer in control. “Carry the bride across the threshold.” Those are literal. Moving from one thing to another, that’s more figurative.

There’s a small step from the sidewalk to room #8. Assuming that cinder block building is still structurally the same as in 1973, so is the threshold. Gram Parsons was alive when he crossed the threshold to enter the room. High on morphine and tequila. He was dead when he was carried out across that threshold.

We thanked the clerk for his time and moved on. A day later, in Joshua Tree National Park, we visited Cap Rock, the area where Phil Kaufman and Michael Martin did what they did.

Parson’s half-sister, Diane, has stated she finds it sad that fans note his death date more than his birth date. That’s a fair point. I never romanticized the story, just found it interesting. As time passed, it’s still interesting, but pretty gruesome. It depends on who you talk to.

The Joshua Tree Inn.

The courtyard at the Joshua Tree Inn.

Inside room #8. Parsons died in this room.

Outside room #8 at the Joshua Tree Inn.

A memorial in the inn courtyard.

The Cap Rock area in Joshua Tree National Park.

The book by Ben Fong-Torres. A great read.

This is a GREAT documentary!

Various artists cover Parsons. It’s super good.

The two disc set I bought on a whim. It’s great!

"Longs Peak, 2012. Success"

2025 BEFORE THOUGHTS: September 14th marks the 13th anniversary of my summit of Longs Peak. Transcribing the words from my journal to here was like reliving it. What a day and experience! After failing in 2010, it was great to get it done. In this account, you’ll read about my friend Marcy, and a reference to mountain lions. Marcy lives in Estes Park and has had one direct encounter with one. And a second, non direct encounter. Both within the city limits of Estes. Marcy and I had dinner the night before I made the climb. She offered me tips and suggestions. Especially about gloves. Now… Let’s hit the trail.

Friday 9/14
LV: RMNP
AR: RMNP 37 miles

For two reasons, Longs Peak is almost a “bucket list” obsession. I’ve done a lot of day hiking, but want to climb a mountain. Longs is 14,259 feet. Also, I’ve always been fascinated by Mt. Everest, at 29,000 feet. Longs would be base camp or below, for Everest. Mind boggling. And though Longs is a non technical route (The Keyhole Route), I had read enough and heard enough to know it would give me plenty of physical and mental challenge. It would be “my Everest” to conquer.

The self-conscious and imagination are wild places. As I rode through the dark to the Longs area, I remembered Marcy and her mountain lion story, and that she never hikes at night. With it being past peak season (no pun intended), I knew there wouldn’t be as many climbers as there were in August of 2010, despite the excellent weather forecast. I was relieved to see a half dozen cars in the lot when I got there.

I unloaded, packed, and was on the trail at 2:03 a.m.

Matt, a young man from Fort Collins, was preparing to go too. “Would you like to hike up to the timberline together,” he asked? “Sure,” was my answer. He reasoned that a pair of us would be safer against wildlife than one of us. “We’re hiking at the most dangerous time of night, during the most dangerous time of year,” he said. Meaning hungry bears are looking to fatten up for hibernation. Though it was more likely there could be a mountain lion, looking for an easy snack.

Matt told me he works at a country club, tends bar, and has summited the mountain four times this season alone. Once, he and a group climbed by night and watched the sun rise from atop the summit. The kid had a very quick pace. I knew from the last time, how hard this was going to be. He wasn’t breathing hard, yet I was gasping and needed to stop for a break, probably only a half mile in. “How old are you,” I asked Matt. “Twenty,” he said. “How old are you,” Matt asked of me. “Fifty three,” I informed him. “Whoa,” said Matt.

We made it another mile or so and I sent him on his way. Not to be rude, but I knew I couldn’t keep pace. Trying to do so would spoil my effort. Too much energy now, not enough for later. I heard him up ahead, making noise to scare whatever might be hiding in Goblin Forest, aptly named for the wicked looking tree roots, all scraggly and exposed, along the trail. I clapped my hands a few times too to make noise. Honestly, wildlife really wasn’t a concern. The enemy today would be fear and fatigue. The enemies within.

The trailhead is 9,400 feet. Most of the climb is above the timberline. Goblin Forest is the start, and fairly small segment of the journey. Alone for some time now, I walked on and cleared the trees.

Once out of the woods I could see Matt’s headlamp on the trail above, where there are switchbacks of small stature where the trail changes directions. Matt had put a fair amount of distance between us. I carried on at my own pace in the dark. I was warm enough. My clothes choice was the same pants I wore in 2010, a short sleeved, quick dry shirt, topped with a new, long sleeved wool shirt that is both lightweight and quick drying. I also wore a stocking cap, and some light, water resistant gloves with textured, “pebbled” palms. I had taken Marcy’s advise on the gloves. “You should take them,” she said. “Those rocks will be cold, and have sharp edges.” “You’ll be doing a lot of climbing and scrambling.” I did not bring a full rain suit this time. Only a lightweight, waterproof jacket which also served as a windbreaker.

The CamelBak was loaded with water. In it’s compartments were trail mix, beef jerky, Oreos, and granola bars. Weight is the enemy. The point and shoot camera was along. The binoculars were not.

Not sure what the temperature was. This kind of exercise made me sweat, but I kept warm. The first problem came at a “pee stop.” Once the lining of the gloves were wet with sweat, they were hard to get back on. I stood just off the trail, sullen. I finally got them back on and vowed not to take them off again for any reason.

I made one photo stop to shoot a trail sign, using the light of my headlamp. Working the camera with gloves was difficult.

As I climbed in altitude, two things became more evident. The stars in the clear night got closer. And the dropping temperature made the water in my CamelBak cooler. Alone, on a trail to a 14,000 plus foot mountain. Splendid Isolation (referring to a Warren Zevon song) was where I was. Isolated? Yes. Splendid? Ummmm.

The Longs trail is a tough one. Even though it gets traffic, it’s not really groomed. Smooth, round, ankle turning stones cover the trail. Many of them baseball sized and larger. There are a few poles and flat rocks on the way up to prevent erosion. There aren’t many level areas to catch your breath. When you make a step it’s probably a one footer. Just like the walk to school our parents told us they made, Longs is pretty much “uphill all the way.”

As I walked and climbed, I could hear two voices and quotes, one in each ear. “Fatigue makes cowards of us all,” from Vince Lombardi. “A man’s got to know his limitations,” from Dirty Harry.

As with two years ago, there was a time or two I thought of quitting. To go back to a warm sleeping bag. I had begun to chill a little, knew The Boulderfield was ahead, and was anxious about what was on the other side of it. I didn’t quit. I thought of that couple in their 80’s I’d met on a day hike on Wednesday. I thought of others, younger, older, more out of shape than me. Mostly, I thought of opportunity, and how many more chances I’d get at this. It was one foot in front of the other. “At least TRY,” I told myself. Snails move at a slow pace, but they move. I had the time, and perfect weather. God and nature were doing their part. The courage and stamina were up to me. Onward and upward.

I stopped and looked back towards the lights of Greeley, to the East, Boulder, to the South. Pretty sights I tell ya. And the stars and the moon. I thought of settlers and the old West.

Got my first glimpse of the rising sun at some point. Not sure of what time, or where on the trail. But it was more subdued than 2010. That year it seemed to come up in a ball. This year was more of a long, horizontal sliver. And I could tell by my location I was further up the trail than 2010. Even factoring in a months difference of days and light, and an hour earlier start time. Knowing this boosted my spirits. With the sun, I could see better and would warm up. I really didn’t want to walk The Boulderfield by headlamp. Too tricky, with no set path through there. Just the rock Cairns that hikers build to help fellow hikers keep on the trail, or to mark an easier route. As I was pondering “The Boulderfield,” it began to get light enough that I could almost see without the headlamp. Perfect timing!

By paying attention to the Cairns, I navigated my way through the easiest part of The Boulderfield much more quickly than 2010. Then, almost on cue, like a movie, the sun rose to paint The Keyhole and the giant vertical wall to the left of it, in brilliant orange sunlight. So saturated it it was almost unnatural. Spectacular! I’ve seen some fantastic sunsets, but this may be the best sunRISE I’ve ever witnessed.

Navigated my way up the bigger rocks on the the steepest part of the climb to They Keyhole and shelter just below it. It was 7:03 a.m. I’d done this segment in five hours, to the exact minute. 45 minutes better than in 2010, if my memory is correct. I was happy about that. I planned to rest in the shelter for no more than 15 minutes. I did so, having a couple of strips of jerky and 3-4 cookies. I also drank water and made a couple of photos through the doorless entry of the shelter. I felt good, and didn’t want to spend too much time thinking of what was ahead. I spent less than 15 minutes before moving on.

“The real work, both physically and mentally, begins after The Keyhole,” I’d been told. I can verify that. I crossed over The Keyhole, a notch in the wall of the mountain, and small in scale to it (hence, Keyhole). This was now the West side of the mountain. From The Keyhole to the summit is 1.5 miles. There is NO trail. Only “bullseyes,” painted in red and yellow on rocks, mark the route. I passed through and made my first “wrong turn.” I was on the outside, exposed side of a rock when I should have been on the inside. Thankfully, I caught on and quickly corrected myself. I was now on the section known as The Ledges.

It’s pretty much what it sounds like. The mountain wall to the left, vertical or near vertical drop offs to the right. Hundreds of feet down. When I inquired of those who have climbed Longs about the exposure and drop offs, I asked whether the drop was really straight down, or nearly straight down? Would I fall to my death or would I tumble to my death? Somehow, tumbling doesn’t seem as bad to me. Free falling, floating through the air, not so much. With tumbling, you might not know when the “lights out” moment is coming. You may be able to grab something to stop the fall and save yourself. With a sheer drop, the moment you make a misstep or lose your grip, falling into air, you know you’re done. I’ve wondered, would I scream and yell if that were to happen? Or would I quietly say to myself on the way down, “Well, you’ve done it now.” Remember. It’s not the fall that kills you. It’s the sudden stop at the end.

The Ledges vary in width. Three or more feet in some places, even more in others. For whatever reason, I did not freak out. I concentrated on footwork and the bullseyes ahead, not looking to the right. The Ledges are where you’d tumble to your death. Steep but not sheer.

