"Longs Peak, 2012. Success"

2025 BEFORE THOUGHTS: September 14th marks the 13th anniversary of my summit of Longs Peak. Transcribing the words from my journal to here was like reliving it. What a day and experience! After failing in 2010, it was great to get it done. In this account, you’ll read about my friend Marcy, and a reference to mountain lions. Marcy lives in Estes Park and has had one direct encounter with one. And a second, non direct encounter. Both within the city limits of Estes. Marcy and I had dinner the night before I made the climb. She offered me tips and suggestions. Especially about gloves. Now… Let’s hit the trail.

Friday 9/14
LV: RMNP
AR: RMNP 37 miles

For two reasons, Longs Peak is almost a “bucket list” obsession. I’ve done a lot of day hiking, but want to climb a mountain. Longs is 14,259 feet. Also, I’ve always been fascinated by Mt. Everest, at 29,000 feet. Longs would be base camp or below, for Everest. Mind boggling. And though Longs is a non technical route (The Keyhole Route), I had read enough and heard enough to know it would give me plenty of physical and mental challenge. It would be “my Everest” to conquer.

The self-conscious and imagination are wild places. As I rode through the dark to the Longs area, I remembered Marcy and her mountain lion story, and that she never hikes at night. With it being past peak season (no pun intended), I knew there wouldn’t be as many climbers as there were in August of 2010, despite the excellent weather forecast. I was relieved to see a half dozen cars in the lot when I got there.

I unloaded, packed, and was on the trail at 2:03 a.m.

Matt, a young man from Fort Collins, was preparing to go too. “Would you like to hike up to the timberline together,” he asked? “Sure,” was my answer. He reasoned that a pair of us would be safer against wildlife than one of us. “We’re hiking at the most dangerous time of night, during the most dangerous time of year,” he said. Meaning hungry bears are looking to fatten up for hibernation. Though it was more likely there could be a mountain lion, looking for an easy snack.

Matt told me he works at a country club, tends bar, and has summited the mountain four times this season alone. Once, he and a group climbed by night and watched the sun rise from atop the summit. The kid had a very quick pace. I knew from the last time, how hard this was going to be. He wasn’t breathing hard, yet I was gasping and needed to stop for a break, probably only a half mile in. “How old are you,” I asked Matt. “Twenty,” he said. “How old are you,” Matt asked of me. “Fifty three,” I informed him. “Whoa,” said Matt.

We made it another mile or so and I sent him on his way. Not to be rude, but I knew I couldn’t keep pace. Trying to do so would spoil my effort. Too much energy now, not enough for later. I heard him up ahead, making noise to scare whatever might be hiding in Goblin Forest, aptly named for the wicked looking tree roots, all scraggly and exposed, along the trail. I clapped my hands a few times too to make noise. Honestly, wildlife really wasn’t a concern. The enemy today would be fear and fatigue. The enemies within.

the trailhead is 9,400 feet. Most of the climb is above the timberline. Goblin Forest is the start, and fairly small segment of the journey. Alone for some time now, I walked on and cleared the trees.

Once out of the woods I could see Matt’s headlamp on the trail above, where there are switchbacks of small stature. Where the trail changes directions. Matt had put a fair amount of distance between us. I carried on at my own pace in the dark. I was warm enough. My clothes choice was the same pants I wore in 2010, a short sleeved, quick dry shirt, topped with a new, long sleeved wool shirt that is both lightweight and quick drying. I also wore a stocking cap, and some light, water resistant gloves with textured, “pebbled” palms. I had taken Marcy’s advise on the gloves. “You should take them,” she said. “Those rocks will be cold, and have sharp edges.” “You’ll be doing a lot of climbing and scrambling.” I did not bring a full rain suit this time. Only a lightweight, waterproof jacket which also served as a windbreaker.

The Camelbak was loaded with water. In it’s compartments were trail mix, beef jerky, Oreos, and granola bars. Weight is the enemy. The point and shoot camera was along. The binoculars were not.

Not sure what the temperature was. This kind of exercise made me sweat, but I kept warm. The first problem came at a “pee stop.” Once the lining of the gloves were wet with sweat, they were hard to get back on. I stood just off the trail, sullen. I finally got them back on and vowed not to take them off again for any reason.

I made one photo stop to shoot a trail sign, using the light of my headlamp. Working the camera with gloves was difficult.

As I climbed in altitude, two things became more evident. The stars in the clear night got closer. And the dropping temperature made the water in my Camelbak cooler. Alone, on a trail to a 14,000 plus foot mountain. Splendid Isolation (referring to a Warren Zevon song) was where I was. Isolated? Yes. Splendid? Ummmm.

The Longs trail is a tough one. Even though it gets traffic, it’s not really groomed. Smooth, round, ankle turning stones cover the trail. Many of them baseball sized and larger. There are a few poles and flat rocks on the way up to prevent erosion. There aren’t many level areas to catch your breath. When you make a step it’s probably a one footer. Just like the walk to school our parents told us they made, Longs is pretty much “uphill all the way.”

As I walked and climbed, I could hear two voices and quotes, one in each ear. “Fatigue makes cowards of us all,” from Vince Lombardi. “A man’s got to know his limitations,” from Dirty Harry.

As with two years ago, there was a time or two I thought of quitting. To go back to a warm sleeping bag. I had begun to chill a little, knew The Boulderfield was ahead, and was anxious about what was on the other side of it. I didn’t quit. I thought of that couple in their 80’s I’d met on a day hike on Wednesday. I thought of others, younger, older, more out of shape than me. Mostly, I thought of opportunity, and how many more chances I’d get at this. It was one foot in front of the other. “At least TRY,” I told myself. Snails move at a slow pace, but they move. I had the time, and perfect weather. God and nature were doing their part. The courage and stamina were up to me. Onward and upward.

I stopped and looked back towards the lights of Greeley, to the East, Boulder, to the South. Pretty sights I tell ya. And the stars and the moon. I thought of settlers and the old West.

Got my first glimpse of the rising sun at some point. Not sure of what time, or where on the trail. But it was more subdued than 2010. That year it seemed to come up in a ball. This year was more of a long, horizontal sliver. And I could tell by my location I was further up the trail than 2010. Even factoring in a months difference of days and light, and an hour earlier start time. Knowing this boosted my spirits. With the sun, I could see better and would warm up. I really didn’t want to walk The Boulderfield by headlamp. Too tricky, with no set path through there. Just the rock Cairns that hikers build to help fellow hikers keep on the trail, or to mark an easier route. As I was pondering “The Boulderfield,” it began to get light enough that I could almost see without the headlamp. Perfect timing!

By paying attention to the Cairns, I navigated my way through the easiest part of The Boulderfield much more quickly than 2010. Then, almost on cue, like a movie, the sun rose to paint The Keyhole and the giant vertical wall to the left of it, in brilliant orange sunlight. So saturated it it was almost unnatural. Spectacular! I’ve seen some fantastic sunsets, but this may be the best sunRISE I’ve ever witnessed.

Navigated my way up the bigger rocks on the the steepest part of the climb to They Keyhole and shelter just below it. It was 7:03 a.m. I’d done this segment in five hours, to the exact minute. 45 minutes better than in 2010, if my memory is correct. I was happy about that. I planned to rest in the shelter for no more than 15 minutes. I did so, having a couple of strips of jerky and 3-4 cookies. I also drank water and made a couple of photos through the doorless entry of the shelter. I felt good, and didn’t want to spend too much time thinking of what was ahead. I spent less than 15 minutes before moving on.

“The real work, both physically and mentally, begins after The Keyhole,” I’d been told. I can verify that. I crossed over The Keyhole, a notch in the wall of the mountain, and small in scale to it (hence, Keyhole). This was now the West side of the mountain. From The Keyhole to the summit is 1.5 miles. There is NO trail. Only “bullseyes,” painted in red and yellow on rocks, mark the route. I passed through and made my first “wrong turn.” I was on the outside, exposed side of a rock when I should have been on the inside. Thankfully, I caught on and quickly corrected myself. I was now on the section known as The Ledges.

It’s pretty much what it sounds like. The mountain wall to the left, vertical or near vertical drop offs to the right. Hundreds of feet down. When I inquired of those who have climbed Longs about the exposure and drop offs, I asked whether the drop was really straight down, or nearly straight down? Would I fall to my death or would I tumble to my death? Somehow, tumbling doesn’t seem as bad to me. Free falling, floating through the air, not so much. With tumbling, you might not know when the “lights out” moment is coming. You may be able to grab something to stop the fall and save yourself. With a sheer drop, the moment you make a misstep or lose your grip, falling into air, you know you’re done. I’ve wondered, would I scream and yell if that were to happen? Or would I quietly say to myself on the way down, “Well, you’ve done it now.” Remember. It’s not the fall that kills you. It’s the sudden stop at the end.

The Ledges vary in width. Three or more feet in some places, even more in others. For whatever reason, I did not freak out. I concentrated on footwork and the bullseyes ahead, not looking to the right. The Ledges are where you’d tumble to your death. Steep but not sheer.

The first real mental obstacle came in the form of an obstacle of nature. A big rock that one has to pull themselves over. It’s mentioned in brochures about the climb. Two rods have been secured in the rock, used as hand grips. There’s virtually no footing. So many people have crawled over that rock it’s been worn slick. You have to pull your body and weight over it. Most, including me, wear a backpack of some sort. This adds weight and affects balance. I didn’t like what it involved but I did it, and it gave me confidence to move on. The Ledges follow that back wall for a mile. They end at the next section, The Trough.

Anyone not in reasonable condition would stop when they saw The Trough. Long and uphill, probably a 45 degree angle, and 600 feet of ascent. It requires climbing and scrambling. Described as the “Stairmaster” part of the climb. There are times you’re nearly on all fours to make the next move. There are boulders and rocks. There’s also loose rocks called scree. Those ahead can kick scree loose, sending it showering down on those below. That happens more during the busy season. Some climbers wear helmets. The scree wasn’t an issue today. But I did encounter snow and ice.

Slow and brutal, but not as exposed as The Ledges. The worst that could happen here was a heart attack. In that regard, I noticed my breathing wasn’t getting any harder as I gained elevation. I was well above 12,000 feet, a number I noted in 2010, as to when I can really “feel it.”

I encountered Matt, already on his way down. He said he didn’t summit, something about “water and ice.” I didn’t catch it all. He seemed impressed I’d made it this far and encouraged me to move ahead. “You can do it,” he said as he moved on down.

About this same time, a tall, tan guy with a ponytail went by on his way up. He was flying, picking his way through The Trough like he was out for a morning jog. He wore light shorts and some kind of special running shoes, carrying no provisions of any kind. The guy summited and was on his way down as I still fought The Trough. “You’re an animal,” I called after him.

The Trough consumed close to an hour. Near the very top, where a bullseye directs one through, and up a crevice to the next section, there was ice. I happened to be with two guys with experience. We decided to work around the issue. They led, I followed. We had to get footholds, then pull ourselves up to a ledge about three feet wide. The fall back wouldn’t be far, but it would hurt or injure. Six feet back to the rocks below. Once up, I moved on my hands and knees. I’d made The Trough and was now at the next section, The Narrows.

The Narrows follow the South side of the mountain. Similar to The Ledges but shorter in distance at 1,000 feet. As the name implies here, The rock ledge is narrow. And here, the drop off is pretty much vertical. The wall to your left is 1,000 feet high. You can touch the wall with your left hand while looking down at certain death to your right. The Narrows are three feet wide at one point, with a 500 foot clear air drop to the right. To compare, the Gateway Arch is 630 feet, Hoover Dam, 726. Step on a trouser leg and trip, catch a gust of wind, hit a slick spot…You’re toast. There are no cables to grab for aid here, like Angel’s Landing at Zion or Half Dome at Yosemite.

In 2010, a climber from Minnesota had been found “dazed,” wandering The Narrows. He’d spent the night there, having been struck directly, or indirectly, by lightning.

I’m usually one to glance. Yet again, I looked ahead and not down. I did sneak a peek a few times, both here and back at The Ledges. It puts butterflies in your stomach. I kept thinking of how I’d made it to this point, and how this was likely my last shot. There was zero wind, a huge benefit. I felt I was receiving help from all directions. Other people and a higher power. The rest was up to me.

I’d stopped for a moment and watched two guys ahead, navigate one of the last parts of The Narrows. From where I was, it looked like a 15 foot, straight up climb over a rock. “Unh-uh, no way,” I said out loud. Yet I decided to approach it and check it out before giving up. It wasn’t as bad as it looked. I was over it, and at the last section before the summit, The Homestretch. Not just in name, literally.

Marcy had said The Homestretch is her “least favorite” part of the climb. I didn’t find it to be all that daunting. It was another uphill battle, but nothing like The Trough. Marcy doesn’t like it because so many have summited, that on the way down, hundreds have scooted on their butts. This has made the granite face slick. There’s no exposure to speak of, but there aren’t as many footholds or grab holds. Going up, I found mild traction issues. Going down, a worst case scenario for someone would be to slip and fall. The Homestretch would then act as a giant “slip and slide” to eternity, as there’s nothing to stop you at the bottom. Only air and blue sky. Weeeeeeeee!

Nothing was going to stop me at this point. I stayed low, picked my way up, and summited Longs Peak at 10:40 a.m. The journey had taken eight hours and forty minutes. Five hours to The Keyhole. A staggering, three hours and forty minutes to make the last mile and a half from The Keyhole to the summit.

Of course I did the obligatory “throw your arms in the air” in celebration pose. I”m pretty sure I yelled out, “I made it!” to no one in particular. Details are fuzzy. I’m not sure what I did next. I think I had surprised myself.

The summit is huge. Literally as big as a football field. Good sized rocks, but not terrible walking. I moved around to near the East edge, looking straight down at Chasm Lake. A vertical drop much like Yosemite’s El Capitan. I didn’t get too close.

There I stood, atop Longs Peak, 14,259 feet in elevation, feeling pretty good. Then thinking. “WOW. I’m 4,000 feet BELOW base camp for Everest!” Humbling perspective.

Marcy had suggested I hang out for a little while. Drink plenty of water and eat snacks. Take in the spectacular views, but remember, “You have to come down too.”

The views were awesome. One guy, who had summited more than twenty “14ers,” pointed out many other mountains on the Front Range, including Pikes Peak, 130 miles to the south, which I’m told, received 10” of snow Tuesday night during the weather here.

During the busy climbing season, and with so much room, some bring a Frisbee to toss around. I took photos of the altitude marker, mounted to a big rock. And I signed the summit registry, a rolled up log of paper that is enclosed and protected in a PVC tube with a screw off cap at one end. It’s tethered to a rock with wire and stuck in a crevice when not in use. I chatted with those there. Took photos of them with their cameras, had photos taken of me with mine.

It was warm and windless. Free of snow, and with breath taking (pun intended on this one) views. It had been “breath taking” all the way up! But the fact was, I did have to make it down. After resting, there was little else to do. Starbucks was closed and McDonald’s was out of biscuits and gravy. (that’s a JOKE.)

By coincidence and timing, I was invited to descend with Rich and Sean, two Brits here on holiday. Rich had a lot of climbing experience. It allowed for conversation and friendship. Confidence, and the ability to follow on the way down.

We stepped off the summit to The Homestretch, navigating it with no issues. I think this was the most “mild” section, both up and down.

The Narrows were no worse going down than coming up. We even stopped and sat down for Rich to eat a sandwich. He made me nervous when he stood close to the edge in a casual manner. 500 feet straight down. “God, am I gonna witness an accident,” I wondered? I allowed myself to look around. Dizzying and a little scary, but mostly stunning. The many lakes below, most of them big, looked like tiny ponds.

We got off The Narrows, the most exposed and dangerous part, and back to The Trough. We had to navigate that top part again (detour around the icy crevice), but it wasn’t too bad. The Trough can kiss my ass. Brutal both ways. Going up is hard on the heart and lungs. Descending, the scree can put you on your ass if those loose rocks move from under your feet. And it’s not practical to to go downhill on all fours. The Trough was tedious and time consuming. What a view to the West. I could see Black Lake, where I’d looked up at The Trough in 2010. On a day hike, I looked up at climbers in The Trough through binoculars and thought, “Oh. That doesn’t look so hard.” The Trough taught taught me a lesson today. An ass-whooping.

Back to The Ledges. We made our way along with no issues. Less spooky and wider than The Narrows in most spots. They did seem to take longer on the descent. Getting over that boulder with the two rods was easier this time. I was tired. I told Rich and Sean my objective was to get across The Boulderfield and back on the clear cut trail. We took one last break just before The Keyhole, then made the passage through it. Barring a freak situation, the real danger was over.

As we began to climb down the big rocks, now on the East side, out of the shelter came a guy. We all chatted. A seasoned veteran, he was just on his way up. It was probably 2 p.m. Though I couldn’t see him, this guy had a friend with him, sitting in the shelter. The unmistakable smell of burning pot was was pouring out. Rich and Sean decided to hang back and take another break, laying out on one of the huge rocks. I told them I’d see them at the bottom. Or likely, they’d catch me. Sean had lagged behind on the descent, I’d watched it. I was so tired, my concern was if I didn’t keep moving… The day was getting away. It’s a long way down from The Keyhole. You’re tired, and the trail is not easy.

I made a point to look back at The Boulderfield and Keyhole before they faded from sight as the trail drops. My work on Longs Peak was almost complete. It’s doubtful, at my age and condition, that I’ll ever see that view again. Kind of a sad thought, but I made it today. So the story ends well.

I remembered from 2010, how long the walk down was. Today it came back twofold. Alone, and with no one to pace with. It wouldn’t have mattered. Mentally I was happy and focused. Physically, I was absolutely spent. I’d consumed water but hadn’t eaten much all day. Adrenaline. It quickly became an effort to put one foot in front of the other. Hikers know they are tired because they begin stubbing their feet on rocks, etc. I was. As before, it looks a lot different and more stark by day than night. On and on and on it went.

Then.. My right foot rolled off a rock the size of a baking potato. I fell over to my right, falling onto a bigger rock and then ground. No real harm done. I thought of how embarrassing it would be to have to be rescued and carried off the mountain. It actually sounded kinda good, but no way was I gonna let it happen. I’m almost positive my pace down was as slow, or slower, than my pace up.

Once at the timberline and Goblins Forest, thoughts of “almost home,” hit. Wrong again. As before, this section is longer than the mind believes. As you drop, you think you’ll see the parking lot appear around every corner. The best part of Goblins Forest is the fragrance. Pines, firs, and cedar. More concentrated than other places I’ve been. The smell of a pine tree is one of my favorites, along with leather and burning racing fuel. Visuals are obvious in the mountains. Scent is more subtle. It was great, even with the mild stuffiness I’ve had all week.

Just as I was almost broken I came to the parking lot. I staggered through it, almost delirious. It was 5:27 p.m. I’d spent fifteen and a half hours on the mountain! Brochures state it can take up to 16 hours. It’s a 17 mile round trip task, with 4,875 feet of elevation gain. Its all relative. To a climber, fitness buff, youngster, or someone used to the altitude, Longs Peak is nothing that big. To a 53 year old, slightly overweight dude from Illinois, who did absolutely no training, and has some issues with heights, this WAS a big deal.

That is not cockiness. Because of my condition and lack of climbing experience, I could have just as easily died of a heart attack or fallen of a ledge. I understood this. I’d made peace with that beforehand. I choose not to live in fear. Mother Nature and God gave me a gift today.

It’s difficult to measure milestones and accomplishments. I hope people think I’m a decent photographer. More so, a decent human. I’m my own worst enemy. Hard on myself. The mountain was a goal. It’s still sinking in. I’m a little surprised at myself. I understand better, what a lot of will and determination can do. Making the summit of Longs Peak was the biggest physical and mental challenge of my life. It’s also the most fulfilling payoff.

As tired as I was, I cruised through the Longs Peak campground, looking for Rich and Sean’s vehicle. I was gonna leave a business card. I couldn’t find the Suburban they said would be there. When I got to the Route 7 intersection, my legs were SO tired I could BARELY hold the motorcycle upright. I would LOVE to know how many steps I did! Once in Estes, I called my buddy Rob to tell him I’d made it. I eventually got ahold of Marcy to tell her the same. “I’m proud of you,” she said.

Got back to camp, fixed a freeze dried three cheese lasagna over my tiny cook stove. It tasted good, though I was almost too tired to eat. I ran dangerously close to making myself sick today. I visited with Kip and Kay, my camp neighbors, for a a few minutes, then excused myself. I got in the tent and sleeping bag at 7:30 p.m. I slept soundly until 5 a.m. My longest sleep cycle in months. Slept with a new camping pillow under my head and a “14er, under my belt.”

The next day, if Longs came up in conversation with anyone, I’d point to the summit and proudly proclaim, “I was up there yesterday.” I also rode back to the Longs ranger station at the parking lot near the trailhead. I sat and talked with ranger Brad. Brad is a “dead ringer” for John Denver. He went to school with Marcy. I asked him about the pony-tailed runner I’d seen yesterday. “Oh. That is Anton Krupicka,” Brad said haltingly. “He’s…not...human.” (Krupicka is a world class ultra runner)

I came home, having achieved my goal. One of my best moments in life.

2025 AFTER THOUGHTS: I would love to try one more “14er”. That’s not likely to happen. I’ve been diagnosed with Hypertrophic Cardiomyopathy. I get short of breath and sweat too much. It’s embarrassing. Mowing the lawn or bringing in the groceries can gas me. At other times I feel like… I could climb a mountain. The doctor told me to exercise more. I’m not any restrictions. We’ll see.

I apologize for the extreme grain in some of the photos. I use a point and shoot on motorcycle trips due to weight and size. They don’t handle high iso speeds well. There aren’t a ton of photos to share from the summit day. It took too much effort and concentration to be messing around with a camera. The stakes were too high. I do wish I’d made a frame or two from The Narrows to show how scary that segment is. When I think about that section now, it gives me the “willies.”

Part of my journal from September 13th.

On the way up. Using light from my headlamp to make the photo.

The first hints of the sun.

Not quite sunrise at The Boulderfield, looking toward The Keyhole at right.

You’ve been warned.

Sun hitting The Boulderfield and Keyhole. Can you spot the shelter hut?

Guess who?

View from inside the shelter.

The Ledges. Note the “bullseyes” to mark the route.

Pretty sure this is looking down from the top of The Trough.

The summit of Longs Peak. I made it!

Summit and altitude marker mounted in the granite.

Standing on the summit of Longs Peak. September 14th, 2012.

One of the Brits. Resting on The Ledges on the descent. It’s a long ways down on the left.

Looking down into The Boulderfield from near The Keyhole on the descent.

Brought home the decal. Maggie, at The Frameworks in Galesburg, did her magic and made it art.









"Longs Peak, 2010. Failure"

Thurs: 8/19
LV:RMNP
AR: RMNP 43 miles

Longs Peak Day.

It began to sprinkle at some point in the night. By 11:45 p.m. it was steady and lasted 45 minutes or so. I laid awake and wondered how this would affect the day. Should I use the weather as an excuse not to go?

Of course not! I had been sleeping light from anticipation. Even after setting the alarm set for 2 a.m., I was up at 1:51 and started to roll.

Everything had been packed and prepared earlier. Including my clothes, etc. I was up and out of the campground (Glacier Basin) within 15 minutes, trying as quietly as possible not to disturb my neighbors as I left. Out of the park, through Estes, and the nine miles to the Longs Peak area.

Parking lot busy with cars and people, but I found a spot. The motorcycle doesn’t take as much room. I registered and began walking at 3:07 a.m. Jacked up and ready to go, combined with the fact that it was still dark, I started at a pace that proved way too much.

From the get-go, the trail is very steep. The trailhead is at 9,382 feet. When Marcy’s ex-husband told me it was “uphill all the way,” he wasn’t kidding. There were very few level areas going up. And most of them were only for a few feet. Half, or three quarters of a mile into it, I considered giving up. I was breathing fire and gasping for air. This was not helped by the fact that a light cold had pretty much clogged my nose, making for less breathing capacity.

Early on, I stopped at least twice. I was passed by a few but slowed down and soon hit a stride. The “buzz” they say hits marathon runners took over and I was feeling better, but working just as hard.

As we climbed, the little hiking head lamps that wrap around one’s head, held by a strap, could be seen. I was wearing one. Everyone was at this hour. Looking back down the trail they looked like the torches carried by the posse as they chased Butch and Sundance. When I looked up and ahead, they twinkled like little stars. Seeing this provided a grim confirmation of high the trail was, and how far I had yet to climb.

The trail isn’t in the treeline long. I passed through Goblins Forest, aptly named for the gnarly, exposed roots of many pines and firs. After that, it’s pretty much all granite. The trail is steep, with some wooden fence posts embedded in the trail. They were steps of sorts. But primarily used to prevent erosion. It’s rocky and it’s hard!

By 5:35 a.m. I switched off my headlamp and wore it like a collar. It was so sweat soaked it it had been slipping down my forehead anyway, but I didn’t want to stop and adjust the band. I was wearing my new hiking pants, Royal Robbins. They are super light, dry quickly, and are “convertible” (can be made into shorts). I wore a quick dry short-sleeved shirt, and a flannel shirt over that. The Camelbak, also new, was awesome, as I could drink while walking. My rain suit, hooked to the Camelbak, swung free, annoying and distracting.

Miles of switchbacks and elevation gain lead to The Boulderfield. The first real “test.” It lives up to it’s name. Huge rocks early on, then huge boulders later, scattered across a basin. Massive rock walls to the left and ahead. The view coming up, then looking back, was awe-inspiring. Especially at dawn and sunrise. I could see where I’d come from. The cities (Greeley, Loveland, and Boulder) around us were visible, along with the forest and lakes below. Now it was boulders. Lots and lots, and lots of rocks. It was getting more windy and cold. My hands and fingers were swollen from all the pumping blood. I couldn’t close them into a fist.

I don’t know the distance across The Boulderfield to The Keyhole. Maybe 3/4 of a mile. You can clearly see The Keyhole, but the elevation begins to really take a toll here. Combined with the fact there is no more trail to speak of. Early on, there is some semblance of a trail, but it quickly fades and walking becomes a real challenge. I was literally stepping and scrambling from rock to rock, choosing each step. Trying to be safe, yet “easy” at the same time.

I passed The Boulderfield campsite where some stop to spend the night to acclimate to the altitude before making the final push the next day. The campsite is nothing more than a waist high circle of rocks, maybe eight feet in diameter, to break the wind. Metal boxes are near, provided for garbage. No need for “bear boxes” for food storage. No bears at this altitude.

You’re near The Keyhole at this point. But oh so far away. The boulders are huge. There are times you’re not only stepping, you are having to use your hands to lift and pull yourself to the next one. I’d been told some of the boulders are “As big as a Volkswagen Beetle.” It’s true.

“You do NOT want to be on that boulderfield in the rain,” my nephew’s wife’s words rang in my ears as it began to drizzle. She was right. They would be extremely hazardous and slick. Like trying to walk on marbles. A broken leg or arm, a busted cranium.

People were talking about the weather. It was a concern. I heard someone say that the chance of rain had been bumped from 40% to 60%. Being unplugged from the news, I didn’t know or care. Yesterday had been beautiful, but I wanted to make sure my legs and feet were up to the task so I rested. Would it rain or not? How much? When? Would there be lightning? Shelter was miles below us.

Those that were ahead of me, and there were many, must have gone on to try and summit. But the majority of the people I’d been around, all but two or three, decided The Keyhole would be it. No further. Gray clouds were rolling by just above us so fast, they looked like sped up in time lapse photography. Seriously.

I could see The Keyhole and the tiny little shelter (Agnes Vaille Memorial Shelter) to the left. Did I really need to climb another 100 steep feet of boulders to actually BE at The Keyhole? Absolutely! I wanted to be able to say I’d made it that far. It was climb a step, rest 30 seconds. Climb a step, rest 30 seconds.

I made it. The view down the other side (West) was stunning, even in the gray. I had hiked and climbed 6.2 miles and gained 3,800 feet in elevation to this point. As I sat perched in They Keyhole, I was at 13,200 feet. There with a half dozen others, looking thousands of feet down, in a fierce wind. It was pretty cold with the wind chill. I felt some uneasiness.

From where I was at, and what I could see ahead, was enough for me. Viewing The Ledges (the next section), there is no trail at all. Just “bullseyes,” spray painted on the rocks to mark the route.

I forgot to check my watch when I got to The Keyhole. I crowded into that tiny shelter with four or five others after spending no more than 5-10 minutes at The Keyhole, then climbing down 15 feet or so to the shelter. It was 9:10 a.m. Colorado time, I think. So I would have made The Keyhole around 8:50. My math is fuzzy. Had I used Colorado time or Illinois time? My watch was set for Illinois. Had it taken me 5:45 to get there? or 4:45?

I spent 10-15 minutes in the shelter, out of the wind, eating beef jerky and drinking water, still mulling over if I should try to move on. I would not. The last 1.5 miles to the summit is exposed and a lot more dangerous. The wind was horrible. If those ledges got slick from the rain…”People die up there,” I’d been told by more than one. It can take 2-3 hours to do the last 1.5 miles. Then you have to have the energy to get down.

We started back down. The Boulderfield was just as difficult. On a positive note, I hadn’t felt nauseous, nor had a headache from the altitude. Now my heart would get a rest and I’d no longer breath fire. My feet, knees, and hips would take the beating now.