The first real mental obstacle came in the form of an obstacle of nature. A big rock that one has to pull themselves over. It’s mentioned in brochures about the climb. Two rods have been secured in the rock, used as hand grips. There’s virtually no footing. So many people have crawled over that rock it’s been worn slick. You have to pull your body and weight over it. Most, including me, wear a backpack of some sort. This adds weight and affects balance. I didn’t like what it involved but I did it, and it gave me confidence to move on. The Ledges follow that back wall for a mile. They end at the next section, The Trough.

Anyone not in reasonable condition would stop when they saw The Trough. Long and uphill, probably a 45 degree angle, and 2,150 feet of ascent. It requires climbing and scrambling. Described as the “StairMaster” part of the climb. There are times you’re nearly on all fours to make the next move. There are boulders and rocks. There’s also loose rocks called scree. Those ahead can kick scree loose, sending it showering down on those below. That happens more during the busy season. Some climbers wear helmets. The scree wasn’t an issue today. But I did encounter snow and ice.

Slow and brutal, but not as exposed as The Ledges. The worst that could happen here was a heart attack. In that regard, I noticed my breathing wasn’t getting any harder as I gained elevation. I was well above 12,000 feet, a number I noted in 2010, as to when I can really “feel it.”

I encountered Matt, already on his way down. He said he didn’t summit, something about “water and ice.” I didn’t catch it all. He seemed impressed I’d made it this far and encouraged me to move ahead. “You can do it,” he said as he moved on down.

About this same time, a tall, tan guy with a ponytail went by on his way up. He was flying, picking his way through The Trough like he was out for a morning jog. He wore light shorts and some kind of special running shoes, carrying no provisions of any kind. The guy summited and was on his way down as I still fought The Trough. “You’re an animal,” I called after him.

The Trough consumed close to an hour. Near the very top, where a bullseye directs one through, and up a crevice to the next section, there was ice. I happened to be with two guys with experience. We decided to work around the issue. They led, I followed. We had to get footholds, then pull ourselves up to a ledge about three feet wide. The fall back wouldn’t be far, but it would hurt or injure. Six feet back to the rocks below. Once up, I moved on my hands and knees. I’d made The Trough and was now at the next section, The Narrows.

The Narrows follow the South side of the mountain. Similar to The Ledges but shorter in distance at 1,000 feet. As the name implies here, The rock ledge is narrow. And here, the drop off is pretty much vertical. The wall to your left is 1,000 feet high. You can touch the wall with your left hand while looking down at certain death to your right. The Narrows are three feet wide at one point, with a 500 foot clear air drop to the right. To compare, the Gateway Arch is 630 feet, Hoover Dam, 726. Step on a trouser leg and trip, catch a gust of wind, hit a slick spot…You’re toast. There are no cables to grab for aid here, like Angel’s Landing at Zion or Half Dome at Yosemite.

In 2010, a climber from Minnesota had been found “dazed,” wandering The Narrows. He’d spent the night there, having been struck directly, or indirectly, by lightning.

I’m usually one to glance. Yet again, I looked ahead and not down. I did sneak a peek a few times, both here and back at The Ledges. It puts butterflies in your stomach. I kept thinking of how I’d made it to this point, and how this was likely my last shot. There was zero wind, a huge benefit. I felt I was receiving help from all directions. Other people and a higher power. The rest was up to me.

I’d stopped for a moment and watched two guys ahead, navigate one of the last parts of The Narrows. From where I was, it looked like a 15 foot, straight up climb over a rock. “Unh-uh, no way,” I said out loud. Yet I decided to approach it and check it out before giving up. It wasn’t as bad as it looked. I was over it, and at the last section before the summit, The Homestretch. Not just in name, literally.

Marcy had said The Homestretch is her “least favorite” part of the climb. I didn’t find it to be all that daunting. It was another uphill battle, but nothing like The Trough. Marcy doesn’t like it because so many have summited, that on the way down, hundreds have scooted on their butts. This has made the granite face slick. There’s no exposure to speak of, but there aren’t as many footholds or grab holds. Going up, I found mild traction issues. Going down, a worst case scenario for someone would be to slip and fall. The Homestretch would then act as a giant “slip and slide” to eternity, as there’s nothing to stop you at the bottom. Only air and blue sky. Weeeeeeeee!

Nothing was going to stop me at this point. I stayed low, picked my way up, and summited Longs Peak at 10:40 a.m. The journey had taken eight hours and forty minutes. Five hours to The Keyhole. A staggering, three hours and forty minutes to make the last mile and a half from The Keyhole to the summit.

Of course I did the obligatory “throw your arms in the air” in celebration pose. I”m pretty sure I yelled out, “I made it!” to no one in particular. Details are fuzzy. I’m not sure what I did next. I think I had surprised myself.

The summit is huge. Literally as big as a football field. Good sized rocks, but not terrible walking. I moved around to near the East edge, looking straight down at Chasm Lake. A vertical drop much like Yosemite’s El Capitan. I didn’t get too close.

There I stood, atop Longs Peak, 14,259 feet in elevation, feeling pretty good. Then thinking. “WOW. I’m 4,000 feet BELOW base camp for Everest!” Humbling perspective.

Marcy had suggested I hang out for a little while. Drink plenty of water and eat snacks. Take in the spectacular views, but remember, “You have to come down too.”

The views were awesome. One guy, who had summited more than twenty “14ers,” pointed out many other mountains on the Front Range, including Pikes Peak, 130 miles to the south, which I’m told, received 10” of snow Tuesday night during the weather here.

During the busy climbing season, and with so much room, some bring a Frisbee to toss around. I took photos of the altitude marker, mounted to a big rock. And I signed the summit registry, a rolled up log of paper that is enclosed and protected in a PVC tube with a screw off cap at one end. It’s tethered to a rock with wire and stuck in a crevice when not in use. I chatted with those there. Took photos of them with their cameras, had photos taken of me with mine.

It was warm and windless. Free of snow, and with breath taking (pun intended on this one) views. It had been “breath taking” all the way up! But the fact was, I did have to make it down. After resting, there was little else to do. Starbucks was closed and McDonald’s was out of biscuits and gravy. (that’s a JOKE.)

By coincidence and timing, I was invited to descend with Rich and Sean, two Brits here on holiday. Rich had a lot of climbing experience. It allowed for conversation and friendship. Confidence, and the ability to follow on the way down.

We stepped off the summit to The Homestretch, navigating it with no issues. I think this was the most “mild” section, both up and down.

The Narrows were no worse going down than coming up. We even stopped and sat down for Rich to eat a sandwich. He made me nervous when he stood close to the edge in a casual manner. 500 feet straight down. “God, am I gonna witness an accident,” I wondered? I allowed myself to look around. Dizzying and a little scary, but mostly stunning. The many lakes below, most of them big, looked like tiny ponds.

We got off The Narrows, the most exposed and dangerous part, and back to The Trough. We had to navigate that top part again (detour around the icy crevice), but it wasn’t too bad. The Trough can kiss my ass. Brutal both ways. Going up is hard on the heart and lungs. Descending, the scree can put you on your ass if those loose rocks move from under your feet. And it’s not practical to to go downhill on all fours. The Trough was tedious and time consuming. What a view to the West. I could see Black Lake, where I’d looked up at The Trough in 2010. On a day hike, I looked up at climbers in The Trough through binoculars and thought, “Oh. That doesn’t look so hard.” The Trough taught taught me a lesson today. An ass-whooping.

Back to The Ledges. We made our way along with no issues. Less spooky and wider than The Narrows in most spots. They did seem to take longer on the descent. Getting over that boulder with the two rods was easier this time. I was tired. I told Rich and Sean my objective was to get across The Boulderfield and back on the clear cut trail. We took one last break just before The Keyhole, then made the passage through it. Barring a freak situation, the real danger was over.

As we began to climb down the big rocks, now on the East side, out of the shelter came a guy. We all chatted. A seasoned veteran, he was just on his way up. It was probably 2 p.m. Though I couldn’t see him, this guy had a friend with him, sitting in the shelter. The unmistakable smell of burning pot was was pouring out. Rich and Sean decided to hang back and take another break, laying out on one of the huge rocks. I told them I’d see them at the bottom. Or likely, they’d catch me. Sean had lagged behind on the descent, I’d watched it. I was so tired, my concern was if I didn’t keep moving… The day was getting away. It’s a long way down from The Keyhole. You’re tired, and the trail is not easy.

I made a point to look back at The Boulderfield and Keyhole before they faded from sight as the trail drops. My work on Longs Peak was almost complete. It’s doubtful, at my age and condition, that I’ll ever see that view again. Kind of a sad thought, but I made it today. So the story ends well.

I remembered from 2010, how long the walk down was. Today it came back twofold. Alone, and with no one to pace with. It wouldn’t have mattered. Mentally I was happy and focused. Physically, I was absolutely spent. I’d consumed water but hadn’t eaten much all day. Adrenaline. It quickly became an effort to put one foot in front of the other. Hikers know they are tired because they begin stubbing their feet on rocks, etc. I was. As before, it looks a lot different and more stark by day than night. On and on and on it went.

Then.. My right foot rolled off a rock the size of a baking potato. I fell over to my right, falling onto a bigger rock and then ground. No real harm done. I thought of how embarrassing it would be to have to be rescued and carried off the mountain. It actually sounded kinda good, but no way was I gonna let it happen. I’m almost positive my pace down was as slow, or slower, than my pace up.

Once at the timberline and Goblins Forest, thoughts of “almost home,” hit. Wrong again. As before, this section is longer than the mind believes. As you drop, you think you’ll see the parking lot appear around every corner. The best part of Goblins Forest is the fragrance. Pines, firs, and cedar. More concentrated than other places I’ve been. The smell of a pine tree is one of my favorites, along with leather and burning racing fuel. Visuals are obvious in the mountains. Scent is more subtle. It was great, even with the mild stuffiness I’ve had all week.