It got easier after leaving The Boulderfield, but it was still a tough trail. Seeing what I’d done by the light of day made me see what I’d done. Heck. If I’d seen what was ahead of me by the light of day I may never have started. It was slow going down. I visited with folks, took a photo or two, saw a rainbow, stopped for water, but only in the last mile or so did I stop to pee. All that water had been needed for body fuel.

Near the very end, I stopped and chatted with a 69 year old man, headed up to camp at The Boulderfield. This was to be his 7th summit. I felt bad, but not failure. Not like Angel’s Landing at Zion National Park where I flat chickened out. But I hadn’t gotten the true test today. The hardest part of the climb to the top of Longs Peak, that would have tested my mental toughness. Would FEAR have stopped me?

It was 12:30 p.m., Colorado time when I hit the parking lot. Nine hours and 25 minutes (I think), bottom to The Keyhole, and back. My legs felt as if they’d fall off. I was beat. I can’t think of anything I’ve done in my life that was more physically demanding. I stopped in Estes Park to call my friend Jim to let him know I was down and safe.

I came back to camp and headed straight to the tent for a nap. The rain finally came. At least down here. Longs has it own weather system. I awoke, got outside for awhile, and went back inside for a second nap. And so went the rest of the afternoon, into the evening, went. I returned a compass and whistle that Bob and Sue from Medford, Oregon, had loaned me for the hike. Thankfully, they weren’t needed.

I ate more trail food and drank water for dinner. I went to another ranger program. I was back at the tent and in the sleeping bag by 9:30 and had another good night of sleep. The sleeping has been quiet and peaceful all week. And just the right temperature.

So. I didn’t summit the peak but had a great day. There was success in my failure.

On the trail at night.

Sunrise.

Onward and upward.

Navigating The Boulderfield.

The Keyhole.

The Agnes Vaille shelter, just below The Keyhole.

Looking back at The Boulderfield from near The Keyhole.

People who were at The Keyhole when I was.

Right at the notch of The Keyhole.

Seen on the descent.

Goblins Forest on my descent.

Bob and Sue from Medford, OR. They loaned me a compass and whistle.







"Longs Peak, Prequel"

Hey! Wanna climb a mountain with me? Read on!

Mountains. I love them.

A 1964 family vacation to Colorado was the first time I was old enough to appreciate the mountains for their beauty. Being near granite, smelling pines and firs. There’s not much better. It inspires the imagination. Think of what it took for those who settled West to make it through and over. The “cowboy culture.” has also been a life long interest. The Wild West era.

I’m not super religious. I have to report I don’t know the Bible well. Wasn’t raised as a churchgoer. But I do believe. I’m more spiritual. And when I’m in the mountains, I’m in church. I tried to explain this feeling to my friend Lee. “Kent, those mountains don’t hold the key to the meaning of life,” he told me. He didn’t convince me. I think they might. Wanna know how insignificant we are? Look up at the sky on a clear night. Get lost in the mountains. Eternity fascinates me. Those mountains have been there a long time. And they’ll be there a long time after I’m long gone.

I have a sense of adventure. The mountains are inviting. They call my name all the time. As a kid, I saw them from the back of the family station wagon. I wanted more. I don’t want to be near nature. I want to be IN it!

Artificial thrills don’t interest me at all. Skydiving, bungee jumping, that sort of thing. Zero allure. It’s nature. She’s beautiful but powerful. Respect her or she may kill you.

I read and daydreamed. There was a time I aspired big. To summit Mt. Everest. The tallest in the world at 29,032 feet. It boggles my mind to know there’s a mountain out there that isn’t all that far below the altitude commercial aircraft fly. The problem with Everest is that I don’t have 80K to burn on getting to the top. If I wanted to climb, I was going to have to “settle.”

Why climb a mountain? George Mallory was asked that question in 1923. “Because it’s there,” he replied. He died on Everest. Another great quote comes from Ernest Hemingway. “There are only three sports. Bullfighting, motor racing, and mountaineering. All the rest are merely games.”

Colorado is home to 58 peaks that are 14,000 feet or more in altitude. “14ers,” they’re called. One of the most popular is Longs Peak. It’s 14,259 feet and is located in Rocky Mountain National Park, just south of Estes Park off Route 7. It’s popular, and has a route that doesn’t require expensive technical gear. Because of this, its reputation, and location, It became my goal. I don’t remember how long, or how much thought, I put into the idea, but I was going to try at some point.

I was on Longs Peak twice. 2010 and 2012, with different outcomes. If you’re interested to read more, two blogs will follow this one between today and Sunday. Sunday the 14th is an “anniversary day” of one of the two times there. You’ll read accounts from each of those two years, the words lifted from my notebook journals. Most of the words come straight from my notes, with a minor correction or afterthoughts not scribbled down at the time.

A few details that will help you understand the blogs are as follows, in no particular order of importance.

1. Longs Peak is considered a Class 3. The Keyhole route (the one I used) does not necessarily require technical gear. Make no mistake. This is NOT a hike. It is a climb. Big elevation gain, lots of exposure to deadly drop offs, weather factors…64 people have died trying. An average of about two per year, according to my research. Longs is the most deadly of the Colorado “14ers.”
2. You’ll read the name, Marcy. She grew up down the street from me. Moved to Allenspark, Colorado in first grade or so. Now lives in Estes Park. She has made the summit of several “14ers,” and had offered me advice.
3. You’ll read about a Camelbak. This is a backpack with an enclosed bladder that holds a couple of liters of water. They are great!
4. I hiked alone both times. You may see “we,” you may see “I.” Longs is popular. 15,000 per year attempt it. With a 50% success rate, based on my research.
5. You may see present tense, you may see past tense. I’m all over the place when I journal out there. Usually in the tent or at a picnic table. I print because I’m trying to get my thoughts down so quickly that writing would be chicken scratching. Unreadable. If you travel and don’t journal and make photos, you’re doing yourself a huge disservice. Enjoy the trip. But one day your memory will fade.

Ready to roll? Meet me at the trailhead at 2 a.m. It’s going to be a long, hard day.

On the trail and in the dark in 2012




"National Stearman Fly-In"

I made what is turning into, an annual trip to the Harrel W. Timmons Galesburg Regional Airport today. 2025 marks eight years in a row for the same purpose. To make a group photo of those attending the National Stearman Fly-In. The photo typically involves pilots, family, friends, staff, and volunteers.

The Stearman is a biplane, used as military trainer aircraft in the the 30’s and 40”s. 10,626 of them were built during that period. The are unique and colorful. Most are now in the hands of those who fly them for recreation. If you are unfamiliar with the fly-in and want to learn more, here is a link to the event website.

https://www.stearmanflyin.com

It takes approximately 25 minutes to set up four Alien Bee, 800 watt second flashes with reflectors. It takes about the same time to break everything down, once the photo is done. It takes 5-7 minutes to make the photo, once everyone arrives and is in place. Quite a bit of extra work for “just” a group photo. Some may question that. The answer is simple. The extra work makes a better photograph. The photographs are keepsakes. 50 years from now it would be nice to have someone state, “That photographer knew what they were doing.”

The technical stuff… Photo is time is usually 10 a.m. The first year I did the job, I explained that location is important. We don’t want people squinting into the sun. Backlighting and flash fill is the way to go. That’s why the “horsepower” is needed in the form of the larger flashes. Those four lights fill shadows, and give a lot more “pop” to the image. This year, the settings were 160 iso, 250th of a second, and f11 for the aperture. Decent depth of field is needed because of the many rows of people. The flashes were set at full power.

Two planes are placed in a general area. This year, a slightly different set up was used. The planes were placed a bit closer together. And they were placed tail to tail rather than nose to nose. Once it all begins to take form, my friend Ted, of JetAir Inc., takes us up on a scissors lift to get the shot and angle. Elevation is key to see everyone’s smiling face. Well, sort of. This year, someone had their head down in nine of twelve frames. There were also two “false alarms” as stragglers drifted in after I’d already made exposures. By their own description, some in the group say, “It’s like trying to herd cats.”

Today’s wind was as bad as it’s ever been. Five and ten pound ankle weights are utilized to anchor light stands. The stands were extended to place the flashes to approximately 10 feet. They swayed, making for a nervous photographer. I told Ted, “If I get through this without a light falling over, I’m going home and ordering four more 10 pound weights.” We got the photo done with no incidents and I have been online shopping!

Most of the frames made are simply of everyone gathered. Once that is done, I also ask them to “Give me a wave” as a second option. I’ve attempted humor in the past. “Okay. Everyone hold it. I’ve got to get your names, left to right,” I yell from the lift. That brings laughs. Nearly every year, a few approach to thank me for my efforts. That’s appreciated.

The files are sent to the organization, they choose one, I post-process it, and turn it back around to them. I believe they then go out as gifts to the attendees in the form of an 8X10 enlargement.

I hope to do it again next year!

The load in and beginning to set up

From the group’s perspective.

Getting the group organized

The final product




"Heee's Baaack"

“Crackbook” and “Candygram.” I have nicknames for almost everything.

I’m back on facebook after a four year and five month hiatus. I joined Instagram sometime after leaving facebook.

I could not open a new account under Kent Kriegshauser, the name associated with my old account. You’ll now find me under Charles K. Kriegshauser. My Instagram account is KentKriegshauserPhotography.

Instagram was supposed to be “photographer friendly.” I might dispute this. You’re pretty limited to square or horizontal formats. Social media has all but made the vertical photo obsolete. That is unfortunate. A deep, narrow, vertical has a TON of visual impact!

When I was a staff photographer at The Daily Herald, photographers were often given a predetermined “hole” ( photo size) to fill before the assignment. Pica sizes can be recited from memory. A two column was 25.4X16 A three column was 36.6X24. And a four column, if the editor was feeling generous with space, was 52X??. As a result of this, some of our best work might not be published due to the photo not “fitting the hole” the editors had designed. This drove us ape shit. The joke was this. If we ever got a photo of a worker, falling to his death from a water tower, it might win a Pulitzer Prize, but it wouldn’t be published in the Herald because it would be a vertical! TOO many times, our best work wasn’t published because of this. Maddening!

facebook seems to allow for more flexibility in format. And there is no doubt the audience is much larger. I believe it wins out over Instagram.

If you’ve kept up with me at all, or read a blog or two from the past weeks, I’ve been working really hard at updating my primary website. It’s been a work in progress for a long time. I’m blogging to ask you to help me, force myself to follow through on this project. I have made headway in the “On the Clock”, “Faces & Places”, and “Sports & Games” galleries. The “Art & Nature” gallery is still way behind.

July was slow. Really slow. The jobs were few, the bills kept coming. In a previous blog I promised I would be honest with you and myself. So here it is. I’ve never been driven by money. I can be pretty content. And that does NOT mean I’m lazy. When I am working, I am intense, hustling, and in my zone. But there has always been a tendency to “coast” as long as the bills can be paid and some fun money left over Can’t do that anymore. Gotta be a lot more proactive. I need to work harder. I want to work harder.

Read my blogs if you care to. But please check out the photos in the galleries. It’s what I do and who I am. For 42 years. If you like what you see, and believe you might need a photographer, think of me. Share my work with others. I’d love to pick up the pace on senior, business, and other portraits. Events as well. If you need photography for your website… Contact me!

You are visiting my primary site as you read this. My Smugmug website is https://kent-kriegshauser.smugmug.com

Thanks!

Kent K.

Western Nebraska on a motorcycle trip. Look for this one and others in the “Art & Nature” gallery.

Nursing School graduates prior to commencement. Look for this one in the “Faces & Places” gallery.

The Maytag plant closes. Look for this one in the “Faces & Places” gallery

"1967 Labor Day Sweepstakes"

Dad was a decent golfer. Mom and I came first. Followed closely by the hardware store. But a round of golf brought him enjoyment.

We were members of Old Orchard Country Club, the golf course in my hometown of Pittsfield, IL It was founded in 1957 on grounds that once were, you guessed it, an apple orchard. Don’t let “country club” make you believe it was fancy. It was nice. But to a true “country clubber,” it was probably a goat pasture. A nine hole course.

I’m not sure what year we joined. But I remember a short period of time when something must have happened that pissed dad off. He quit OOCC and joined the Jacksonville Country Club. I remember going there a few times for dinners. This was more of a “fancy” place. Nice brick building up on a hill, etc. Eventually, dad found his way back to OOCC. Being it was a lot closer to home may have been a factor.

The biggest golfing event of the year at OOCC was the Labor Day Sweepstakes. A two day event, beginning the Sunday of Labor Day weekend, and concluding on Monday, Labor Day. It was a men’s event, 18 holes each day. Bragging rights, and a chance for cash money were the motivators.

Two man teams were put up for bidding/sale in the Calcutta Auction method. I don’t remember exactly how it all worked. And I don’t remember whether it was “best ball” or the “straight golf” approach. I also don’t remember how the teams were formed. Blind draw, or based on handicaps.

Dad played in 1967. I don’t remember how many he played in prior to. And I don’t remember how many he played in after. But 1967 turned out to be his year. He was 54 years old. I was 8.

Dad was paired with Elmer Myers (Meyers?), an employee of the Brown Shoe Company in Pittsfield. Though dad and Elmer weren’t well-familiar with each other, in Pittsfield (population 4,000), everyone knew everyone.

On that first day, dad was up, and out of the house early. Way too early for mom and me. We headed to the club much later, in time to follow the second round of the day. Dad once told me of golfers who were stretching and doing calisthenics to loosen up before teeing off. Dad chose to sit in a lawn chair, relax, and smoke a cigarette or two.

Sunday passed. Dad and Elmer were playing steady. Monday rolled around… The tournament was not the type where the gallery followed along hole to hole. Most of those interested hung around the clubhouse and socialized. Reports would filter in as to how the teams were doing. There was however, one good option to view the golfers. It was a short walk from the clubhouse to the #7 green. Seven was a short, par three, across water, and a downhill slope. One could stand behind the green, under some pine trees, and have a perfect view of every shot made. I remember going out there 2-3 times over the two days.

As Monday afternoon progressed, I had little to no concept of how things were going, who was leading. I was probably playing with other kids on the property. Maybe a little bored.

Doug Kattleman, a friend of mine, told me many, many years later, about what transpired near the end of regulation. I’ve forgotten the exact details. I believe dad and Elmer were one shot behind the team of Dale Willard and Tom Plattner on the 18th and final hole. Doug told me dad may have made a birdie on #18 to tie the two teams. Whatever happened forced a sudden death playoff on #1.

#1 is a straight, moderately long, par 4. The men teed off. And this time, nearly everyone who was around, began to follow them down the fairway to see what was about to happen. Mom was among them. She must have thought I’d never be able to keep up with the adults on the walk. Or that I had no interest in what was happening. I did! I knew dad had a shot at winning. When it looked like I was going to be left behind, someone saw me pouting, knew who I was, and put me in the back of a cart they were using to drive to the green.

I can remember exactly where I stood as the two teams putted. I watched the faces and expressions of the golfers and the gallery to try and figure where things stood. I had no idea until the final putt dropped. Then I saw happiness on dad’s face, mom’s, and others. Dad and Elmer had won.

It’s usually the child who does something to make the parents proud. Emotions were flipped that day. Being incredibly proud and happy for dad.

Dad kept the winning golf ball and used a Sharpie to mark it. There is fading, but it looks like “Sept. 3-4. $670.” I have the ball, his trophy, and a photo of the two teams. They are treasures.

PHOTOS: Photo one and two, the trophy. Photo three, the ball. Photo four, the teams. Left to right: Tom Plattner, Dale Willard, Elsie Barber (trophy presenter), Virgil Kriegshauser, Elmer Myers (Meyers?)

"Concert Flashback. The Beatles"

Concert Flashback: August 21st, 1966. The Beatles. Busch Memorial Stadium. St. Louis, MO. Ticket price $5.50

My first concert was a fluke. I didn’t ask to go. I don’t remember if I even knew they were going to be in St. Louis. I was seven years old, about to enter the second grade. For sure, they were on my radar. “Nowhere Man” was my favorite song.

Caroll, Mary Ruth, and Kim Kendall were family friends, also from Pittsfield. We’d all vacationed to Colorado together in 1964 and 1965. It was Mary Ruth who saw the announcement in one of the St. Louis newspapers. The Beatles were going to play Busch Memorial Stadium. And it was Mary Ruth who pitched the idea to my mom. “Hey. Let’s take the kids to see The Beatles.” I have long maintained it was a good excuse for the two women to do a little shopping. When the idea was presented to me, there was no argument at my end. Plans took shape.

Stix, Baer & Fuller (a St. Louis department store), and Seven-Up, were the sponsors of the show. Busch Memorial Stadium was brand new, having opened in May. The capacity was 49,473. I do not know how the tickets were procured, but am guessing by mail order.

The show was on a Sunday and we left early that afternoon. Two cars. I know we led because I remember waving out the back window as the Kendalls followed. It’s a beautiful, hilly, drive down Route 79 in Missouri. through a handful of little towns that parallel the Mississippi River. Eventually, 79 meets Interstate 70, and the city is to the east.

Everything seems bigger when you’re seven, including the stadium. Our seats were in the loge section. Low and near the field. The stage, nothing more than an over-glorified flat bed wagon, was set near second base. We brought a pair of binoculars along, a gift to dad from his son-in-law, who was in the Air Force reserves and brought them home from Japan. We did not take a camera. Cameras were used for “big occasions” like birthdays, vacations, and holidays. This was only a Beatles concert.

The Beatles had played a matinee show at Crosley Field in Cincinnati earlier on that Sunday. They’d been rained out the night before. They then flew to St. Louis for an 8:30 performance. The supporting acts for St. Louis were The Ronettes, The Remains, The Cyrkle, Bobby Hebb, and The Del-Rays. Six bands for $5.50. Adjusted for 2025 prices, that would total $54.59. And THAT illustrates just HOW overpriced the current assholes are charging for a show these days!

Age is important here. I was seven, Kim was probably 10. Caroll was 34, Mary Ruth, 30, my mom, 33, and my dad, 53. (Yes. Dad was a “cradle robber”) Dad was a semi-pro trombone player. His musical tastes were jazz, swing, and big band. He wasn’t a fan of the younger generation’s music or the long hair. But he was cool enough to let me listen to what I wanted, and was along for the trip. Albeit, less enthused than everyone else. I was a bit young, Kim was a bigger fan than I, and for the three in their 30’s, it must have been an experience.

Some of sparkle had fallen from The Beatles by 1966. John Lennon had made his infamous, “We’re more popular than Jesus now,” statement in an interview. Beatles records were burned in organized masses as a result. A firecracker had been tossed at the Memphis show. Vietnam was rolling, the times growing more turbulent. There was the threat of rain in St. Louis that evening. Some may have stayed away, thinking it would rain and the show be cancelled. There were 23,000 in attendance that night, in a stadium that could hold nearly 50,000.

I can not recall the order of performers. But The Beatles were put on in the middle. Perhaps due to the forecast. Sure enough, it began to drizzle. Someone made the decision that we’d move from the loge to the upper deck where we’d have more shelter. I don’t remember at what point we did so. But I can tell you the steep incline of the ramps was hard on short legs. With the show only half-sold, finding seats was no problem. As we settled in, it struck me how high up we were. I all but pinned my back to the seat, worrying that if I leaned too far out, it would be a long fall to the field!

Technology. There was no designated sound system. The bands played through the stadium public address system speakers. The Beatles had their “Super Beatle,” Vox amplifiers behind them. But nothing in front of them. Stage monitors had not been thought of then! Some of the girls still screamed, making for quite the sound mix. There were delays and echos, but the songs were distinguishable. A rudimentary roof had been placed above the stage.

I couldn’t tell how hard it was raining. Nor would I have realized how dangerous it was on stage for the band. Dad could. As we sat there watching and listening, dad muttered one his most memorable lines ever…

“I hope those sons a bitches get electrocuted.”

Relax. He was mostly joking.

11 songs, 30 minutes. They did “Nowwhere Man.” Kim’s favorite song then was “Paperback Writer.” They did it. I distinctly remember “Paperback Writer.” George Harrison got his momement with “If I Needed Someone.” McCartney did “Yesterday,” And Starr sang lead on “I Wanna Be Your Man.” We split as soon as they were done. We didn’t know, or care about, the other acts.

The set list has always puzzled me. For its brevity and song selection. Little or nothing from the “Help” or “Hard Day’s Night” albums. Not a thing from “Revolver,” which had just been released August 5th. I wonder if some of the songs on some of those records were too difficult to pull off live, given the sound systems then. Maybe they were too busy working on their next release, which would blow everyone away. “Sgt. Pepper’s Lonely Hearts Club Band.”

This show was the final “nail in the coffin” for live performances. Lennon and Harrison had been fed up with it all for awhile. It was McCartney who loved and insisted they play out in public. The St. Louis show convinced him that “enough was enough.” They did five more shows in four cities (two in Seattle), and that was it. The August 29th concert at Candlestick Park in San Francisco was the last, save for the rooftop set in London in 1969. It’s pure speculation on my part, but I wonder if they might have reunited for Live Aid in 1985. Bob Geldof brought a lot of bands back together for a good cause. There was one problem in getting that done. Lennon was dead.

We spent the night west of the city. I remember a parking lot with a median that caused trouble for dad. Rather than drive around, he just jumped the curb. We did shop the next day. Ringo had worn a cap during the show and I wanted one like it. Mary Ruth and Kim were standing nearby when mom found one. “That’s not like Ringo’s”, Kim blurted! “Shut up,” was her mother’s response, not wanting to spoil it for me. My version was corduroy in military green. A stiff bill with a braid across the front. Mom and dad also bought me my first album. “Yesterday and Today,” which had several songs we’d heard the night before.

The ticket stubs are long lost, but I still have my original program (in poor condition). I found a near-mint condition copy on Ebay. I would love to have a tape of the show, and inquired of one by reaching out to a “Beatles expert” on XM Radio. “Kent. There are no known recordings of that show,” was his response.

It wasn’t life altering but it was pretty cool. I wouldn’t attend another concert until 1974. I’m guessing dad took some good natured ribbing from his friends at the 8 o’clock coffee group at The Bowl for going to a “long hair” concert. When I see Kim, she doesn’t have a lot to say about it. Mary Ruth and I always got a kick out of reminiscing.

I rank “Nowwhere Man” as my fourth favorite song of all time.

59 years of my life have passed since.

THE PHOTOS: Photo credits. I’d guess they are from the St. Louis Post-Dispatch and/or The St. Louis Globe-Democrat. The ticket stub is NOT mine. They were lost. But it’s exactly like ours. The Beatles (U.S.A.) Ltd. is the program cover. The set list from McCartney’s Hofner bass is something I found on line. In the performance photos, you can spot Ringo’s hat that inspired me. And in the photo of Lennon, you can see just how HARD it was raining. Those guys were plugged in. A miracle someone wasn’t killed. We were sitting in the upper deck,, a little to the right, of this angle.

"0 to 60"

July business was slow. Really, really slow. Too slow.

August has taken off like a rocketship. Faster than a Ferrari from 0-60.

A recent gig was for the folks at Monmouth College. Portraits of student athletes. Two types of them. Head and shoulders, and what I’ve come to call “action feature,” where the athletes strike various poses against a backdrop.

Accomplishing the task requires nearly all of the gear I own. “Everything but the kitchen sink.” Seriously. Other than a couple of light modifiers, everything is used. Two backdrops, posing stool, stands, lights… Once it’s all on site, it takes 2-3 trips from the car to the fieldhouse to move it all in. My smart wife suggested I buy one of those foldable wagons. Best $80 I’ve ever spent. Setting everything up took 2 hours and 15 minutes this year. There are two “sets,” each specific to the type of portrait. I used Thursday to set up. The portraits took place the next day.

We began photographing at 8 a.m. I was out of the fieldhouse at 5:15 p.m. In between, I photographed six fall sports teams. Football, cross country, men’s soccer, women’s soccer, volleyball, and women’s tennis. Also included was a fall sports poster shot where a representative from each of those sports to combine. Nathan Baliva and Luke Bradburn, both from Sports Information, estimate I photographed 350 athletes. 140 of them were football players. No counting sheep to fall asleep last Friday. I saw linebackers and receivers, and quarterbacks, oh my!

Am guessing this to be the fifth or sixth year I’ve worked this job for the college. It began in a small room in an academic building. It was nice and cool there, but way too crowded. We moved to the fieldhouse for more space. It’s nice and warm there! I’ve leaned what is involved, and the general set up. Every year I try and raise the bar a little, making slight changes for a different look.

The type of backdrop would be an example. Fabric or paper. The head and shoulders backdrop has always been gray fabric at the preference of the college. The “action feature” backdrop has been black fabric or white, seamless paper. Each has pros and cons. Fabric can be stuffed in a bag. It's more portable. But it will show wrinkles and lint. Paper is harder to transport but won’t show wrinkles. I used it a couple of years ago. By the time the sessions were over, cleats made the floor surface area look like Swiss cheese.

Fabric was used this year. With a “no cleats” policy. A great “accessory” for fabric backgrounds is Downy Wrinkle Releaser. It works miracles. The fabric is pulled taught to the side stands, spring clamps hold it that way, and three weights, placed at the bottom of the backdrop, also make for a smooth surface.

The process for head and shoulders portraits goes like this. The athlete holds up a card with their name printed on it for ID purposes. They then drop the card and three “keeper” frames are made. Why three? Subtle changes in expressions, and in case eyes are closed.

This set utilizes three speed lights. Main, fill, and a hair light, set behind and above the backdrop. Umbrellas for main and fill. A Rogue grid for hair. The hair light really helps with background separation.

The “big set,” for the “action feature” portraits, uses four, more powerful, Paul C. Buff, 800 watt second, Alien Bees. A main light (softbox), two accent/separation lights (with grids for a tighter light pattern), and a background light (also with a grid). A hair light was used last year, but I felt there wasn’t enough separation of the athlete from the background. This year, a background light was used to better illuminate the fabric. The separation was better, but it also lighted the wrinkles.

Each portrait station has lighting placement and power ratios specific to the photo. This really comes into play with the “big set,” as it’s not always one athlete. Small groups crowd the sweep and the lighting is not perfect. I’m a perfectionist, but it’s not possible to adjust everything for every group, every minute. This drives me crazy. But it’s somewhat “assembly line” work.

The “no cleat” clause… Nathan’s primary use for the “action feature” portraits is as “cut outs” to promote game day events. He needs the portraits to be head to toe. This is where the tradeoff comes in. It’s not perfect, or desirable, for an athlete to be decked out in full gear from head to….But wearing Crocs instead of cleats.

Miscellaneous gear… There’s always something, wanted or needed. The women’s soccer team stood in for me for a “scene setter.” (See photos). One umbrella is not firing on the small set. I need one more wireless receiver. Six are in my kit. Seven lights were being used. I swapped one out from set to set as needed. Light stands… Several years ago, I needed three light stands in a hurry. My only option was a brand, Promaster. Every time I have to use those stands I’m reminded of what a shit product they are! Thankfully, the other nine stands I own/use are of much better quality.

It’s interesting to watch four years of my life pass by, cycling through this job, based on what year of college the “kids” are in. They are good, young people. They are polite and follow direction. I believe they look forward to “Media Day,” and it looks like they have fun. I respect and appreciate Monmouth College for investing in what I hope it feels are professional quality portraits of the athletes.






"Concert Flashback. America"

Concert Flashback: August 11th, 1975. America. With opening act, John B. Sebastian. Illinois State Fairgrounds. Springfield, IL. Ticket price $3.00

It was a Monday. Exactly 50 years ago this evening. America in concert. Three singer-songwriter-guitarists, accompanied by a bassist and drummer, played the Illinois State Fair. John B.Sebastian, formerly of The Lovin’ Spoonful, opened the show.

America formed in 1970 when Dewey Bunnell, Gerry Beckley, and Dan Peek, all sons of U.S. Air Force personnel, met in London. They began playing together and put out a self-titled debut album in 1971. It immediately went big with two hits from that debut record. “A Horse with No Name” and “I Need You.” Success and more hits followed. In 1975 they were touring to promote their fifth album, “Hearts.”

Sebastian had been the primary songwriter and leader of The Lovin’ Spoonful. That band broke up in 1968 after moderate success in the mid-60’s. Sebastian continued as a solo artist and did a well received set at Woodstock.

The America show was my fifth concert. I was 16 and had my driver’s license. Mom trusted me enough to turn me loose to drive from Pittsfield to an aunt’s house near Lincoln. I’d been no farther than Quincy or Jacksonville prior. I made the trip, then my cousin’s wife, another cousin, and I, backtracked to Springfield. America was not rock and roll. But the songs were well-written and the three harmonized really well. I liked their music.

Sebastian got things rolling, but times had changed. In 1975, there was a new feel in the air. Not all of the 60’s and early 70’s bands and artists were as popular The crowd was restless, at times impolite. Ironically, Sebastian had a resurgence soon after with the release of “Welcome Back,” an album with the title track that became the theme for the TV show, “Welcome Back Kotter.” But the audience was not having it this night.

Suddenly, near the end of Sebastian’s set, there was a huge increase in enthusiasm and applause. Was Sebastian finally getting his due respect? No. Not one. Not two. But three, limousines, pulled up to the left of the stage. America had arrived!