Just as I was almost broken I came to the parking lot. I staggered through it, almost delirious. It was 5:27 p.m. I’d spent fifteen and a half hours on the mountain! Brochures state it can take up to 16 hours. It’s a 17 mile round trip task, with 4,875 feet of elevation gain. Its all relative. To a climber, fitness buff, youngster, or someone used to the altitude, Longs Peak is nothing that big. To a 53 year old, slightly overweight dude from Illinois, who did absolutely no training, and has some issues with heights, this WAS a big deal.

That is not cockiness. Because of my condition and lack of climbing experience, I could have just as easily died of a heart attack or fallen of a ledge. I understood this. I’d made peace with that beforehand. I choose not to live in fear. Mother Nature and God gave me a gift today.

It’s difficult to measure milestones and accomplishments. I hope people think I’m a decent photographer. More so, a decent human. I’m my own worst enemy. Hard on myself. The mountain was a goal. It’s still sinking in. I’m a little surprised at myself. I understand better, what a lot of will and determination can do. Making the summit of Longs Peak was the biggest physical and mental challenge of my life. It’s also the most fulfilling payoff.

As tired as I was, I cruised through the Longs Peak campground, looking for Rich and Sean’s vehicle. I was gonna leave a business card. I couldn’t find the Suburban they said would be there. When I got to the Route 7 intersection, my legs were SO tired I could BARELY hold the motorcycle upright. I would LOVE to know how many steps I did! Once in Estes, I called my buddy Rob to tell him I’d made it. I eventually got ahold of Marcy to tell her the same. “I’m proud of you,” she said.

Got back to camp, fixed a freeze dried three cheese lasagna over my tiny cook stove. It tasted good, though I was almost too tired to eat. I ran dangerously close to making myself sick today. I visited with Kip and Kay, my camp neighbors, for a a few minutes, then excused myself. I got in the tent and sleeping bag at 7:30 p.m. I slept soundly until 5 a.m. My longest sleep cycle in months. Slept with a new camping pillow under my head and a “14er, under my belt.”

The next day, if Longs came up in conversation with anyone, I’d point to the summit and proudly proclaim, “I was up there yesterday.” I also rode back to the Longs ranger station at the parking lot near the trailhead. I sat and talked with ranger Brad. Brad is a “dead ringer” for John Denver. He went to school with Marcy. I asked him about the pony-tailed runner I’d seen yesterday. “Oh. That is Anton Krupicka,” Brad said haltingly. “He’s…not...human.” (Krupicka is a world class ultra runner)

I came home, having achieved my goal. One of my best moments in life.

2025 AFTER THOUGHTS: I would love to try one more “14er”. That’s not likely to happen. I’ve been diagnosed with Hypertrophic Cardiomyopathy. I get short of breath and sweat too much. It’s embarrassing. Mowing the lawn or bringing in the groceries can gas me. At other times I feel like… I could climb a mountain. The doctor told me to exercise more. I’m not on any restrictions. We’ll see.

I apologize for the extreme grain in some of the photos. I use a point and shoot on motorcycle trips due to weight and size. They don’t handle high ISO speeds well. There aren’t a ton of photos to share from the summit day. It took too much effort and concentration to be messing around with a camera. The stakes were too high. I do wish I’d made a frame or two from The Narrows to show how scary that segment is. When I think about that section now, it gives me the “willies.”

Part of my journal from September 13th.

On the way up. Using light from my headlamp to make the photo.

The first hints of the sun.

Not quite sunrise at The Boulderfield, looking toward The Keyhole at right.

You’ve been warned.

Sun hitting The Boulderfield and Keyhole. Can you spot the shelter hut?

Guess who?

View from inside the shelter.

The Ledges. Note the “bullseyes” to mark the route.

Pretty sure this is looking down from the top of The Trough.

The summit of Longs Peak. I made it!

Summit and altitude marker mounted in the granite.

Standing on the summit of Longs Peak. September 14th, 2012.

One of the Brits. Resting on The Ledges on the descent. It’s a long ways down on the left.

Looking down into The Boulderfield from near The Keyhole on the descent.

Brought home the decal. Maggie, at The Frameworks in Galesburg, did her magic and made it art.









"Longs Peak, 2010. Failure"

Thurs: 8/19
LV:RMNP
AR: RMNP 43 miles

Longs Peak Day.

It began to sprinkle at some point in the night. By 11:45 p.m. it was steady and lasted 45 minutes or so. I laid awake and wondered how this would affect the day. Should I use the weather as an excuse not to go?

Of course not! I had been sleeping light from anticipation. Even after setting the alarm set for 2 a.m., I was up at 1:51 and started to roll.

Everything had been packed and prepared earlier. Including my clothes, etc. I was up and out of the campground (Glacier Basin) within 15 minutes, trying as quietly as possible not to disturb my neighbors as I left. Out of the park, through Estes, and the nine miles to the Longs Peak area.

Parking lot busy with cars and people, but I found a spot. The motorcycle doesn’t take as much room. I registered and began walking at 3:07 a.m. Jacked up and ready to go, combined with the fact that it was still dark, I started at a pace that proved way too much.

From the get-go, the trail is very steep. The trailhead is at 9,382 feet. When Marcy’s ex-husband told me it was “uphill all the way,” he wasn’t kidding. There were very few level areas going up. And most of them were only for a few feet. Half, or three quarters of a mile into it, I considered giving up. I was breathing fire and gasping for air. This was not helped by the fact that a light cold had pretty much clogged my nose, making for less breathing capacity.

Early on, I stopped at least twice. I was passed by a few but slowed down and soon hit a stride. The “buzz” they say hits marathon runners took over and I was feeling better, but working just as hard.

As we climbed, the little hiking head lamps that wrap around one’s head, held by a strap, could be seen. I was wearing one. Everyone was at this hour. Looking back down the trail they looked like the torches carried by the posse as they chased Butch and Sundance. When I looked up and ahead, they twinkled like little stars. Seeing this provided a grim confirmation of high the trail was, and how far I had yet to climb.

The trail isn’t in the treeline long. I passed through Goblins Forest, aptly named for the gnarly, exposed roots of many pines and firs. After that, it’s pretty much all granite. The trail is steep, with some wooden fence posts embedded in the trail. They were steps of sorts. But primarily used to prevent erosion. It’s rocky and it’s hard!

By 5:35 a.m. I switched off my headlamp and wore it like a collar. It was so sweat soaked it it had been slipping down my forehead anyway, but I didn’t want to stop and adjust the band. I was wearing my new hiking pants, Royal Robbins. They are super light, dry quickly, and are “convertible” (can be made into shorts). I wore a quick dry short-sleeved shirt, and a flannel shirt over that. The Camelbak, also new, was awesome, as I could drink while walking. My rain suit, hooked to the CamelBak, swung free, annoying and distracting.

Miles of switchbacks and elevation gain lead to The Boulderfield. The first real “test.” It lives up to it’s name. Huge rocks early on, then huge boulders later, scattered across a basin. Massive rock walls to the left and ahead. The view coming up, then looking back, was awe-inspiring. Especially at dawn and sunrise. I could see where I’d come from. The cities (Greeley, Loveland, and Boulder) around us were visible, along with the forest and lakes below. Now it was boulders. Lots and lots, and lots of rocks. It was getting more windy and cold. My hands and fingers were swollen from all the pumping blood. I couldn’t close them into a fist.

I don’t know the distance across The Boulderfield to The Keyhole. Maybe 3/4 of a mile. You can clearly see The Keyhole, but the elevation begins to really take a toll here. Combined with the fact there is no more trail to speak of. Early on, there is some semblance of a trail, but it quickly fades and walking becomes a real challenge. I was literally stepping and scrambling from rock to rock, choosing each step. Trying to be safe, yet “easy” at the same time.

I passed The Boulderfield campsite where some stop to spend the night to acclimate to the altitude before making the final push the next day. The campsite is nothing more than a waist high circle of rocks, maybe eight feet in diameter, to break the wind. Metal boxes are near, provided for garbage. No need for “bear boxes” for food storage. No bears at this altitude.

You’re near The Keyhole at this point. But oh so far away. The boulders are huge. There are times you’re not only stepping, you are having to use your hands to lift and pull yourself to the next one. I’d been told some of the boulders are “As big as a Volkswagen Beetle.” It’s true.

“You do NOT want to be on that boulderfield in the rain,” my nephew’s wife’s words rang in my ears as it began to drizzle. She was right. They would be extremely hazardous and slick. Like trying to walk on marbles. A broken leg or arm, a busted cranium.

People were talking about the weather. It was a concern. I heard someone say that the chance of rain had been bumped from 40% to 60%. Being unplugged from the news, I didn’t know or care. Yesterday had been beautiful, but I wanted to make sure my legs and feet were up to the task so I rested. Would it rain or not? How much? When? Would there be lightning? Shelter was miles below us.

Those that were ahead of me, and there were many, must have gone on to try and summit. But the majority of the people I’d been around, all but two or three, decided The Keyhole would be it. No further. Gray clouds were rolling by just above us so fast, they looked like sped up in time lapse photography. Seriously.

I could see The Keyhole and the tiny little shelter (Agnes Vaille Memorial Shelter) to the left. Did I really need to climb another 100 steep feet of boulders to actually BE at The Keyhole? Absolutely! I wanted to be able to say I’d made it that far. It was climb a step, rest 30 seconds. Climb a step, rest 30 seconds.

I made it. The view down the other side (West) was stunning, even in the gray. I had hiked and climbed 6.2 miles and gained 3,800 feet in elevation to this point. As I sat perched in They Keyhole, I was at 13,200 feet. There with a half dozen others, looking thousands of feet down, in a fierce wind. It was pretty cold with the wind chill. I felt some uneasiness.

From where I was at, and what I could see ahead, was enough for me. Viewing The Ledges (the next section), there is no trail at all. Just “bullseyes,” spray painted on the rocks to mark the route.

I forgot to check my watch when I got to The Keyhole. I crowded into that tiny shelter with four or five others after spending no more than 5-10 minutes at The Keyhole, then climbing down 15 feet or so to the shelter. It was 9:10 a.m. Colorado time, I think. So I would have made The Keyhole around 8:50. My math is fuzzy. Had I used Colorado time or Illinois time? My watch was set for Illinois. Had it taken me 5:45 to get there? or 4:45?

I spent 10-15 minutes in the shelter, out of the wind, eating beef jerky and drinking water, still mulling over if I should try to move on. I would not. The last 1.5 miles to the summit is exposed and a lot more dangerous. The wind was horrible. If those ledges got slick from the rain…”People die up there,” I’d been told by more than one. It can take 2-3 hours to do the last 1.5 miles. Then you have to have the energy to get down.

We started back down. The Boulderfield was just as difficult. On a positive note, I hadn’t felt nauseous, nor had a headache from the altitude. Now my heart would get a rest and I’d no longer breath fire. My feet, knees, and hips would take the beating now.

It got easier after leaving The Boulderfield, but it was still a tough trail. Seeing what I’d done by the light of day made me see what I’d done. Heck. If I’d seen what was ahead of me by the light of day I may never have started. It was slow going down. I visited with folks, took a photo or two, saw a rainbow, stopped for water, but only in the last mile or so did I stop to pee. All that water had been needed for body fuel.

Near the very end, I stopped and chatted with a 69 year old man, headed up to camp at The Boulderfield. This was to be his 7th summit. I felt bad, but not failure. Not like Angel’s Landing at Zion National Park where I flat chickened out. But I hadn’t gotten the true test today. The hardest part of the climb to the top of Longs Peak, that would have tested my mental toughness. Would FEAR have stopped me?

It was 12:30 p.m., Colorado time when I hit the parking lot. Nine hours and 25 minutes (I think), bottom to The Keyhole, and back. My legs felt as if they’d fall off. I was beat. I can’t think of anything I’ve done in my life that was more physically demanding. I stopped in Estes Park to call my friend Jim to let him know I was down and safe.

I came back to camp and headed straight to the tent for a nap. The rain finally came. At least down here. Longs has it own weather system. I awoke, got outside for awhile, and went back inside for a second nap. And so went the rest of the afternoon, into the evening, went. I returned a compass and whistle that Bob and Sue from Medford, Oregon, had loaned me for the hike. Thankfully, they weren’t needed.

I ate more trail food and drank water for dinner. I went to another ranger program. I was back at the tent and in the sleeping bag by 9:30 and had another good night of sleep. The sleeping has been quiet and peaceful all week. And just the right temperature.

So. I didn’t summit the peak but had a great day. There was success in my failure.

On the trail at night.

Sunrise.

Onward and upward.

Navigating The Boulderfield.

The Keyhole.

The Agnes Vaille shelter, just below The Keyhole.

Looking back at The Boulderfield from near The Keyhole.

People who were at The Keyhole when I was.

Right at the notch of The Keyhole.

Seen on the descent.

Goblins Forest on my descent.

Bob and Sue from Medford, OR. They loaned me a compass and whistle.







"Longs Peak, Prequel"

Hey! Wanna climb a mountain with me? Read on!

Mountains. I love them.

A 1964 family vacation to Colorado was the first time I was old enough to appreciate the mountains for their beauty. Being near granite, smelling pines and firs. There’s not much better. It inspires the imagination. Think of what it took for those who settled West to make it through and over. The “cowboy culture.” has also been a life long interest. The Wild West era.

I’m not super religious. I have to report I don’t know the Bible well. Wasn’t raised as a churchgoer. But I do believe. I’m more spiritual. And when I’m in the mountains, I’m in church. I tried to explain this feeling to my friend Lee. “Kent, those mountains don’t hold the key to the meaning of life,” he told me. He didn’t convince me. I think they might. Wanna know how insignificant we are? Look up at the sky on a clear night. Get lost in the mountains. Eternity fascinates me. Those mountains have been there a long time. And they’ll be there a long time after I’m long gone.

I have a sense of adventure. The mountains are inviting. They call my name all the time. As a kid, I saw them from the back of the family station wagon. I wanted more. I don’t want to be near nature. I want to be IN it!

Artificial thrills don’t interest me at all. Skydiving, bungee jumping, that sort of thing. Zero allure. It’s nature. She’s beautiful but powerful. Respect her or she may kill you.

I read and daydreamed. There was a time I aspired big. To summit Mt. Everest. The tallest in the world at 29,032 feet. It boggles my mind to know there’s a mountain out there that isn’t all that far below the altitude commercial aircraft fly. The problem with Everest is that I don’t have 80K to burn on getting to the top. If I wanted to climb, I was going to have to “settle.”

Why climb a mountain? George Mallory was asked that question in 1923. “Because it’s there,” he replied. He died on Everest. Another great quote comes from Ernest Hemingway. “There are only three sports. Bullfighting, motor racing, and mountaineering. All the rest are merely games.”

Colorado is home to 58 peaks that are 14,000 feet or more in altitude. “14ers,” they’re called. One of the most popular is Longs Peak. It’s 14,259 feet and is located in Rocky Mountain National Park, just south of Estes Park off Route 7. It’s popular, and has a route that doesn’t require expensive technical gear. Because of this, its reputation, and location, It became my goal. I don’t remember how long, or how much thought, I put into the idea, but I was going to try at some point.

I was on Longs Peak twice. 2010 and 2012, with different outcomes. If you’re interested to read more, two blogs will follow this one between today and Sunday. Sunday the 14th is an “anniversary day” of one of the two times there. You’ll read accounts from each of those two years, the words lifted from my notebook journals. Most of the words come straight from my notes, with a minor correction or afterthoughts not scribbled down at the time.

A few details that will help you understand the blogs are as follows, in no particular order of importance.

1. Longs Peak is considered a Class 3. The Keyhole route (the one I used) does not necessarily require technical gear. Make no mistake. This is NOT a hike. It is a climb. Big elevation gain, lots of exposure to deadly drop offs, weather factors…64 people have died trying. An average of about two per year, according to my research. Longs is the most deadly of the Colorado “14ers.”
2. You’ll read the name, Marcy. She grew up down the street from me. Moved to Allenspark, Colorado in first grade or so. Now lives in Estes Park. She has made the summit of several “14ers,” and had offered me advice.
3. You’ll read about a CamelBak. This is a backpack with an enclosed bladder that holds a couple of liters of water. They are great!
4. I hiked alone both times. You may see “we,” you may see “I.” Longs is popular. 15,000 per year attempt it. With a 50% success rate, based on my research.
5. You may see present tense, you may see past tense. I’m all over the place when I journal out there. Usually in the tent or at a picnic table. I print because I’m trying to get my thoughts down so quickly that writing would be chicken scratching. Unreadable. If you travel and don’t journal and make photos, you’re doing yourself a huge disservice. Enjoy the trip. But one day your memory will fade.

Ready to roll? Meet me at the trailhead at 2 a.m. It’s going to be a long, hard day.

On the trail and in the dark in 2012




"National Stearman Fly-In"

I made what is turning into, an annual trip to the Harrel W. Timmons Galesburg Regional Airport today. 2025 marks eight years in a row for the same purpose. To make a group photo of those attending the National Stearman Fly-In. The photo typically involves pilots, family, friends, staff, and volunteers.

The Stearman is a biplane, used as military trainer aircraft in the the 30’s and 40”s. 10,626 of them were built during that period. The are unique and colorful. Most are now in the hands of those who fly them for recreation. If you are unfamiliar with the fly-in and want to learn more, here is a link to the event website.

https://www.stearmanflyin.com

It takes approximately 25 minutes to set up four Alien Bee, 800 watt second flashes with reflectors. It takes about the same time to break everything down, once the photo is done. It takes 5-7 minutes to make the photo, once everyone arrives and is in place. Quite a bit of extra work for “just” a group photo. Some may question that. The answer is simple. The extra work makes a better photograph. The photographs are keepsakes. 50 years from now it would be nice to have someone state, “That photographer knew what they were doing.”

The technical stuff… Photo is time is usually 10 a.m. The first year I did the job, I explained that location is important. We don’t want people squinting into the sun. Backlighting and flash fill is the way to go. That’s why the “horsepower” is needed in the form of the larger flashes. Those four lights fill shadows, and give a lot more “pop” to the image. This year, the settings were 160 iso, 250th of a second, and f11 for the aperture. Decent depth of field is needed because of the many rows of people. The flashes were set at full power.

Two planes are placed in a general area. This year, a slightly different set up was used. The planes were placed a bit closer together. And they were placed tail to tail rather than nose to nose. Once it all begins to take form, my friend Ted, of JetAir Inc., takes us up on a scissors lift to get the shot and angle. Elevation is key to see everyone’s smiling face. Well, sort of. This year, someone had their head down in nine of twelve frames. There were also two “false alarms” as stragglers drifted in after I’d already made exposures. By their own description, some in the group say, “It’s like trying to herd cats.”

Today’s wind was as bad as it’s ever been. Five and ten pound ankle weights are utilized to anchor light stands. The stands were extended to place the flashes to approximately 10 feet. They swayed, making for a nervous photographer. I told Ted, “If I get through this without a light falling over, I’m going home and ordering four more 10 pound weights.” We got the photo done with no incidents and I have been online shopping!

Most of the frames made are simply of everyone gathered. Once that is done, I also ask them to “Give me a wave” as a second option. I’ve attempted humor in the past. “Okay. Everyone hold it. I’ve got to get your names, left to right,” I yell from the lift. That brings laughs. Nearly every year, a few approach to thank me for my efforts. That’s appreciated.

The files are sent to the organization, they choose one, I post-process it, and turn it back around to them. I believe they then go out as gifts to the attendees in the form of an 8X10 enlargement.

I hope to do it again next year!

The load in and beginning to set up

From the group’s perspective.

Getting the group organized

The final product




"Heee's Baaack"

“Crackbook” and “Candygram.” I have nicknames for almost everything.

I’m back on facebook after a four year and five month hiatus. I joined Instagram sometime after leaving facebook.

I could not open a new account under Kent Kriegshauser, the name associated with my old account. You’ll now find me under Charles K. Kriegshauser. My Instagram account is KentKriegshauserPhotography.

Instagram was supposed to be “photographer friendly.” I might dispute this. You’re pretty limited to square or horizontal formats. Social media has all but made the vertical photo obsolete. That is unfortunate. A deep, narrow, vertical has a TON of visual impact!