“Miniature,” a prerecorded piano instrumental, played as the band took the stage. Bunnell, Beckley, and Peek, along with David Dickey on bass, and Willie Leacox on drums. I had a Panasonic tape recorder sitting on my lap to record the show. On that bootleg, you can hear a vendor… “Ice cream, Ice cream…” And a an interested person responding, “Hey, ice cream!” as the opening notes of “Tin Man” hit the air.

They were off and running and didn’t let up. I knew the hits. Besides “Tin Man,” the next song to bring a a louder response was “I Need You.” They paced the hits throughout the show, mixing in a lot of “deep tracks” from their catalog as well. The sound was decent for and open air venue. One drawback. The stage was across the race track and the audience was in the grandstands, separated by a wire fence. Some distance. It affects the interaction and energy level between the performer and audience.

“Can you get out here,” Beckley asked, between songs. “Nooooo”, groaned the crowd. “Can you dance in your seats,” Beckley responded. There was a smattering of “Yessss.” “You ever heard of The Wailers,” said Beckley. The band tore into “Woman Tonight,” a song with a heavy dose of reggae influence.

A couple of huge hits from the current album brought things to the end. “Daisy Jane” and “Sister Golden Hair.” Then, they came back for the fist encore with one I hadn’t heard before. “Sandman”. The final encore, and 22nd song of the show, was where it all began for them. “A Horse with No Name.”

Dan Peek left the group in 1977 and passed away in 2011. Bunnell and Beckley are still out there, playing smaller venues. They were huge in 1975. Looking back, I believe I caught these guys at the top. One of a handful of groups or artists that I was lucky enough to see live, at the absolute zenith of their careers. The set list, a fair promo piece, and my original cassette are below.

America. August 11th, 1975. Illinois State Fairgrounds. Springfield, IL

1. Miniature

2. Tin Man

3. Muskrat Love

4. Baby It’s Up to You

5. Moon Song

6. Old Man Took

7. Old Virginia

8. I Need You

9. Lonely People

10. Don’t Cross the River

11. Ventura Highway

12. Glad to See You

13. Woman Tonight

14. The Story of a Teenager

15. Midnight

16. Company

17. Hollywood

18. Seasons

19. Daisy Jane

20. Sister Golden Hair

21. Sandman (encore)

22. Horse With No Name (encore)

"8-8-88"

I have no idea who, when, how, or why, the Chicago Cubs chose the date to hold the first night game at Wrigley Field. But it’s an easy one to remember. 8-8-88. Monday, August 8th, 1988. The Cubs Vs. the Philadelphia Phillies.

I had become a staff photographer for the Daily Herald, based in Arlington Heights, IL, in June of 1987. It was a big jump from my prior job at the Macomb Daily Journal. Especially in photographing sports, which I loved to do. From the cornfields and poorly lighted gyms and gridirons, to the city, and Wrigley, Comiskey, Soldier Field, and Chicago Stadium. And photographing professional athletes too!

In 1987, depending on the day, and what shift I worked, I might draw a Cubs, Sox, Blackhawks, Bulls, or Bears game. D1 college action too.

The first night game was a big deal. Much more media attention and elevated interest. A first time thing! Lights coming on at one of the oldest, most-beloved ballparks in the country. The last major league park without lights.

If I’m correct, lights were planned for the park as early as 1942. Philip K. Wrigley had 165 tons of steel for the light trusses on hand. But the day after the attack on Pearl Harbor, he donated the steel to the war effort. Then resisted night baseball from then on. Only under new team ownership did the idea resurface and gain traction.

At some point, things began to move in the direction of lights. Whatever planning took place, I’m assuming my friend Steve Green, the Cubs team photographer, was in on the logistics. (I would love to have talked to Steve about this. But this blog is spontaneous to coincide with the anniversary).

Once it was known there “would be lights,” the guessing game of when they would be used began. The excitement level rose. If you were a photographer, this was one thing you wanted to be a part of. History! I was still the newest member on the photo staff. There were 7-8 of us. Let me see…Would I rather shoot the first night game? Or some suburban festival? Luckily for all of us, The Herald pretty much took the '“all hands on deck” approach. I recall most, or all of us, were in “Wrigleyville.” that night. Each tasked with different sub-assignments. Each to return to the paper at different times to make deadlines.

Not everyone was in favor of lights. Neighbors of Wrigley were concerned about light pollution, late night noise, etc.

Throughout the summer, we could watch the construction progress on the Wrigley rooftops. I would have to believe those lights were turned on and tested well before the 8th.

The announcement was made. “August 8th.” It started a frenzy. News organizations had big budgets in those days. We began hearing that media would be coming from around the world, as far away as Japan.

My supervisors told me I was in! To be part of the team and document the historical event. We all went down super early to capture the mood and fans outside the ballpark. I ran into John Keating. A friend who worked for The Dallas Times Herald, or may have moved onto Newsday in Long Island by then. Of course, The Tribune and Sun-Times staffs were all over it as well.

In those days, we shot color transparency film, not color negative film. Without getting too technical, the process is very different. It’s not as easy to convert a print to black and white. So. We kept color in one camera, b/w in the other. And for that night, we may have been instructed as to which photographer shot which film. I know I shot b/w except for my last part of the night. The first photog to return to the D-H office would collect all of our film.

The evening built to the moment of the countdown to flip the switch. 91-year-old Henry Grossman, the oldest living season ticket holder, who attended his first Cubs game in 1906, was chosen to do the honors. He was accompanied by Cubs “ballgirl” Mary Ellen Kopp. Announcer Jack Brickhouse was right there too. 110,000 watts of light illuminated the park at 6:09 p.m.

The media scrum was intense for this moment. Most of us played it safe and took the obvious angle. My co-worker, Jon Kirn, chose a different approach. Much like the famous photo of Babe Ruth’s retirement, made by photographer Nate Fein, Kirn stood opposite the crunch and aimed his camera towards the media. His gamble paid off. The photo ran as the lead on a picture page. You can spot me, kneeling down, directly between Grossman and Kopp. Only my credentials and watch are visible.

The game began. Phil Bradley, a Macomb, IL native, playing for the Phillies, hit the first home run on the fourth pitch of the game against Rick Sutcliffe. The Cubs Ryne Sandberg answered with a two-run homer in the bottom of the first.

By the time the game began, I was on my way from the ballpark to The New York, a high-rise living building at 3660 Lake Shore Drive. It has 49 floors and is 461’ tall. Arrangements had been made with the ownership to have me escorted to the rooftop to make photos looking down on the ballpark. This is when I loaded the Nikon with color. Around this time, another co-worker, Scott Sanders, was scheduled to go up in a helicopter. But it didn’t happen…

The rains came about 3.5 innings into the game. And they didn’t let up. The tarps were put down and the players began amusing themselves by using them as “slip and slides.” At some point the game was called off. Not enough innings to make it official. That was it.

The next day, the 9th, was the first official night game. But the buzz had subsided. I wasn’t there and it didn’t matter. I don’t remember who went back for us the 9th. Everything was “built” around the 8th of August. Being there then ranks in the top ten, maybe top five, “sports moments” I have been a part of.

"If You're Reading This"

If you’re reading this… Thanks for checking in!

I hope this to be the first of many “new” blogs to come. There have been 2-3 prior attempts to blog on a semi-regular basis. They all lost momentum and faded.

I like to write. Usually in a “stream of consciousness.” By using this method, you may find spelling and punctuation errors. MisSTEAKS will be made. Bear with me.

A book I read as a kid, fueled my interest in writing. Jerry Kramer was a right guard for the Green Bay Packers. He kept a journal during the final year of his career. The book is titled “Instant Replay.” I loved it. It influenced me to do the same in 1973 when I was 14 years old. I chronicled my dad’s diagnosis, decline, and end, when he had cancer.

The late Barry Locher, who was a friend, mentor, and one of the finest photojournalists I’ve ever known, told me a story. “Kent, I was all settled in to watch part of the Final Four when I stumbled across your blog. I wound up skipping the game and reading the entire blog about your dad in one sitting.” Barry told me I was “a good writer.” That felt good to hear.

This “blog thing” is meant to coincide (somewhat) as I work to “relaunch” my long-stagnant website. There have been attempts to overhaul content, gallery categories, etc., over a period of time. But those attempts have also been sidetracked. By inviting you to take a peek at the photos on here, it will hopefully hold me accountable to continue to put the time into it to get it up to date. You will, however, spot many from the archives.

As far as subjects go, there should be no lack of material to write of. Notes have been made of ideas. If you know me, it is certain you will read about photography, travel, music, and life anecdotes. Abbreviated versions of “Concert Flashbacks” have appeared on social media. Expanded, detailed versions will land here. I’m also planning on posting a photo(s) with a detailed backstory about them. This will be called “Every Picture Tells a Story.” That title is lifted directly from a Rod Stewart song. Don’t sue me Rod. You won’t get much.

The life anecdotes…There’s nothing special about me. But I’m blessed with a really good memory. I am grateful. My life flashes before my eyes almost every day. It can be triggered by music, a smell, a sight, a word. My hope is, by sharing, it may trigger something for those reading, that may make them think back or take stock in their own lives. When I write, I hope to be honest with myself and the reader. There have been 66 years of life experiences to draw upon.

For now…The website DOES remain a work in progress. The “sports & games” gallery is getting close to being back in shape. All other galleries are still a bit “scattered” at this point. Fine tuning is ongoing.

There are a handful of blogs left over from the past. Those will remain for now. Social media will be used to announce new blogs. Instagram only at this point. Been away from facebook for more than four years. Debating on a return.

Regards,

Kent K.

"PRACTICE masking & social distancing"

Something good has been happening. Actually, it’s great. The “phone has been ringing.” That’s secret code for “I have had some work, and paying jobs.”

2020 hasn’t been the best. But that goes for most of us. I’ve had to relearn how to spell perseverance. Then again, my business slogan has been “Too stupid to be scared. Too stubborn to quit.” Somehow, I’ve made it. I just miss doing what I love to do on a regular basis. Make photos. Making them for others is what pays the bills. After doing this for 37 years, someday I want to be a professional photographer.

There has been a “smattering” of work during these trying times. A “shout out” here, goes to Adkisson Land and Auction LLC for having me make staff portraits for the web site. The Galesburg Community Foundation has had me making a series of portraits, and other jobs. There was a recent gig for the Knox-Galesburg Symphony, where a quartet played a “socially distanced” show at Walnut Grove Barn in Knoxville. I loved shooting that one.

But it was a surprise call from my friend Dan Nolan, the Sports Information Director at Monmouth College, that really reunited me with my cameras. Dan discovered old photos of athletes practicing during one of the flu pandemics. Seeing those, he decided he would not allow the current situation to go undocumented. He put me on board to photograph volleyball, football, women’s tennis, and men’s and women’s soccer practices.

How do the student-athletes practice, and practice safely, you ask? They must wear their masks properly. And there is no contact. It’s very limited as to what they can do. It’s also very sobering to an observer. These athletes are dedicated enough to practice this Fall, with no guarantee they will be able to play their sport in the spring as hoped for. A lot may be riding on a vaccine. Division 3 schools do not have the budget of Division 1 schools to spot test for COVID, etc. You have to admire their dedication!

Practice guidelines also required that some practices had to be split into multiple segments to prevent too many people from being in one place at one time. The volleyball team split practice into one group of eight. And one group of seven. One of the photos I made that I hope helps “tell the story,” is the second group, waiting to enter the gym, standing in the doors that separate the gym from a lobby. Normally, that image could be a “throwaway.”

My job was to document the practices, and how they look different than a “normal” practice would. Showing the masks and distancing were the obvious “must gets.” My approach towards how to make photos changed too. Normally, with “sports action,” The photographer shoots with a long lens to isolate the plays of the game. To create impact on the person who views the photo, and show them what they don’t see from the stands. “Tight is right,” a co-worker once commented. Referring to filling the frame of the photo.

Making photos at practices allowed me to move in closer. I can’t be in the middle of a field or court during a game. I can at practice. Almost all of the Monmouth coaches allow me to “do my thing.” To show the social distancing, photos became more about context and less about action. To show the space. The wide angle lens was used as much as the long telephoto for these jobs. WAY more than it would be used for an actual game. With the wide angle, it forced me to “get right in there,” and allowed for angles from the ground, above, etc.

It was great to be back on campus again! Obviously, the idea of working and making a living is to work and make a living. But the downtime this year has forced upon me may have rekindled my spirit and “eye.” It felt like both were fresh when making the practice photos.

Now. If the phone keeps ringing, I might yet become a professional photographer.

Lusk, Wyoming

It’s been way too long since I wrote a blog. Here it goes. Unrehearsed.

It’s coming up on 26 years since taking my first motorcycle trip. July, 1994, to the Black Hills, and then on down to Estes Park, Colorado. I was on my Honda Nighthawk, and it was on the fourth day of the trip, July 18th, when I had an “experience” that has stuck with me on every trip since.

I’ve journaled nearly every trip since, maybe 17 of them by now. Short notes, longer thoughts. But something to pair with the photos to look back on. To preserve memories. I’d love to do some books.

On the 18th of July, 1994, I made notes in my tent, before leaving Custer, South Dakota for a ride down to Estes that day. What follows below is from my journal, and will pick up in “now time” after this passage.

—-O.K. 10 a.m. local time. I’m in Lusk, WY. Stopping for breakfast after the biggest adventure of the trip, so far. I ran out of gas! I was seven miles north of Lusk, on Route 85, when I ran the reserve tank dry. I’d passed only one station in more than 100 miles and didn’t think it would be my only chance. I tried using my cell phone for emergency service and got the “no service” signal. I looked to be in the middle of nowhere.

I began walking down lane towards a farm house, hoping they’d have gas, when a pick up truck pulling a horse trailer happened to be coming up the road. A father (Cody Thompson), and his son, (Ty Thompson), were on their way to a rodeo. They stopped and listened to my situation.

Without saying much, they unloaded the horse, put my bike in the trailer, reloaded the horse, and drove me into town. They have a relative who teaches ag at the University of Illinois. These were good people. Not just because they did a good deed.

We got to town, unloaded the horse (named Paint), took the bike out, and put the horse back in. They wouldn’t take money and off they went.

I had been making good time in the wide open country. I even “let the big dog eat” once, and cracked 95 mph for a very quick burst. Slow by the street racers standards, but a momentary thrill. Also, several miles back up the road, a Harley rider came upon me out of nowhere. Trailed a short time and passed. I gave him “thumbs up” but he snubbed me. My mind is that we’re all riding for the love of riding, and should acknowledge each other. Most do, including some Harley riders. But there are plenty who are on the “buy American” kick, who glare at the Japanese made “rice burners.”

He slowed awhile and I caught up, debating to pass, for fear of being shot or stabbed for “disrespecting” a Harley rider. I went around and stayed ahead until I ran out of gas. He soon passed, and made no attempt to ask if I needed help, as I stood there on the side of the road.