When I was a staff photographer at The Daily Herald, photographers were often given a predetermined “hole” ( photo size) to fill before the assignment. Pica sizes can be recited from memory. A two column was 25.4X16 A three column was 36.6X24. And a four column, if the editor was feeling generous with space, was 52X??. As a result of this, some of our best work might not be published due to the photo not “fitting the hole” the editors had designed. This drove us ape shit. The joke was this. If we ever got a photo of a worker, falling to his death from a water tower, it might win a Pulitzer Prize, but it wouldn’t be published in the Herald because it would be a vertical! TOO many times, our best work wasn’t published because of this. Maddening!

facebook seems to allow for more flexibility in format. And there is no doubt the audience is much larger. I believe it wins out over Instagram.

If you’ve kept up with me at all, or read a blog or two from the past weeks, I’ve been working really hard at updating my primary website. It’s been a work in progress for a long time. I’m blogging to ask you to help me, force myself to follow through on this project. I have made headway in the “On the Clock”, “Faces & Places”, and “Sports & Games” galleries. The “Art & Nature” gallery is still way behind.

July was slow. Really slow. The jobs were few, the bills kept coming. In a previous blog I promised I would be honest with you and myself. So here it is. I’ve never been driven by money. I can be pretty content. And that does NOT mean I’m lazy. When I am working, I am intense, hustling, and in my zone. But there has always been a tendency to “coast” as long as the bills can be paid and some fun money left over Can’t do that anymore. Gotta be a lot more proactive. I need to work harder. I want to work harder.

Read my blogs if you care to. But please check out the photos in the galleries. It’s what I do and who I am. For 42 years. If you like what you see, and believe you might need a photographer, think of me. Share my work with others. I’d love to pick up the pace on senior, business, and other portraits. Events as well. If you need photography for your website… Contact me!

You are visiting my primary site as you read this. My Smugmug website is https://kent-kriegshauser.smugmug.com

Thanks!

Kent K.

Western Nebraska on a motorcycle trip. Look for this one and others in the “Art & Nature” gallery.

Nursing School graduates prior to commencement. Look for this one in the “Faces & Places” gallery.

The Maytag plant closes. Look for this one in the “Faces & Places” gallery

"1967 Labor Day Sweepstakes"

Dad was a decent golfer. Mom and I came first. Followed closely by the hardware store. But a round of golf brought him enjoyment.

We were members of Old Orchard Country Club, the golf course in my hometown of Pittsfield, IL It was founded in 1957 on grounds that once were, you guessed it, an apple orchard. Don’t let “country club” make you believe it was fancy. It was nice. But to a true “country clubber,” it was probably a goat pasture. A nine hole course.

I’m not sure what year we joined. But I remember a short period of time when something must have happened that pissed dad off. He quit OOCC and joined the Jacksonville Country Club. I remember going there a few times for dinners. This was more of a “fancy” place. Nice brick building up on a hill, etc. Eventually, dad found his way back to OOCC. Being it was a lot closer to home may have been a factor.

The biggest golfing event of the year at OOCC was the Labor Day Sweepstakes. A two day event, beginning the Sunday of Labor Day weekend, and concluding on Monday, Labor Day. It was a men’s event, 18 holes each day. Bragging rights, and a chance for cash money were the motivators.

Two man teams were put up for bidding/sale in the Calcutta Auction method. I don’t remember exactly how it all worked. And I don’t remember whether it was “best ball” or the “straight golf” approach. I also don’t remember how the teams were formed. Blind draw, or based on handicaps.

Dad played in 1967. I don’t remember how many he played in prior to. And I don’t remember how many he played in after. But 1967 turned out to be his year. He was 54 years old. I was 8.

Dad was paired with Elmer Myers (Meyers?), an employee of the Brown Shoe Company in Pittsfield. Though dad and Elmer weren’t well-familiar with each other, in Pittsfield (population 4,000), everyone knew everyone.

On that first day, dad was up, and out of the house early. Way too early for mom and me. We headed to the club much later, in time to follow the second round of the day. Dad once told me of golfers who were stretching and doing calisthenics to loosen up before teeing off. Dad chose to sit in a lawn chair, relax, and smoke a cigarette or two.

Sunday passed. Dad and Elmer were playing steady. Monday rolled around… The tournament was not the type where the gallery followed along hole to hole. Most of those interested hung around the clubhouse and socialized. Reports would filter in as to how the teams were doing. There was however, one good option to view the golfers. It was a short walk from the clubhouse to the #7 green. Seven was a short, par three, across water, and a downhill slope. One could stand behind the green, under some pine trees, and have a perfect view of every shot made. I remember going out there 2-3 times over the two days.

As Monday afternoon progressed, I had little to no concept of how things were going, who was leading. I was probably playing with other kids on the property. Maybe a little bored.

Doug Kattleman, a friend of mine, told me many, many years later, about what transpired near the end of regulation. I’ve forgotten the exact details. I believe dad and Elmer were one shot behind the team of Dale Willard and Tom Plattner on the 18th and final hole. Doug told me dad may have made a birdie on #18 to tie the two teams. Whatever happened forced a sudden death playoff on #1.

#1 is a straight, moderately long, par 4. The men teed off. And this time, nearly everyone who was around, began to follow them down the fairway to see what was about to happen. Mom was among them. She must have thought I’d never be able to keep up with the adults on the walk. Or that I had no interest in what was happening. I did! I knew dad had a shot at winning. When it looked like I was going to be left behind, someone saw me pouting, knew who I was, and put me in the back of a cart they were using to drive to the green.

I can remember exactly where I stood as the two teams putted. I watched the faces and expressions of the golfers and the gallery to try and figure where things stood. I had no idea until the final putt dropped. Then I saw happiness on dad’s face, mom’s, and others. Dad and Elmer had won.

It’s usually the child who does something to make the parents proud. Emotions were flipped that day. Being incredibly proud and happy for dad.

Dad kept the winning golf ball and used a Sharpie to mark it. There is fading, but it looks like “Sept. 3-4. $670.” I have the ball, his trophy, and a photo of the two teams. They are treasures.

PHOTOS: Photo one and two, the trophy. Photo three, the ball. Photo four, the teams. Left to right: Tom Plattner, Dale Willard, Elsie Barber (trophy presenter), Virgil Kriegshauser, Elmer Myers (Meyers?)

"Concert Flashback. The Beatles"

Concert Flashback: August 21st, 1966. The Beatles. Busch Memorial Stadium. St. Louis, MO. Ticket price $5.50

My first concert was a fluke. I didn’t ask to go. I don’t remember if I even knew they were going to be in St. Louis. I was seven years old, about to enter the second grade. For sure, they were on my radar. “Nowhere Man” was my favorite song.

Caroll, Mary Ruth, and Kim Kendall were family friends, also from Pittsfield. We’d all vacationed to Colorado together in 1964 and 1965. It was Mary Ruth who saw the announcement in one of the St. Louis newspapers. The Beatles were going to play Busch Memorial Stadium. And it was Mary Ruth who pitched the idea to my mom. “Hey. Let’s take the kids to see The Beatles.” I have long maintained it was a good excuse for the two women to do a little shopping. When the idea was presented to me, there was no argument at my end. Plans took shape.

Stix, Baer & Fuller (a St. Louis department store), and Seven-Up, were the sponsors of the show. Busch Memorial Stadium was brand new, having opened in May. The capacity was 49,473. I do not know how the tickets were procured, but am guessing by mail order.

The show was on a Sunday and we left early that afternoon. Two cars. I know we led because I remember waving out the back window as the Kendalls followed. It’s a beautiful, hilly, drive down Route 79 in Missouri. through a handful of little towns that parallel the Mississippi River. Eventually, 79 meets Interstate 70, and the city is to the east.

Everything seems bigger when you’re seven, including the stadium. Our seats were in the loge section. Low and near the field. The stage, nothing more than an over-glorified flat bed wagon, was set near second base. We brought a pair of binoculars along, a gift to dad from his son-in-law, who was in the Air Force reserves and brought them home from Japan. We did not take a camera. Cameras were used for “big occasions” like birthdays, vacations, and holidays. This was only a Beatles concert.

The Beatles had played a matinee show at Crosley Field in Cincinnati earlier on that Sunday. They’d been rained out the night before. They then flew to St. Louis for an 8:30 performance. The supporting acts for St. Louis were The Ronettes, The Remains, The Cyrkle, Bobby Hebb, and The Del-Rays. Six bands for $5.50. Adjusted for 2025 prices, that would total $54.59. And THAT illustrates just HOW overpriced the current assholes are charging for a show these days!

Age is important here. I was seven, Kim was probably 10. Caroll was 34, Mary Ruth, 30, my mom, 33, and my dad, 53. (Yes. Dad was a “cradle robber”) Dad was a semi-pro trombone player. His musical tastes were jazz, swing, and big band. He wasn’t a fan of the younger generation’s music or the long hair. But he was cool enough to let me listen to what I wanted, and was along for the trip. Albeit, less enthused than everyone else. I was a bit young, Kim was a bigger fan than I, and for the three in their 30’s, it must have been an experience.

Some of sparkle had fallen from The Beatles by 1966. John Lennon had made his infamous, “We’re more popular than Jesus now,” statement in an interview. Beatles records were burned in organized masses as a result. A firecracker had been tossed at the Memphis show. Vietnam was rolling, the times growing more turbulent. There was the threat of rain in St. Louis that evening. Some may have stayed away, thinking it would rain and the show be cancelled. There were 23,000 in attendance that night, in a stadium that could hold nearly 50,000.

I can not recall the order of performers. But The Beatles were put on in the middle. Perhaps due to the forecast. Sure enough, it began to drizzle. Someone made the decision that we’d move from the loge to the upper deck where we’d have more shelter. I don’t remember at what point we did so. But I can tell you the steep incline of the ramps was hard on short legs. With the show only half-sold, finding seats was no problem. As we settled in, it struck me how high up we were. I all but pinned my back to the seat, worrying that if I leaned too far out, it would be a long fall to the field!