It was pretty warm. And I wasn’t surprised, I’d run dry. When I had to switch the tank to reserve, some miles back, I got a bad feeling about what was ahead. I was embarrassed. Could I push the bike into town? How far? There were hills. I was stuck.

The Harley rider was barely out of site when a couple on a Honda Gold Wing came upon me. “Are you o.k.,” he asked, as they had slowed down. I misunderstood and nodded “yes,” missing my chance. Still, from the time I ran dry to when I started walking towards that house, to when the truck came up, couldn’t have been more than 10 minutes. Turns out, the guys say there was no gas at that farm house anyway. Only diesel fuel.

So. I filled up and tried to restart… Nothing. It didn’t flood, I couldn’t smell gas. I was worried I’d run down the battery. I was about to panic (I didn’t when it ran dry because I saw it coming), I noticed the emergency kill switch had been set to “off.” It had to have happened during loading or unloading. I fired up and ate breakfast at Cindy’s, a local joint.—— (back to now time)

I had done pretty good at keeping in touch with the Thompsons. I had ask for their address. I sent Ty a photograph of Michael Jordan. And I sent them a postcard on every trip I took afterwards. Always thanking them, and asking them to say thanks to Paint the horse, for sharing his trailer that day.

I was back out that way in 2008, on a ride to Wyoming and Montana. I contacted Cody, told him I’d be that way, and asked if I could buy him breakfast in return for the favor he did for me 14 years before. Ty was not able to make it, but Cody and I met up. I bought him breakfast, we talked about cattle ranching, and I made a quick portrait of him. I also rode my ST-1100 north, out of town, up Route 85, to see if I could find the driveway I’d run the Nighthawk dry at. It was exactly seven miles north of Lusk. I made a photo of the ST on the driveway.

I haven’t been as good at keeping in touch since. I wonder about him and his family.

I also put gas in the tank when I think it isn’t necessary.

"Heart"

CONCERT FLASHBACK: February 21st, 1979. 41 years ago today. The Arena. Southern Illinois University at Carbondale. Carbondale, IL. Heart. With opening act, Exile. Ticket price: photo credentials.

Heart was red hot in early 1979. Touring to promote the band’s fourth album, “Dog and Butterfly.” Still the “classic” line up with Ann and Nancy Wilson, Roger Fisher, Howard Leese, Steve Fossen, and Michael Derosier.

It was announced they’d play The Arena, on the campus of SIU-Carbondale on February 21st.

In an attempt to score great seats, I spent the night before tickets went on sale in the backseat of my Ford Granada in the arena parking lot. It was cold, and it was wasted time. Early the next morning, approaching the box office, I discovered the staff handing out wrist bands with numbers. The lottery system. My turn finally came, floor seats were secured.

At some point, an idea was hatched. Why not take it one step further and apply for a photo pass?

Early in the afternoon the day of the show, I approached a roadie who was loading in equipment. “You need to talk to the road manager, Kelly Curtis,” the guy said. “He’ll be around in a couple of hours.”

I went home and grabbed a binder with photos of previous bands and concerts I’d photographed. Most were pretty raw. But I took my “portfolio” back to campus and tracked down Curtis. He studied the photos and called out some names he recognized. I made my pitch, offering to send photos to management for use. He bought it. I was in!

Instructions were given as to when and where to be that evening to pick up the photo pass. The next move was a short drive downtown to purchase 4-5 rolls of color transparency film. Super excited, I killed time at home before heading back to the arena for the evening.

The photographers, a few of us, were led into the photo pit directly below the stage. The area between the stage and audience, separated by a solid wall approximately 3-4 feet tall. Exile, a group of soft rockers, opened the evening. A few photos were made of them, just to make myself look busy.

Heart came out and opened with “Cook With Fire.” These were the days when photographers were allowed to shoot the entire show from the pit. And in this case, we even had access to make photos from the side of the stage, stage left. It gave a great view of Michael Derosier and his drum kit.

Ann belted out songs. Nancy played her Ovation guitar and sang back up. Roger Fisher played his Gibson SG really well. He also seemed to want to channel Jimmy Page in appearance. Fisher wore a satin suit adorned with dragons, much like Page wore in that era.

It went fast. I had fun and figured that was it… Until I got into a small group who were invited and escorted backstage. There was a short wait and then we were led back. The Wilson sisters were seated. Nancy with a dog on her lap. Ann had her neck wrapped in a scarf to keep that voice intact. Band members milled about. Roger Fisher and Steve Fossen were especially nice. They were tired but polite. Autographs were signed. Some photos taken. I handed Nick Sortal, the entertainment writer for The Daily Egyptian, the student paper, one of my Minoltas. The Wilson sisters and me. Sweet!

The set list. I can’t verify this one was from Carbondale. I DO know they opened with “Cook With Fire,” I DO know they encored with Led Zeppelin’s “Rock and Roll.” And I DO know “Devil Delight” was early in the show. I have no reason to believe otherwise, that the set list provided here is not the exact show they did in Carbondale. And it was a fine show.

Following through on my promise, I did send photos to Seattle. Nothing came of it, but my photos were returned. Looking today, the exposures were a tad hot and a tad contrasty. It was a huge boost in experience.

And the road manager, Kelly Curtis? He moved up a notch. Years later, he took the title as “manager” for another Seattle band. Pearl Jam.

"Repeat Offender"

It was the second time around, doing work for the Illinois Sheriff’s Association. Every year, the organization gathers for a three day meeting, culminating in a dinner and awards banquet. Many sheriffs from the 102 counties in Illinois attend this meeting. Spouses, family, and staff are often along as well.

Knox County Sheriff David Clague was the 2019 president. David, and his wife Debbie, contacted me last year, about photographing the event, which was held in East Peoria. I accepted. That job consisted of making candid photos at the banquet, as well as group and award presentation photos. It also included gathering the sheriffs on a large staircase for a group photo in the hotel lobby.

Everything went generally well, though I did not know what I was getting into in scope and size. I took only four, “speed lights.” Small flashes that are quick and easy to use, but lack the power of studio lighting gear. The banquet room in East Peoria was large. The lights were under powered for the job.

They must have been happy. I was invited back to work this event in Normal, IL. Learning from the first gig, I prepared for the second gig. All four Alien Bee heads (the brand name of the larger flash units), and three Nikon speed lights, made the trip. I even made a “reconnaissance” trip to the Normal Marriott ahead of time. This allowed me to see the rooms. To look for electrical outlets, etc. To make a plan.

It had been decided there would be no group photo this year. Additions did include head and shoulder portraits of some staff and officers. Also, the incoming president, his family, and his wife. I pitched the idea of making those photos in the lobby, using the warm glow of ambient light, rather than “mug shot style” (pun intended) against some wall. Teri, my contact, liked the idea. Once these were completed, it was banquet time.

Two rooms, totaling 10,000 square feet, was my “paette.” Four lights were placed, roughly in the four corners of the entire room. Each on a 13 foot stand, each with a reflector, each set at full power. I debated on whether to bounce the lights into, and off the ceiling. This would soften the light and make the flashes less obtrusive. The space was too large, and too much power would be lost. As was, this set up gave an exposure of f4.5 at 200th of a second, at 400 ISO. Test shots revealed generally consistent, and pleasing light.

For extra measure, two speedlights were set along each side wall and aimed at the head table. This was to decrease the chance of cross lighting. A grand total of six lights were set and ready.

Someone wondered about dimming the houselights for better ambiance. They tried it. The flashes were very evident. There was concern it would be too much a distraction. We all worked together and compromised. The house lights were turned back up. The power was dialed down on the flashes. The two lights at the front of the room would not be used at all. I even offered to shoot without any flashes, but explained the affect it would have on color, quality, and detail. We worked it all out without a hint of tenseness.

Moving about the room and observing people, photos were made. Looking to be ready if something happened. The even ran though it’s course. It went well. The lack of the two lights was a handicap, but not a disaster. I worked around it.

Cops have a tough job. Always have. It’s easy to second guess them at times. It’s dangerous out there. One of the awards went to a team of dispatchers from Fulton County, for their work this past summer, in a situation where a deputy was shot and killed. Attendees were emotional. I was able to capture some of that.

When the formal setting was complete, a handful of group portraits were made. And that concluded the work for the evening. I packed it all up and came home. Hopeful I’ll work for them again in 2021.

"Chiefs Chauffeur"

My girlfriend Lori has been a fan of the Kansas City Chiefs since 1989. She once lived in Topeka, KS, and has relatives with season tickets. She’s seen games at Arrowhead Stadium. Good seasons. Bad seasons.

The Chiefs, if you haven’t heard, just won the Super Bowl. Their second time to win it all, but with a 50 year drought. This 2020 game was barely over when one of us wondered aloud as to when there might be a celebration in Kansas City? I volunteered to drive us out if I was free. It worked out, I was. The parade and rally were Wednesday, February 5th, in downtown K.C. The parade would run from north to south on Grand Blvd, make a right onto Pershing Road, and conclude with the rally on the south side of Union Station.

Lori took a day off from work and “all systems were go.” Each of us did some basic homework as to what to expect. This included online research, and asking some questions of our Kansas City friends and relatives who had attended the parade for the Royals when they won the World Series a few years ago. Crowd estimates for that event were around 800,00. Many say it was rather chaotic. Attendees were abandoning vehicles on overpasses, etc. The city learned, and was better prepared for this parade.

“Arrive early,” was nearly always at the top of the advice list. This would mean leaving Galesburg in the middle of the night for the five hour drive. OR, “plan b.” We elected to leave late Tuesday afternoon, drive to Liberty, MO, just north of K.C., and spring for a room. We found a nice one at a very reasonable rate.

Wednesday morning, an army of buses (all types, around 400 strong) would shuttle fans from designated pick up zones to designated drop off zones. We hopped on a bus around 8 a.m. at the Worlds of Fun Amusement Park, and were let off on Truman Road, about six blocks east of the Kansas City Star building.

Wednesday was gray. Some snow flurries, and a predicted high of 27 degrees. We dressed accordingly, knowing we’d be in the elements several hours. Off the bus, we joined the masses, and began walking towards downtown.

I’d taken along two professional camera bodies and two lenses. I’d also packed my Canon A650-IS “point and shoot.” Debating on what gear to use for the day. I had no credentials for any special access. In my thought process, two words kept coming up. “Weight and bulk.” I decided to use the “idiot camera” and leave the pro gear behind.

I’d never photographed any event this large. During my tenure in Chicago, the Bulls won NBA titles, but I never received the “parade assignment.” This was similar to the Halloween parades I had photographed at Southern Illinois University. Just a lot larger. Visual opportunities were everywhere. A “people watcher’s” paradise.

We followed Grand Blvd south. Passing storefronts and thousands of fans by the security barriers who lined the route. These were the “earlybirds.” Once a photographer, always a photographer. If I saw something interesting, I made the photo. Lori was mostly patient. I suggested I needed a T-shirt that would read, “Warning, this photographer makes frequent stops” on the back.

If we’d elected to remain on Grand, we would have had a great vantage point when the parade would roll by. The players rode double deck buses. People were 2-3 deep along the barriers. No more. However, Lori felt we should be closer to Union Station for the rally segment. So w kept walking, totaling around 2 miles from the time we stepped off the bus.

South of Union Station there is a huge, natural hill that leads up to a World War I museum and memorial. It was about 9 a.m. when the hill came into view. It was already nearly packed. There was still some open space, but the view to the main stage was all but blocked. Sticking with this location, we had two and a half hours to kill before the parade even began. It would likely be another hour beyond this, before we would see the team arrive.

We talked. We stood, I made photos. We chatted with a couple. We chatted with individuals. We watched as security at the Crown Center, just across the street, tried to run people off a very steep embankment. For a short time, it worked. Security retreated. Then, people in much larger numbers came back and reclaimed the hill. Security gave up.

Our ears were punished with bad dance music, playing from the public address system. At times, our noses were subjected to the overpowering sweet smell of strong pot. There was lots of drinking. Only once, however, did we see a very minor skirmish. The throng was very friendly and polite.

The Chiefs arrived! It was a bit underwhelming as to how little noise that many people was creating. Was it a rally for the Super Bowl champs? Or a chance to be part of a big event? Probably both.

The mayor, governor, and other “big wigs,” spoke. Thankfully, they kept it short. Team owner, Clark Hunt’s turn came. Coach Andy Reid got his turn. Then, beginning with Patrick Mahomes, some players took their turns.

Our feet were cold. We began the return walk before the rally concluded. It had been fun.

I’d made 185 photos. Several of them "“portrait style.” Didn’t work too hard, didn’t get too close to the team.

Conversation with strangers ensued on the bus ride back to Worlds of Fun. I mentioned Galesburg. Within seven feet of me were four people who have grandparents who live in nearby Dallas City, IL. Another man went to college with a Galesburg police officer. Nearly a million people floating around Wednesday, yet…it’s a small world.

Lori and I had been outside, in 27 degree weather for 7 hours. We logged 5.3 miles. We got in the car and drove home. Agreeing we’d do it again.

We had fun.

"I'll Have a National. Gimme a National"

Radio ads touting a new sports publication featured the voice of editor & publisher Frank Deford.. “I’ll have a National. Gimme a National!”

The National Sports Daily first published 30 years ago today. January 31st, 1990. The last issue rolled off the presses June 13th, 1991. A short, 16 months and change , run. I was lucky enough to be along for the entire ride as a staff photographer.

Around 1971, as a 12 year old, my “dream job” was to be a photographer for Sports Illustrated. I’d marvel at, and study the photos, then look towards the back of the magazine for the photo credits box. Neil Leifer, Heinz Kluetmeir, and John Biever were three who I felt were some of the best. Back then, photo credits were buried in a small box. The photographer’s name would be listed with any page numbers their photos appeared on. 19 years later, in 1990, I found myself working for Leifer, and occasionally rubbing shoulders with the other two, and many other talented “shooters,” as I photographed college and professional sporting events around the county.

From the summer of 1987 through December of 1989 I was a staff photographer for The Daily Herald in Arlington Heights, IL. I’d moved there from The Macomb Daily Journal. I was pretty happy at The Herald. A fine paper with a great group of photographers.

News of a coming “all sports” paper, that would publish five days a week, and was to launch in late January of 1990, hadn’t reached me. I was not aware of it. And there was little to no talk about it in the photo department at The Herald. One day my phone rang at home. Barry Jarvinen was on the other end. I knew Barry as a staff photographer for The Chicago Sun-Times. I would bump into him from time to time. I tried to converse with Barry one time as we sat along the baseline at a Bulls game. I found him quiet. Now, I wondered what this call was about? “I’m kinda surprised some of you guys haven’t rung me up,” he said. Then he proceeded to tell me he’d left the Sun-Times to become the chief photographer for this new sports paper. He provided specifics, and asked if I’d be interested in becoming the second shooter? “Sure,” I said. An interview was arranged.