Technology. There was no designated sound system. The bands played through the stadium public address system speakers. The Beatles had their “Super Beatle,” Vox amplifiers behind them. But nothing in front of them. Stage monitors had not been thought of then! Some of the girls still screamed, making for quite the sound mix. There were delays and echos, but the songs were distinguishable. A rudimentary roof had been placed above the stage.

I couldn’t tell how hard it was raining. Nor would I have realized how dangerous it was on stage for the band. Dad could. As we sat there watching and listening, dad muttered one his most memorable lines ever…

“I hope those sons a bitches get electrocuted.”

Relax. He was mostly joking.

11 songs, 30 minutes. They did “Nowwhere Man.” Kim’s favorite song then was “Paperback Writer.” They did it. I distinctly remember “Paperback Writer.” George Harrison got his momement with “If I Needed Someone.” McCartney did “Yesterday,” And Starr sang lead on “I Wanna Be Your Man.” We split as soon as they were done. We didn’t know, or care about, the other acts.

The set list has always puzzled me. For its brevity and song selection. Little or nothing from the “Help” or “Hard Day’s Night” albums. Not a thing from “Revolver,” which had just been released August 5th. I wonder if some of the songs on some of those records were too difficult to pull off live, given the sound systems then. Maybe they were too busy working on their next release, which would blow everyone away. “Sgt. Pepper’s Lonely Hearts Club Band.”

This show was the final “nail in the coffin” for live performances. Lennon and Harrison had been fed up with it all for awhile. It was McCartney who loved and insisted they play out in public. The St. Louis show convinced him that “enough was enough.” They did five more shows in four cities (two in Seattle), and that was it. The August 29th concert at Candlestick Park in San Francisco was the last, save for the rooftop set in London in 1969. It’s pure speculation on my part, but I wonder if they might have reunited for Live Aid in 1985. Bob Geldof brought a lot of bands back together for a good cause. There was one problem in getting that done. Lennon was dead.

We spent the night west of the city. I remember a parking lot with a median that caused trouble for dad. Rather than drive around, he just jumped the curb. We did shop the next day. Ringo had worn a cap during the show and I wanted one like it. Mary Ruth and Kim were standing nearby when mom found one. “That’s not like Ringo’s”, Kim blurted! “Shut up,” was her mother’s response, not wanting to spoil it for me. My version was corduroy in military green. A stiff bill with a braid across the front. Mom and dad also bought me my first album. “Yesterday and Today,” which had several songs we’d heard the night before.

The ticket stubs are long lost, but I still have my original program (in poor condition). I found a near-mint condition copy on Ebay. I would love to have a tape of the show, and inquired of one by reaching out to a “Beatles expert” on XM Radio. “Kent. There are no known recordings of that show,” was his response.

It wasn’t life altering but it was pretty cool. I wouldn’t attend another concert until 1974. I’m guessing dad took some good natured ribbing from his friends at the 8 o’clock coffee group at The Bowl for going to a “long hair” concert. When I see Kim, she doesn’t have a lot to say about it. Mary Ruth and I always got a kick out of reminiscing.

I rank “Nowwhere Man” as my fourth favorite song of all time.

59 years of my life have passed since.

THE PHOTOS: Photo credits. I’d guess they are from the St. Louis Post-Dispatch and/or The St. Louis Globe-Democrat. The ticket stub is NOT mine. They were lost. But it’s exactly like ours. The Beatles (U.S.A.) Ltd. is the program cover. The set list from McCartney’s Hofner bass is something I found on line. In the performance photos, you can spot Ringo’s hat that inspired me. And in the photo of Lennon, you can see just how HARD it was raining. Those guys were plugged in. A miracle someone wasn’t killed. We were sitting in the upper deck,, a little to the right, of this angle.

"0 to 60"

July business was slow. Really, really slow. Too slow.

August has taken off like a rocketship. Faster than a Ferrari from 0-60.

A recent gig was for the folks at Monmouth College. Portraits of student athletes. Two types of them. Head and shoulders, and what I’ve come to call “action feature,” where the athletes strike various poses against a backdrop.

Accomplishing the task requires nearly all of the gear I own. “Everything but the kitchen sink.” Seriously. Other than a couple of light modifiers, everything is used. Two backdrops, posing stool, stands, lights… Once it’s all on site, it takes 2-3 trips from the car to the fieldhouse to move it all in. My smart wife suggested I buy one of those foldable wagons. Best $80 I’ve ever spent. Setting everything up took 2 hours and 15 minutes this year. There are two “sets,” each specific to the type of portrait. I used Thursday to set up. The portraits took place the next day.

We began photographing at 8 a.m. I was out of the fieldhouse at 5:15 p.m. In between, I photographed six fall sports teams. Football, cross country, men’s soccer, women’s soccer, volleyball, and women’s tennis. Also included was a fall sports poster shot where a representative from each of those sports to combine. Nathan Baliva and Luke Bradburn, both from Sports Information, estimate I photographed 350 athletes. 140 of them were football players. No counting sheep to fall asleep last Friday. I saw linebackers and receivers, and quarterbacks, oh my!

Am guessing this to be the fifth or sixth year I’ve worked this job for the college. It began in a small room in an academic building. It was nice and cool there, but way too crowded. We moved to the fieldhouse for more space. It’s nice and warm there! I’ve leaned what is involved, and the general set up. Every year I try and raise the bar a little, making slight changes for a different look.

The type of backdrop would be an example. Fabric or paper. The head and shoulders backdrop has always been gray fabric at the preference of the college. The “action feature” backdrop has been black fabric or white, seamless paper. Each has pros and cons. Fabric can be stuffed in a bag. It's more portable. But it will show wrinkles and lint. Paper is harder to transport but won’t show wrinkles. I used it a couple of years ago. By the time the sessions were over, cleats made the floor surface area look like Swiss cheese.

Fabric was used this year. With a “no cleats” policy. A great “accessory” for fabric backgrounds is Downy Wrinkle Releaser. It works miracles. The fabric is pulled taught to the side stands, spring clamps hold it that way, and three weights, placed at the bottom of the backdrop, also make for a smooth surface.

The process for head and shoulders portraits goes like this. The athlete holds up a card with their name printed on it for ID purposes. They then drop the card and three “keeper” frames are made. Why three? Subtle changes in expressions, and in case eyes are closed.

This set utilizes three speed lights. Main, fill, and a hair light, set behind and above the backdrop. Umbrellas for main and fill. A Rogue grid for hair. The hair light really helps with background separation.

The “big set,” for the “action feature” portraits, uses four, more powerful, Paul C. Buff, 800 watt second, Alien Bees. A main light (softbox), two accent/separation lights (with grids for a tighter light pattern), and a background light (also with a grid). A hair light was used last year, but I felt there wasn’t enough separation of the athlete from the background. This year, a background light was used to better illuminate the fabric. The separation was better, but it also lighted the wrinkles.

Each portrait station has lighting placement and power ratios specific to the photo. This really comes into play with the “big set,” as it’s not always one athlete. Small groups crowd the sweep and the lighting is not perfect. I’m a perfectionist, but it’s not possible to adjust everything for every group, every minute. This drives me crazy. But it’s somewhat “assembly line” work.

The “no cleat” clause… Nathan’s primary use for the “action feature” portraits is as “cut outs” to promote game day events. He needs the portraits to be head to toe. This is where the tradeoff comes in. It’s not perfect, or desirable, for an athlete to be decked out in full gear from head to….But wearing Crocs instead of cleats.

Miscellaneous gear… There’s always something, wanted or needed. The women’s soccer team stood in for me for a “scene setter.” (See photos). One umbrella is not firing on the small set. I need one more wireless receiver. Six are in my kit. Seven lights were being used. I swapped one out from set to set as needed. Light stands… Several years ago, I needed three light stands in a hurry. My only option was a brand, Promaster. Every time I have to use those stands I’m reminded of what a shit product they are! Thankfully, the other nine stands I own/use are of much better quality.

It’s interesting to watch four years of my life pass by, cycling through this job, based on what year of college the “kids” are in. They are good, young people. They are polite and follow direction. I believe they look forward to “Media Day,” and it looks like they have fun. I respect and appreciate Monmouth College for investing in what I hope it feels are professional quality portraits of the athletes.






"Concert Flashback. America"

Concert Flashback: August 11th, 1975. America. With opening act, John B. Sebastian. Illinois State Fairgrounds. Springfield, IL. Ticket price $3.00

It was a Monday. Exactly 50 years ago this evening. America in concert. Three singer-songwriter-guitarists, accompanied by a bassist and drummer, played the Illinois State Fair. John B.Sebastian, formerly of The Lovin’ Spoonful, opened the show.

America formed in 1970 when Dewey Bunnell, Gerry Beckley, and Dan Peek, all sons of U.S. Air Force personnel, met in London. They began playing together and put out a self-titled debut album in 1971. It immediately went big with two hits from that debut record. “A Horse with No Name” and “I Need You.” Success and more hits followed. In 1975 they were touring to promote their fifth album, “Hearts.”

Sebastian had been the primary songwriter and leader of The Lovin’ Spoonful. That band broke up in 1968 after moderate success in the mid-60’s. Sebastian continued as a solo artist and did a well received set at Woodstock.

The America show was my fifth concert. I was 16 and had my driver’s license. Mom trusted me enough to turn me loose to drive from Pittsfield to an aunt’s house near Lincoln. I’d been no farther than Quincy or Jacksonville prior. I made the trip, then my cousin’s wife, another cousin, and I, backtracked to Springfield. America was not rock and roll. But the songs were well-written and the three harmonized really well. I liked their music.

Sebastian got things rolling, but times had changed. In 1975, there was a new feel in the air. Not all of the 60’s and early 70’s bands and artists were as popular The crowd was restless, at times impolite. Ironically, Sebastian had a resurgence soon after with the release of “Welcome Back,” an album with the title track that became the theme for the TV show, “Welcome Back Kotter.” But the audience was not having it this night.

Suddenly, near the end of Sebastian’s set, there was a huge increase in enthusiasm and applause. Was Sebastian finally getting his due respect? No. Not one. Not two. But three, limousines, pulled up to the left of the stage. America had arrived!

“Miniature,” a prerecorded piano instrumental, played as the band took the stage. Bunnell, Beckley, and Peek, along with David Dickey on bass, and Willie Leacox on drums. I had a Panasonic tape recorder sitting on my lap to record the show. On that bootleg, you can hear a vendor… “Ice cream, Ice cream…” And a an interested person responding, “Hey, ice cream!” as the opening notes of “Tin Man” hit the air.

They were off and running and didn’t let up. I knew the hits. Besides “Tin Man,” the next song to bring a a louder response was “I Need You.” They paced the hits throughout the show, mixing in a lot of “deep tracks” from their catalog as well. The sound was decent for and open air venue. One drawback. The stage was across the race track and the audience was in the grandstands, separated by a wire fence. Some distance. It affects the interaction and energy level between the performer and audience.

“Can you get out here,” Beckley asked, between songs. “Nooooo”, groaned the crowd. “Can you dance in your seats,” Beckley responded. There was a smattering of “Yessss.” “You ever heard of The Wailers,” said Beckley. The band tore into “Woman Tonight,” a song with a heavy dose of reggae influence.

A couple of huge hits from the current album brought things to the end. “Daisy Jane” and “Sister Golden Hair.” Then, they came back for the fist encore with one I hadn’t heard before. “Sandman”. The final encore, and 22nd song of the show, was where it all began for them. “A Horse with No Name.”

Dan Peek left the group in 1977 and passed away in 2011. Bunnell and Beckley are still out there, playing smaller venues. They were huge in 1975. Looking back, I believe I caught these guys at the top. One of a handful of groups or artists that I was lucky enough to see live, at the absolute zenith of their careers. The set list, a fair promo piece, and my original cassette are below.

America. August 11th, 1975. Illinois State Fairgrounds. Springfield, IL

1. Miniature

2. Tin Man

3. Muskrat Love

4. Baby It’s Up to You

5. Moon Song

6. Old Man Took

7. Old Virginia

8. I Need You

9. Lonely People

10. Don’t Cross the River

11. Ventura Highway

12. Glad to See You

13. Woman Tonight

14. The Story of a Teenager

15. Midnight

16. Company

17. Hollywood

18. Seasons

19. Daisy Jane

20. Sister Golden Hair

21. Sandman (encore)

22. Horse With No Name (encore)

"8-8-88"

I have no idea who, when, how, or why, the Chicago Cubs chose the date to hold the first night game at Wrigley Field. But it’s an easy one to remember. 8-8-88. Monday, August 8th, 1988. The Cubs Vs. the Philadelphia Phillies.

I had become a staff photographer for the Daily Herald, based in Arlington Heights, IL, in June of 1987. It was a big jump from my prior job at the Macomb Daily Journal. Especially in photographing sports, which I loved to do. From the cornfields and poorly lighted gyms and gridirons, to the city, and Wrigley, Comiskey, Soldier Field, and Chicago Stadium. And photographing professional athletes too!

In 1987, depending on the day, and what shift I worked, I might draw a Cubs, Sox, Blackhawks, Bulls, or Bears game. D1 college action too.

The first night game was a big deal. Much more media attention and elevated interest. A first time thing! Lights coming on at one of the oldest, most-beloved ballparks in the country. The last major league park without lights.

If I’m correct, lights were planned for the park as early as 1942. Philip K. Wrigley had 165 tons of steel for the light trusses on hand. But the day after the attack on Pearl Harbor, he donated the steel to the war effort. Then resisted night baseball from then on. Only under new team ownership did the idea resurface and gain traction.

At some point, things began to move in the direction of lights. Whatever planning took place, I’m assuming my friend Steve Green, the Cubs team photographer, was in on the logistics. (I would love to have talked to Steve about this. But this blog is spontaneous to coincide with the anniversary).

Once it was known there “would be lights,” the guessing game of when they would be used began. The excitement level rose. If you were a photographer, this was one thing you wanted to be a part of. History! I was still the newest member on the photo staff. There were 7-8 of us. Let me see…Would I rather shoot the first night game? Or some suburban festival? Luckily for all of us, The Herald pretty much took the '“all hands on deck” approach. I recall most, or all of us, were in “Wrigleyville.” that night. Each tasked with different sub-assignments. Each to return to the paper at different times to make deadlines.

Not everyone was in favor of lights. Neighbors of Wrigley were concerned about light pollution, late night noise, etc.

Throughout the summer, we could watch the construction progress on the Wrigley rooftops. I would have to believe those lights were turned on and tested well before the 8th.

The announcement was made. “August 8th.” It started a frenzy. News organizations had big budgets in those days. We began hearing that media would be coming from around the world, as far away as Japan.

My supervisors told me I was in! To be part of the team and document the historical event. We all went down super early to capture the mood and fans outside the ballpark. I ran into John Keating. A friend who worked for The Dallas Times Herald, or may have moved onto Newsday in Long Island by then. Of course, The Tribune and Sun-Times staffs were all over it as well.

In those days, we shot color transparency film, not color negative film. Without getting too technical, the process is very different. It’s not as easy to convert a print to black and white. So. We kept color in one camera, b/w in the other. And for that night, we may have been instructed as to which photographer shot which film. I know I shot b/w except for my last part of the night. The first photog to return to the D-H office would collect all of our film.

The evening built to the moment of the countdown to flip the switch. 91-year-old Henry Grossman, the oldest living season ticket holder, who attended his first Cubs game in 1906, was chosen to do the honors. He was accompanied by Cubs “ballgirl” Mary Ellen Kopp. Announcer Jack Brickhouse was right there too. 110,000 watts of light illuminated the park at 6:09 p.m.

The media scrum was intense for this moment. Most of us played it safe and took the obvious angle. My co-worker, Jon Kirn, chose a different approach. Much like the famous photo of Babe Ruth’s retirement, made by photographer Nate Fein, Kirn stood opposite the crunch and aimed his camera towards the media. His gamble paid off. The photo ran as the lead on a picture page. You can spot me, kneeling down, directly between Grossman and Kopp. Only my credentials and watch are visible.

The game began. Phil Bradley, a Macomb, IL native, playing for the Phillies, hit the first home run on the fourth pitch of the game against Rick Sutcliffe. The Cubs Ryne Sandberg answered with a two-run homer in the bottom of the first.

By the time the game began, I was on my way from the ballpark to The New York, a high-rise living building at 3660 Lake Shore Drive. It has 49 floors and is 461’ tall. Arrangements had been made with the ownership to have me escorted to the rooftop to make photos looking down on the ballpark. This is when I loaded the Nikon with color. Around this time, another co-worker, Scott Sanders, was scheduled to go up in a helicopter. But it didn’t happen…

The rains came about 3.5 innings into the game. And they didn’t let up. The tarps were put down and the players began amusing themselves by using them as “slip and slides.” At some point the game was called off. Not enough innings to make it official. That was it.

The next day, the 9th, was the first official night game. But the buzz had subsided. I wasn’t there and it didn’t matter. I don’t remember who went back for us the 9th. Everything was “built” around the 8th of August. Being there then ranks in the top ten, maybe top five, “sports moments” I have been a part of.

"If You're Reading This"

If you’re reading this… Thanks for checking in!

I hope this to be the first of many “new” blogs to come. There have been 2-3 prior attempts to blog on a semi-regular basis. They all lost momentum and faded.

I like to write. Usually in a “stream of consciousness.” By using this method, you may find spelling and punctuation errors. MisSTEAKS will be made. Bear with me.

A book I read as a kid, fueled my interest in writing. Jerry Kramer was a right guard for the Green Bay Packers. He kept a journal during the final year of his career. The book is titled “Instant Replay.” I loved it. It influenced me to do the same in 1973 when I was 14 years old. I chronicled my dad’s diagnosis, decline, and end, when he had cancer.

The late Barry Locher, who was a friend, mentor, and one of the finest photojournalists I’ve ever known, told me a story. “Kent, I was all settled in to watch part of the Final Four when I stumbled across your blog. I wound up skipping the game and reading the entire blog about your dad in one sitting.” Barry told me I was “a good writer.” That felt good to hear.

This “blog thing” is meant to coincide (somewhat) as I work to “relaunch” my long-stagnant website. There have been attempts to overhaul content, gallery categories, etc., over a period of time. But those attempts have also been sidetracked. By inviting you to take a peek at the photos on here, it will hopefully hold me accountable to continue to put the time into it to get it up to date. You will, however, spot many from the archives.

As far as subjects go, there should be no lack of material to write of. Notes have been made of ideas. If you know me, it is certain you will read about photography, travel, music, and life anecdotes. Abbreviated versions of “Concert Flashbacks” have appeared on social media. Expanded, detailed versions will land here. I’m also planning on posting a photo(s) with a detailed backstory about them. This will be called “Every Picture Tells a Story.” That title is lifted directly from a Rod Stewart song. Don’t sue me Rod. You won’t get much.

The life anecdotes…There’s nothing special about me. But I’m blessed with a really good memory. I am grateful. My life flashes before my eyes almost every day. It can be triggered by music, a smell, a sight, a word. My hope is, by sharing, it may trigger something for those reading, that may make them think back or take stock in their own lives. When I write, I hope to be honest with myself and the reader. There have been 66 years of life experiences to draw upon.

For now…The website DOES remain a work in progress. The “sports & games” gallery is getting close to being back in shape. All other galleries are still a bit “scattered” at this point. Fine tuning is ongoing.

There are a handful of blogs left over from the past. Those will remain for now. Social media will be used to announce new blogs. Instagram only at this point. Been away from facebook for more than four years. Debating on a return.

Regards,

Kent K.

"PRACTICE masking & social distancing"

Something good has been happening. Actually, it’s great. The “phone has been ringing.” That’s secret code for “I have had some work, and paying jobs.”

2020 hasn’t been the best. But that goes for most of us. I’ve had to relearn how to spell perseverance. Then again, my business slogan has been “Too stupid to be scared. Too stubborn to quit.” Somehow, I’ve made it. I just miss doing what I love to do on a regular basis. Make photos. Making them for others is what pays the bills. After doing this for 37 years, someday I want to be a professional photographer.