The Chicago bureau was located on the 15th floor at 35 East Wacker in downtown Chicago. The Jewelers Building. I drove down sometime in early-mid December, met with Barry and a few others, showed my work, made my pitch, and went home. The prospect of being a full time sports photographer was very appealing. But I was warned that “start up” publications have risks. I didn’t pin my hopes on anything. And I kept my mouth shut at The Herald.

At some point before Christmas, Barry called to say the position had been offered to someone else. I went home to moms, disappointed but not devastated. Mom had gotten me a travel kit as a gift. “It’s too bad I didn’t get that job. This would have been perfect,” I told her.

Sometime very soon after, Barry called again. “The first candidate turned the job down. Are you still interested?” “Can I think about it for a day,” I asked? “Uhhhh, I wouldn’t if I were you,” he replied. “I’ll take it,” I said. Barry explained later that he had been running out of time to get a second photographer on board. He needed a “yes.” from someone. I must have been second on his list. My last day at The Herald was January 8th. “Practice papers” for The National began on January 10th.

The National would publish five days a week from three cities. New York, Chicago, and Los Angeles. New York was the “main base.” Chicago and L.A were bureaus. Events were covered by staff in New York, Chicago, L.A., and other cities, then stories were filed via laptop computers to New York. Photographers would have their film processed, usually by the Associated Press, then transmit photos to New York via a Leafax. More on the “Leaf” later. NYC had a much larger staff. The production took place there. Then, the paper would use a satellite system to transmit laid out pages, etc, back to the other two cities, and printing plants contracted to make the press runs.

There was no plan for home delivery. Sales would come from honor boxes and news stands, and other locations. This was fine in New York, where public transportation stations put the product in front of many commuters. It worked fair in Chicago. In L.A., where everyone drives, and public transportation was almost non-existent, it hurt sales from the beginning.

I’m not sure how The National came about? Sports exclusive papers had been successful in Europe. Surely, sports obsessed Americans would go all in for such a paper?

It is an understatement to say The National was well financed. The columnists, reporters, and other staff were some of the most famous names in sports journalism in the country. Many were plundered from the metro papers in cities across the states. Journalists willing to take a risk on a new product. And extremely well paid for doing so.

Each of the three cities would have two staff photographers. Generally, the plan was to cover local teams, both college and professional. For Barry and myself, that would mean the Bulls, Blackhawks, Cubs, Sox, and Bears. It could also entail Northwestern and DePaul. We would also spend a lot of time in Champaign, South Bend, and Milwaukee. I was excited to learn that one of the L.A. photographers would be Chris Covatta. Chris had worked at the State-Journal Register in Springfield, IL I knew him and loved his work. He was an inspiration to me when I was in high school, studying and learning photojournalism.

For 20 days, we all went and covered live events, sending work to New York as if we were publishing. This was to practice hitting deadlines and working out bugs. The time differences were an issue. 6 p.m. in California is 9 p.m. in the Big Apple. The west coast boys had the largest disadvantage.

All kinds of brand new gear began arriving at suite 1550 in Chicago. Camera bodies, lenses. and all sorts of lighting gear. A film processor was put in place in a room towards the east end of the office. The room beside it was set up with a light table, used to edit film, and a place to set the Leafax.

The Leafax was a portable photo transmitter. Contained in an aluminum suitcase of “standard size”, it was heavy. One would open it, set it up, and power it on. With each use, a strip of film was used to calibrate it. When it was warmed up and ready, photos transmitted via a phone line. The Leaf scanned color negatives and digitized them. The film holder was small. Designed for film to be cut into frames of three. The middle frame was the frame to be sent. Each photo took approximately 25 minutes to send. The Leaf was expensive. It was of carry on size for planes, and that is how we tried to transport it. Fragile too. A solid bump or drop could break something or knock it out of calibration. Even back then, it would often raise eyebrows at airport security. I was asked to open it and power it up more than a few times.

One of my first out of town trips was during the practice period. On January 15th. I was dispatched to Minneapolis to make portraits of former Viking, Karl Kassulke, at his home. The fun of travel was tempered by having to lug gear around. It wasn’t long before I bought a small, foldable pull cart. Barry was more experienced and knew what lie ahead. His advice? “Sign up for every frequent flyer program you can.” Practice was over. We were ready to go live.

And so it began. We were either shooting the local teams, or making regional runs as needed. If we were home, we’d shoot until it was time to head back to the office to process, transmit, and make deadline. I had this routine down from working at The Herald. If we were on the road, the Leaf went with us. The Associated Press would process our film, then we’d work from a table somewhere in the arena or stadium. Conditions in those rooms varied greatly. Some were nice, some were dumps.

Barry and I worked together early on. We hauled four new, huge, Speedotron lights to South Bend to strobe and shoot a Notre Dame basketball game. Each head had four flash tubes, and massive, heavy power packs. We had to drag it all up steps, and position it around the catwalk to the four corners. Then, wire them all together before letting a “drop cord” down to the floor, where it would plug into our cameras to fire the strobes. The process took close to two hours. It all had to be taken down and packed up at the end of the game.

Another South Bend job brought in staff from New York. They had their hands on what was then, almost an unknown. A Sony Mavica digital camera. About the size of a Hasselblad, It shot a floppy disk. I have no recall of the megapixels, etc. The support software that it required transported in a wooden box that barely squeezed into the back of my car. The two technicians, and all the gear flew into Chicago. Then we drove down and shot a Notre Dame vs. Michigan football game with it all. The first game of the season. Other photographers checked us out. Curious but skeptical. I found it difficult to use. But it saved film processing and bought us time.

It was fun, but hard work. Not glamorous. When sports photographers travel, most of the time, they see airports, arenas and stadiums, and hotels. When they are working, they often have the best seat in the house. But they are not enjoying the game. They are there, under pressure, with the expectation of producing fantastic photographs. The games were the tip of the iceberg. Way more hours were spent in preparation, and/or sending photos, long after the games were over and facilities empty of fans.

Spending time with Barry, I got to know him. He was a graduate of the University of Missouri journalism program. One of the best. He was indeed quiet. But easy to get along with. His words were seldom wasted. He pointed out one of the perks of sports photography, as opposed to general photography. “You don’t have to pose anybody. And you don’t have to stop them to get their name.”

Though I never met the vast majority of them, I would chat with the night editors in New York as I sent photos. There were frustrations within the process, but there were no second thoughts about leaving The Herald for the unknown. As a photographer, I was a foot solider, pretty much removed from any discussions as to how the product was being received, how it was selling, etc. In Chicago, I didn’t hear a lot of business talk. Our bureau chief was Bud Shaw, a great guy. The ad sales guys were across the hall from the photo area. They were very professional, had lots of experience, and hustled hard.

The National was definitely ahead of its time. Some say The National “invented” box scores for hockey. The graphics were super, the writers and columnists were too. The photographers… We were all solid action shooters. Chris Covatta was our portrait ace. When needed, we enlisted the help of other well-seasoned shooters.

As fine as the product was. As well as it was being received. At least one major “player” in the sporting world community, gave all of us an “ego check.” The National applied for writing and photography credentials to the 1990 Masters Tournament. They turned us down cold. Something to the effect that we “weren’t proven.”

Any Bulls or Blackhawks game meant a trip to 1800 W. Madison St. Chicago Stadium.was built in 1929. The building had seen better days. It was way outdated, but had so much character. A lot of history. In the fall, photographers would stop in to pick up their photo credentials for the hockey and basketball seasons ahead. Once inside, the place would smell like fresh paint and stale beer. I absolutely loved working in that place! “The madhouse on Madison,” they called it. Blackhawks fans were loyal. And this was right in the middle of the Michael Jordan era for the Bulls.

Photographers parked on Wood Street, then walk west on Warren Street to the west end of the stadium. At the west end was a fenced in parking lot for players and team staff. Open air, nothing fancy. A security guard kept watch on this gate. I got my first look at a Ferrari Testarossa in that lot. A guy named Jordan owned and drove it. Walk though the lot and you’re ready to enter the building at gate 3 1/2. An Andy Frain usher would hand you a circle sticker that identified you as being allowed to work the event for that night. Peel off the backing, slap it on your jeans, and walk on into the arena.

The National had a deal with Blackhawks photographer, Sal Benjamin. We rented two of the big strobes, mounted up in the rafters. This arrangement saved us from having to install and remove all that equipment on a regular basis. Those lights were triggered with a wireless system. The transmitter plugged into a camera socket. When the shutter was tripped, the signal fired the lights.

A hockey rink is larger than a basketball court. Depending on which we were shooting, Barry or myself would have to go to the electricians room and get a key from Gene. The key got us though a door that gave us access to the catwalk system, 90 feet above the ice or floor. In 1929 they didn’t put elevators in sports arenas. We would trudge up many flights of steps near the southwest corner of the building. Once the door to the catwalk was opened, you were hit with big gust of air. The massive catwalk system was dark and dusty. Some of the railings were suspect. Looking down would make your palms sweat.

We were up there on a regular basis. Why, you ask? Because of the difference in size between that ice and wood, the lights and reflectors had to be re-positioned, ever so slightly, to re-aim the best light on either the backboard and net, or the hockey net. If it was a hockey game, you weren’t alone up there. Chicago Stadium had a massive organ. The pipe system was in the rafters and catwalk. A guy was stationed up there on a concrete pad, to trouble shoot and free any organ valves that might stick open. He read a lot of books to pass time.

In the summer of 1990, I was sent out to Seattle to photograph the Goodwill Games. The games were the idea of Ted Turner, in reaction to political troubles surrounding the Olympics. The 1990 games were the second edition. The games were very, very much like the Olympics. I was paired with L.A. staffer Michael Goulding. Mike is super-talented. We worked as a team, and we had a young man, Eric, who did some of our film running and transmitting. He was a friend of Carmin Romanelli, our Director of Photography, in New York.

We did the best we could. And that was really good. But, as made for television, many of the major events did not begin until mid-evening. With that three hour time difference we were behind the eight ball a lot. Deadlines were murder out there.

Being at the games for around two weeks, this was one place where we did have some down time. A chance to roam around Seattle. Mike introduced me to my first iced coffee at some outdoor cafe along the harbor front.

Everything seemed to be rolling along fine. We were six months into it. If there was any cause for concern, it was well guarded. More bureaus were opened. Atlanta, Detroit, San Francisco. With each bureau, more staff. Including photographers. When a bureau opened in Washington D.C., Barry and his wife Leslie headed east to run it. I was now going it alone in Chicago. Eventually, there was a shift in how we approached the photography. More emphasis was put on portraits and feature stories. A little less on trying to keep up with game action.

When I did shoot action, I was granted the luxury of having someone be at the office to transmit photos while I stayed longer at games. More time meant more opportunity for better photos. We had made arrangements with a courier company to meet at a specific gate at a specific time. I’d leave the action for a few minutes, run the film out to the waiting car, and head back to the photo position. The courier would drop the film with our “transmitter person” in the lobby of 35 East Wacker. It was a good move. Barry’s friend, Cathy, and my friend Mark, were often used in this capacity.

Cathy provided me with one of the best memories during my tenure at The National. I was shooting a night game at Wrigley. Cubs vs. Dodgers. I’d loaded with high speed film, but it was still twilight when there was a play at the plate. I had no idea what I got from it (no reviewing in the Before Digital days. You had it or didn’t). The play was on film I sent with the courier. I shot the rest of the game and drove back to the office.

Cathy had sent photos to New York and had gone home. The office was dark. I flipped on lights to find “footprints” leading back to the room we transmitted from. She had taken her shoes and made multiple photo copies of each one, left and right. Then she went to the trouble of cutting them out and placing them on the hallway floor to look like footprints. Randomly, on different “feet,” she had written words. “This……. way….. to……the…..greatest….baseball….photo…..EVER!”

I had made a pretty good photo of the play at the plate. Helmets flying off, the bat on the ground, the ball. Cathy really went out of her way on that one.

The National had made it a year. Another “start up” publication, the St. Louis Sun, didn’t do near as well. It launched in September of 1989 and was dead by April of 1990. I had worked with a Sun photographer when covering Blackhawks vs. Blues games at The Arena in St. Louis. One night he was there. Soon after, he wasn’t.

When did issues really arise for The National? I think it was a slow process. The pockets were deep. No expense was spared. At least early on. I’d be sent to Minnesota to shoot one game in a series between the Blackhawks and North Stars. Shoot the game, fly home, shoot a game in Chicago, then fly back to Minneapolis for the next game. Those mid-week, round-trip flights could easily cost the company $700 and up.

With no home delivery, everything relied on street sales. The cost of the paper was increased by a quarter, to seventy five cents an issue. “Why is your paper committing suicide,” a photographer from the Associated Press, asked?

The product was great. the logistics were poor. It was not well thought out in the beginning. Looking back, I believe some big names with big egos developed some kind of an axe to grind with Sports Illustrated.. The National was their “we’ll show them” product. In due time, they found out there is a huge difference between publishing a weekly magazine and a five days a week newspaper. I could be completely wrong.

On June 13th, 1991 I drove to Hinsdale, IL to make photos of Eric Soderholm. Soderholm had played for the White Sox, was retired, and was running a ticket broker business from his home. I made my photos and headed back to the office. Our Administrative Supervisor, Jeanne Takami, caught me just inside the door. “No need for you to process that film. We won’t be needing those photos,” she said. I asked why? “Today was our last issue” she responded. I’m not a smoker. I asked Jeanne for one of her cigarettes.

That was it. The National Sports Daily was done and we were all out jobs. No one in our Chicago office said they saw it coming. Not in “sudden death” form.

Reports vary. Some show we spent as much as $200 million dollars in those 16 months.

By luck, a Daily Herald photographer was leaving to move to St. Louis. I wasn’t out of work long. The Herald brought me back and put me to work in a bureau in Lisle. One day, at Wrigley, John Biever approached me. He asked how I was doing and where was I working? I explained I was back in general newspaper photography. “That’s too bad. You are a good photographer.” That felt good. I guy looked up to when I was 12 years old, paying me a compliment.

When everything settled out, many or most of our staff landed on their feet. I don’t know the fate or whereabouts of everyone. But most found work soon again in journalism. I keep in touch with some of them . At times I felt myself harboring mild resentment towards the reckless spending that I perceived at times. Still, I’d do it all over again.

It was pretty close to that dream job.

BELOW ARE SOME NOTABLE OR MEMORABLE ASSIGNMENTS I PHOTOGRAPHED DURING MY TIME WITH THE NATIONAL SPORTS DAILY.

1 1990 Chicago White Sox Spring training camp. Sarasota, FL

2 The 1990 NBA Finals. Portland vs. Detroit. June 5th-14th, 1990. I shot the games at The Palace in Auburn Hills, MI.

3 The 1990 U.S. Open. June 14th-18th at Medinah Country Club. Hale Irwin sinks a 45 foot putt on the 18th hole to tie Mike Donald and send the tournament into an 18 hole playoff the next day. Still tied after 18, Irwin finally wins on hole #1, the 19th playoff hole.

4 The 1990 MLB All-Star game at Wrigley Field. July 10th, 1990. Joe Dimaggio makes an appearance prior to the “Old Timers” game.

5 The 1990 Goodwill Games in Seattle and Tacoma, WA.

6 Notre Dame football. I photographed every home game in South Bend during the fall of 1990.

7 The final White Sox game at Comiskey Park. Sunday, September 30th, 1990. The White Sox defeated the Seattle Mariners, 2-1

8 The 1990 MLB National League playoffs. Cincinnati vs. Pittsburgh. Barry shot the Pittsburgh games. I shot the Cincinnati games along with fellow New York staff photographer, Frank Becerra. Al Tielmans, a free-lancer, also helped out on at least one of these games. I shot the Friday, October 5th game at Riverfront Stadium, stayed the night, then flew to Columbus to work the Ohio State vs. Illinois football game on Saturday the 6th. Illinois won that game, 31-20. I got a shot of Illinois coach John Mackovic blowing a kiss to the Illinois fans. My work that day, drew praise from Neil Leifer, during a phone conversation after the game. “You’re good at this football. You’ve done this stuff before.”

9 Packers vs. Vikings. October 28th, 1990. This game was memorable because it was played at County Stadium in Milwaukee. The Packers played a few games per season at the baseball stadium back then. It was the last example I can think of where BOTH team benches were on the same side of the field. This was great for photographers, as we had one entire sideline to roam. Plenty of elbow room. The Packers won, 24-10.

10 Bears vs. Broncos in Denver, at old Mile High Stadium. Worked this game on Sunday, November 18th, 1990. Then, spent the night and worked a Nuggets vs. Lakers NBA game at McNichols Arena on Monday the 19th. Mile High and McNichols are long gone now.

11 Bears vs. Chiefs on Saturday, December 29th, 1990 at Soldier Field. Damp and chilly. Normally, I’d shoot the game and go home. Instead, I headed straight to the airport to fly to Atlanta. Worked the Falcons vs. Cowboys game on Sunday, December 30th, 1990 on the red clay of Fulton County Stadium. The day before was cold, and I was sick with a cold. Warm enough in Atlanta to shoot this game in a T-shirt. Fulton County Stadium is gone now, too.

12 The 1991 NHL All-Star game at Chicago Stadium. Saturday, January 19th, 1991. Operation Desert Storm was three days old. When Wayne Mesmer sang The National Anthem at any Blackhawks game, it was something to behold and listen to! This time, with emotions and patriotism running at a fever pitch, it was surreal. When Chicago Stadium was no more, there was a story about the “top ten most memorable or historic moments” for the building. The anthem at the all-star game was one of them.

13 The 1991 AFC Championship game. Sunday, January 20th, 1991. With the hockey all-star game the day before, I don’t remember whether I caught a late flight on Saturday night? Or an early flight on Sunday morning? I do know that I was in Buffalo to photograph the Bills dismantle the Oakland Raiders, 51-3. The Bills were using their “no huddle offense.” I shot from the Raiders side and remember making eye contact with one of the players. There was absolute bewilderment in his eyes. There were four of us photographers for this game, Barry and myself from Chicago. Frank and Tony from New York. Carmin did the editing. My day behind the lens was like that of the Raiders on the field. I sucked.

14 Bo Jackson signs with the Chicago White Sox. Jackson signed on as a free agent on April 3rd, 1991. I’m not sure when he played his first game,? Likely, the home-opener I shot, but there was a ton of media hoopla surrounding it. A bunch of us (television and newspaper people) were standing around the dugout at Comiskey Park. I think it was prior to a game, but a few hours before. The stadium was empty of fans. A bunch of players, including Jackson, sat in the dugout, joking and talking. Ozzie Guillen, always the clown, may not have liked the attention Jackson was receiving. In an instant, and in an incident that lasted 3-4 seconds, Ozzie turned his back to us, dropped his pants and mooned us! I was in the right spot at the right time. Reacted quick enough to get the shot, with Jackson and Ken Patterson in the background. The photo could not be published for obvious reasons. I’ve never seen any other still photos of this one. I believe I have an exclusive with this one.

15 The first White Sox game at “new” Comiskey Park. Thursday, April 18th, 1991. The Sox played the Detroit Tigers and lost to them, 16-0.

16 The 1991 Memorial Tournament in Dublin, OH May 16th-19th, 1991. I followed golfer Mike Donald on Saturday and Sunday for a feature story called “The Last Great Shot.” Donald was an unknown golfer who had come so close to winning the 1990 U.S. Open that I’d covered. I made action photos and a couple of portraits of Mr. Donald. He was super cooperative.

17 The 1991 NBA Finals. Chicago vs. Los Angles. June 6th-12th. Barry and I shot the Chicago games. Chris and Brad did the games at The Forum. The Bulls won the title on June 12th after five games. The National Sports Daily was done the next day.

"One FLU Over the Photographer's Nest"

Been too long between blogs. Have been fortunate to be busy. Not so fortunate last week, when down with the flu of some sort. The older I get, the harder it hits. The older I get, the more wimpy I become. Due to the crud, two jobs were postponed. Thankfully, not cancelled. If I don’t work, I don’t pay the bills.

Bill Wyman, the former bass player for The Rolling Stones, once said. “If you can walk, you can make it to the gig.” That’s the approach I try and take. That’s the approach my dad took. In the 14 years I had with dad, the only time he missed a day at the hardware store was if we were on vacation. And after he was diagnosed with cancer.

With the work ethic in mind, l pulled it together to do three jobs for my friends at Monmouth College. I was at my lowest on Tuesday, and it was the most busy. Five separate sessions, spread over five hours. A day of variety, I made portraits of Dr. Mark Willhardt, recently named dean and VP for academic affairs. Interior photographs of the Alumni House. A new employee, a physics student who works with plants. And two basketball players.

Dr. Willhardt was first up on Tuesday. A really nice guy, easy to work with, We used a common room in Wallace Hall to make the portraits. Some were made as he spoke to Jeff Rankin, the man who coordinates a lot of the photos I make for the college. I tried to catch him smiling. I tried to use some foreground context. I tried to frame him between chairs. Anything to add interest to the photos. I also posed him for some frames.

Interior photos are more of a technical exercise. Lines, color, where to put lights. It went fairly easy. Details matter. Keeping flash glare off artwork can be a challenge. Turning on desk and table lamps adds a nice “warm” touch to the scene.

The new employee photo was, as us photographer’s sometimes use the term, “quick and dirty.” The young lady, outside the building she works in, with one off camera flash for fill. It was chilly out. She was accommodating.

The physics student provided us a small growing room to work with. It was tiny, and possibilities were a bit limited. The pink cast of a grow light provided me with a built in, colored gel.

Finished in Glennie Gymnasium with Will and Carly. They were patient while I made all the shots and angles the sports information director requested. By the end of it, I was sweating and chilled. And aching like being hit by a truck.

Thursday evening was men’s lacrosse. Monmouth put it to Clarke College, 10-2. Dominated the game. I’d rested on Wednesday, shot this game Thursday, still not feeling human. It was windy and chilly. First night game of the season for me. Used the 300mm lens and 1.4 converter. That meant an iso of of 5,000, which allowed me to shoot 1/500th at f4. Artificial light can work. The stadium has pretty even lighting.

Finally, Friday. I was tapped to photograph the rollout for the “Light This Candle” event. A campaign to increase the college endowment. Set up speed lights in each of the four corners of the room to bring out the color and detail. As well as override the big banks of windows on three sides of the room.

I’m busy again this week. Work for Monmouth College, the Galesburg Community Foundation, and the Knox-Galesburg Symphony. And I feel a lot better this week. That is o.k. by me.

"That Night"

Taking a detour from the subject of photography to that of music. As big a love, or bigger, than photography.

Duke Tumatoe & the All-Star Frogs (later, Duke Tumatoe & the Power Trio) were/are a regional rhythm & blues/rock band. Began following them in 1982, though they’d been around for much longer. I love them! Duke has a distinct guitar sound and style. And his song writing is witty, sometimes sardonic. And it all comes together best in a live setting. I’ve seen the band countless times.

John Fogerty needs no introduction. Creedence Clearwater Revival was one of my favorite bands in the early 70's. They owned the radio waves in 1970 and 1971. Albums were big sellers, singles from the albums, big hits. The sound is unmistakable. Still original and fresh today. One of the most original bands to come from America? They’d get my vote.

When I moved from Macomb to Chicago in June of 1987, I kinda lost track of Duke and the boys. When they played in Macomb it was easy to know they were coming to town. Chicago has so many more clubs it was difficult to keep up. By luck, a college friend, David Cronin, knew I was a fan, and got the word to me that they were going to play a couple of nights at a place on the near west side, and were going to record part of a live album those two nights. The producer of the live album was… John Fogerty!

Remember my comment about how good Duke and company are live? Well, John Fogerty happened to catch them at a club in Indiana one time. Fogerty said seeing them live was something like “Going to a small town and watching the local pitcher throw a 100 mph fastball.” Fogerty was an instant fan, and gave Duke his support.

The gigs were set for two nights. Friday, February 19th, and Saturday, February 20th (1988). My friend, Mark Dial, each got a ticket for Friday night. I don’t recall any word that guaranteed Fogerty would appear. I didn’t care. Seeing Duke again was good enough.

Dial and I met up and had dinner somewhere before. It was my first time on one of the public trains, as we moved towards the bar. Dials’ dinner had made him gassy. “I could clear this train with one flinch of my sphincter, “ he murmured. I gave him a horrified look, which saved everyone.

DeSalvo’s is in an industrial neighborhood. Duke had played there often. In fact, the album artwork for “Back to Chicago” shows the band in front of the bar. Dial and I arrived. Long and narrow, with two sides. One bar side, one side an open room for music. Dial and I arrived and were in. The music room was still roped off. We moved to the back of the bar side, ordered a drink and waited. I was sitting on a chair back, feet on the chair and distracted. Someone said, “Here he comes.”

One of the biggest heroes of my childhood music days, with a pretty blonde at his side, was walking right towards us. I remained calm, kept it casual, and didn’t move from the chair. He wasn’t very tall. I was looking straight into the eyes of John Fogerty. “Hi, John.” I stuck out a hand to shake and got the same response. He and the woman then ducked into the music room and stayed pretty much behind the sound board for the night, away from the fans.

Duke and band did their usual, great show. Three or four sets. Dial and I hung out in back, rather than get into the general admission, standing room, at the front. The place was small. We were in good shape in the back. One of my favorite Duke songs is “Can’t Judge a Book,” written by Willie Dixon. The interplay between Duke and Gus Starr (second guitarist) is awesome. The show got better, the audience wound tighter, as the night went on.

When Duke was done, Fogerty approached the stage. The jam began. That tale may be best told by the link to a story included here… http://riverising.tripod.com/john-articles/desalvos.htm

By the time Fogerty joined in, Dial and I were no longer sitting. We were standing on a table. One of those “folding type” tables used in cafeterias, etc. “Born on the Bayou” is my second favorite song of all time. When they played that, the table dancing and foot stomping by Dial and me was too much. The table collapsed in the middle!

I’ve worn the sweatshirt a few times to Duke shows since. Duke has admonished me. “You shouldn’t be wearing that,” he said once. He’s right. It’s a treasure and doesn’t come out much. Duke signed the left side, Fogerty signed the right side. Ironically, and by coincidence, a poster of Duke hangs above a magazine ad of Fogerty in my living room. The photo of Duke is one I made at some other time.

31 years ago tonight. A once in a lifetime night, with a once in a lifetime thrill.

"The Big Three"

My friend and fellow photographer, Rich Chapman, may have been the guy from whom I first heard this. “My cameras give me a front row seat to life.” I’ve borrowed that, and used it so many times I can’t count. When I decided I wanted to make a career in photography, specifically photojournalism, it was not because I wanted to use the camera to advocate for change, or change people’s lives. Those causes are very admirable. I was 14-years-old when I knew I wanted to make a living with a camera. My purpose was to have FUN, and witness events up close.

On February 16th, 1978, I got my first taste of what it’s like to be in the front row. Actually, the photo pit. I can not recall any event prior to this one, of any significance, that put me where I wanted to be. Access beyond the public. Emerson, Lake & Palmer performed in Western Hall, on the campus of Western Illinois University in Macomb, IL. As a staff photographer for The Megaphone at Culver-Stockton College, I applied for, and received, a photo pass for the show.

Ford, GM, and Chrysler were “The Big 3” of the auto industry. This is what I called ELP. Three musicians of massive talent, on tour for the first time since 1974. The Macomb show was on the second leg of The Works tour, which began in 1977. The band was popular, the shows were a big draw. WIU was a small venue, and I have heard unconfirmed, that an auxiliary generator necessary, and rented, to power the stage show ELP were known for.

My friend Lee Jankowski, who really turned me onto the band (I was familiar with “Lucky Man” but not much else), accompanied me to Macomb. We left Canton, MO late in the afternoon, so stoked that our dinner consisted of Nilla Wafers. Lee sat in a mezzanine seat, stage left.

There was no opening act. At some point, 3-4 of us photographers were led into the photo pit. the small area between the stage and the barrier that keeps the audience from getting too close. The house lights went down, and then, there they were! Feet away and a little above. They opened with “Peter Gunn,” and then went straight into “Hoedown.”

I am pretty sure I only had one camera body at that time. A Minolta SRT-101. I had a 50mm lens, and a Vivitar 70-200mm zoom lens with a slow aperture. I used Kodak Kodacolor II film. The film speed was 400 asa, which was pretty fast film in 1978. Making photos just about as fast as I could re-cock the shutter and recompose, I was able to work the entire show from the pit. This was before the “three songs and out” that is common practice now. I left the photo pit once, to get far enough back as to get an overall shot of the entire band. Emerson was my favorite of the three. My film negatives show I made more photos of him than the others. I was 19 years old and learning the craft. Not every frame is tack sharp.

The show was SO good! The band may have been at its peak. Emerson was 34-years old. Lake, 31. And Palmer, 27. Sadly, two of them are gone now. And they’ve gone in their billing order. First Emerson, and then Lake. Both in 2016.

This was it. The first example of being up close for a big time event. I loved the band at that time. The camera put me right there. ANY combination of music and photography, is good by me! The ELP concert is one of the biggest thrills of my career.

I’ve been back in Western Hall numerous times. I know approximately where the stage was located that night. A time or two, I’ve tried to stand in the area the photo pit was. I close my eyes and listen to hear a long gone, but still reverberating note. If there was one, it would be Lake’s song that also could describe where the cameras have taken me, and how fortunate I’ve been. The note would be from “Lucky Man.”