There has been a “smattering” of work during these trying times. A “shout out” here, goes to Adkisson Land and Auction LLC for having me make staff portraits for the web site. The Galesburg Community Foundation has had me making a series of portraits, and other jobs. There was a recent gig for the Knox-Galesburg Symphony, where a quartet played a “socially distanced” show at Walnut Grove Barn in Knoxville. I loved shooting that one.

But it was a surprise call from my friend Dan Nolan, the Sports Information Director at Monmouth College, that really reunited me with my cameras. Dan discovered old photos of athletes practicing during one of the flu pandemics. Seeing those, he decided he would not allow the current situation to go undocumented. He put me on board to photograph volleyball, football, women’s tennis, and men’s and women’s soccer practices.

How do the student-athletes practice, and practice safely, you ask? They must wear their masks properly. And there is no contact. It’s very limited as to what they can do. It’s also very sobering to an observer. These athletes are dedicated enough to practice this Fall, with no guarantee they will be able to play their sport in the spring as hoped for. A lot may be riding on a vaccine. Division 3 schools do not have the budget of Division 1 schools to spot test for COVID, etc. You have to admire their dedication!

Practice guidelines also required that some practices had to be split into multiple segments to prevent too many people from being in one place at one time. The volleyball team split practice into one group of eight. And one group of seven. One of the photos I made that I hope helps “tell the story,” is the second group, waiting to enter the gym, standing in the doors that separate the gym from a lobby. Normally, that image could be a “throwaway.”

My job was to document the practices, and how they look different than a “normal” practice would. Showing the masks and distancing were the obvious “must gets.” My approach towards how to make photos changed too. Normally, with “sports action,” The photographer shoots with a long lens to isolate the plays of the game. To create impact on the person who views the photo, and show them what they don’t see from the stands. “Tight is right,” a co-worker once commented. Referring to filling the frame of the photo.

Making photos at practices allowed me to move in closer. I can’t be in the middle of a field or court during a game. I can at practice. Almost all of the Monmouth coaches allow me to “do my thing.” To show the social distancing, photos became more about context and less about action. To show the space. The wide angle lens was used as much as the long telephoto for these jobs. WAY more than it would be used for an actual game. With the wide angle, it forced me to “get right in there,” and allowed for angles from the ground, above, etc.

It was great to be back on campus again! Obviously, the idea of working and making a living is to work and make a living. But the downtime this year has forced upon me may have rekindled my spirit and “eye.” It felt like both were fresh when making the practice photos.

Now. If the phone keeps ringing, I might yet become a professional photographer.

Lusk, Wyoming

It’s been way too long since I wrote a blog. Here it goes. Unrehearsed.

It’s coming up on 26 years since taking my first motorcycle trip. July, 1994, to the Black Hills, and then on down to Estes Park, Colorado. I was on my Honda Nighthawk, and it was on the fourth day of the trip, July 18th, when I had an “experience” that has stuck with me on every trip since.

I’ve journaled nearly every trip since, maybe 17 of them by now. Short notes, longer thoughts. But something to pair with the photos to look back on. To preserve memories. I’d love to do some books.

On the 18th of July, 1994, I made notes in my tent, before leaving Custer, South Dakota for a ride down to Estes that day. What follows below is from my journal, and will pick up in “now time” after this passage.

—-O.K. 10 a.m. local time. I’m in Lusk, WY. Stopping for breakfast after the biggest adventure of the trip, so far. I ran out of gas! I was seven miles north of Lusk, on Route 85, when I ran the reserve tank dry. I’d passed only one station in more than 100 miles and didn’t think it would be my only chance. I tried using my cell phone for emergency service and got the “no service” signal. I looked to be in the middle of nowhere.

I began walking down lane towards a farm house, hoping they’d have gas, when a pick up truck pulling a horse trailer happened to be coming up the road. A father (Cody Thompson), and his son, (Ty Thompson), were on their way to a rodeo. They stopped and listened to my situation.

Without saying much, they unloaded the horse, put my bike in the trailer, reloaded the horse, and drove me into town. They have a relative who teaches ag at the University of Illinois. These were good people. Not just because they did a good deed.

We got to town, unloaded the horse (named Paint), took the bike out, and put the horse back in. They wouldn’t take money and off they went.

I had been making good time in the wide open country. I even “let the big dog eat” once, and cracked 95 mph for a very quick burst. Slow by the street racers standards, but a momentary thrill. Also, several miles back up the road, a Harley rider came upon me out of nowhere. Trailed a short time and passed. I gave him “thumbs up” but he snubbed me. My mind is that we’re all riding for the love of riding, and should acknowledge each other. Most do, including some Harley riders. But there are plenty who are on the “buy American” kick, who glare at the Japanese made “rice burners.”

He slowed awhile and I caught up, debating to pass, for fear of being shot or stabbed for “disrespecting” a Harley rider. I went around and stayed ahead until I ran out of gas. He soon passed, and made no attempt to ask if I needed help, as I stood there on the side of the road.

It was pretty warm. And I wasn’t surprised, I’d run dry. When I had to switch the tank to reserve, some miles back, I got a bad feeling about what was ahead. I was embarrassed. Could I push the bike into town? How far? There were hills. I was stuck.

The Harley rider was barely out of site when a couple on a Honda Gold Wing came upon me. “Are you o.k.,” he asked, as they had slowed down. I misunderstood and nodded “yes,” missing my chance. Still, from the time I ran dry to when I started walking towards that house, to when the truck came up, couldn’t have been more than 10 minutes. Turns out, the guys say there was no gas at that farm house anyway. Only diesel fuel.

So. I filled up and tried to restart… Nothing. It didn’t flood, I couldn’t smell gas. I was worried I’d run down the battery. I was about to panic (I didn’t when it ran dry because I saw it coming), I noticed the emergency kill switch had been set to “off.” It had to have happened during loading or unloading. I fired up and ate breakfast at Cindy’s, a local joint.—— (back to now time)

I had done pretty good at keeping in touch with the Thompsons. I had ask for their address. I sent Ty a photograph of Michael Jordan. And I sent them a postcard on every trip I took afterwards. Always thanking them, and asking them to say thanks to Paint the horse, for sharing his trailer that day.

I was back out that way in 2008, on a ride to Wyoming and Montana. I contacted Cody, told him I’d be that way, and asked if I could buy him breakfast in return for the favor he did for me 14 years before. Ty was not able to make it, but Cody and I met up. I bought him breakfast, we talked about cattle ranching, and I made a quick portrait of him. I also rode my ST-1100 north, out of town, up Route 85, to see if I could find the driveway I’d run the Nighthawk dry at. It was exactly seven miles north of Lusk. I made a photo of the ST on the driveway.

I haven’t been as good at keeping in touch since. I wonder about him and his family.

I also put gas in the tank when I think it isn’t necessary.

"Heart"

CONCERT FLASHBACK: February 21st, 1979. 41 years ago today. The Arena. Southern Illinois University at Carbondale. Carbondale, IL. Heart. With opening act, Exile. Ticket price: photo credentials.

Heart was red hot in early 1979. Touring to promote the band’s fourth album, “Dog and Butterfly.” Still the “classic” line up with Ann and Nancy Wilson, Roger Fisher, Howard Leese, Steve Fossen, and Michael Derosier.

It was announced they’d play The Arena, on the campus of SIU-Carbondale on February 21st.

In an attempt to score great seats, I spent the night before tickets went on sale in the backseat of my Ford Granada in the arena parking lot. It was cold, and it was wasted time. Early the next morning, approaching the box office, I discovered the staff handing out wrist bands with numbers. The lottery system. My turn finally came, floor seats were secured.

At some point, an idea was hatched. Why not take it one step further and apply for a photo pass?

Early in the afternoon the day of the show, I approached a roadie who was loading in equipment. “You need to talk to the road manager, Kelly Curtis,” the guy said. “He’ll be around in a couple of hours.”

I went home and grabbed a binder with photos of previous bands and concerts I’d photographed. Most were pretty raw. But I took my “portfolio” back to campus and tracked down Curtis. He studied the photos and called out some names he recognized. I made my pitch, offering to send photos to management for use. He bought it. I was in!

Instructions were given as to when and where to be that evening to pick up the photo pass. The next move was a short drive downtown to purchase 4-5 rolls of color transparency film. Super excited, I killed time at home before heading back to the arena for the evening.

The photographers, a few of us, were led into the photo pit directly below the stage. The area between the stage and audience, separated by a solid wall approximately 3-4 feet tall. Exile, a group of soft rockers, opened the evening. A few photos were made of them, just to make myself look busy.

Heart came out and opened with “Cook With Fire.” These were the days when photographers were allowed to shoot the entire show from the pit. And in this case, we even had access to make photos from the side of the stage, stage left. It gave a great view of Michael Derosier and his drum kit.

Ann belted out songs. Nancy played her Ovation guitar and sang back up. Roger Fisher played his Gibson SG really well. He also seemed to want to channel Jimmy Page in appearance. Fisher wore a satin suit adorned with dragons, much like Page wore in that era.

It went fast. I had fun and figured that was it… Until I got into a small group who were invited and escorted backstage. There was a short wait and then we were led back. The Wilson sisters were seated. Nancy with a dog on her lap. Ann had her neck wrapped in a scarf to keep that voice intact. Band members milled about. Roger Fisher and Steve Fossen were especially nice. They were tired but polite. Autographs were signed. Some photos taken. I handed Nick Sortal, the entertainment writer for The Daily Egyptian, the student paper, one of my Minoltas. The Wilson sisters and me. Sweet!

The set list. I can’t verify this one was from Carbondale. I DO know they opened with “Cook With Fire,” I DO know they encored with Led Zeppelin’s “Rock and Roll.” And I DO know “Devil Delight” was early in the show. I have no reason to believe otherwise, that the set list provided here is not the exact show they did in Carbondale. And it was a fine show.

Following through on my promise, I did send photos to Seattle. Nothing came of it, but my photos were returned. Looking today, the exposures were a tad hot and a tad contrasty. It was a huge boost in experience.

And the road manager, Kelly Curtis? He moved up a notch. Years later, he took the title as “manager” for another Seattle band. Pearl Jam.